About this Album — Birth Of The Mystery

ALBUM NOTES 

           When the vital ener­gies work their way through a group of musi­ci­ans, the psy­cho­lo­gi­cal expe­ri­ence is of inner joy that beco­mes grea­ter then the sum of the indi­vi­du­al­ly inves­ted parts. The images are not orde­red to pre­sent a well-known pic­tu­re of a fami­li­ar sub­ject. What occur in this music are com­bi­na­ti­ons of con­tras­ting rising and fal­ling light and sound sub­s­tances, which dart in com­ple­te­ly unex­pec­ted direc­tions. The images will whirl in spi­ral through an unli­mi­t­ed space wit­hout ever see­ming to be ham­pe­red by any arbi­tra­ry limits. Music of the moment makes the who­le, or as Muri­el Gross­mann puts it: “We were play­ing with a con­cept, crea­ting orga­nic unity.” The com­ple­te musi­ci­an­ship, evi­den­ced by the quar­tet mem­bers on this record, can be set down to the fact that each mem­ber is awa­re not only of their own per­so­nal needs, but are con­scious of being part of a living pro­duc­ti­ve orga­nism, which not only ful­fills the needs of its mem­bers but pro­vi­des end­less plea­su­re and sti­mu­la­ti­on for the listener.

            Aus­tri­an Alto and Sopra­no saxo­pho­nist and com­po­ser Muri­el Gross­mann is widening her musi­cal com­mit­ment and bold explo­ra­ti­ons, crea­ting urgent and ele­vat­ing music. With sin­gu­lar ima­gi­na­ti­on Muri­el Gross­mann is a play­er and com­po­ser with a blend of tra­di­tio­nal and visio­na­ry, abso­lut­e­ly explo­si­ve throug­hout; music here is the case in point. The Crea­ti­on of ever evol­ving shapes moving in mul­ti­di­rec­tion­al ways; open struc­tures, giving the fee­ling that the pro­cess of making music is an end in its­elf and not just the means of obtai­ning a per­fect­ly finis­hed pro­duct. In the last years Muri­el Gross­mann has been per­forming and recor­ding with such artists as Wolf­gang Rei­sin­ger, Chris­ti­an Lil­lin­ger, Johan­nes Fink and lea­ding her own pro­jects. She was just recent­ly sel­ec­ted for best jazz record of the year in the cate­go­ry “mil­lor nova pro­pos­ta 2009” in Jazz Maga­zi­ne Jaç (no. 30, Feb/March 2010) for Cd Quar­tet (Dream­land­re­cords, DR 03 CD).

                “The suite Birth of the Mys­tery is about ela­bo­ra­ting the idea of a joyful birth in a musi­cal way. Crea­ti­on is coming through us but not from us. The­re are six important sta­tes of mind. Strength is about will power. Trust is about, all that comes to you is meant for you, so trust and your actions will be good. Breathing is about the essen­ti­al part of being con­scious as the breath flows, to use the power of the now. Pati­ence is about the peaceful­ness in non-action. Ope­ning, as in ever­y­day life, is about being open to give and to recei­ve com­pas­si­on and love; and Slide is about let­ting the things fall right into your hands to Wel­co­me it, so the joy can ease you.”

              The Quar­tet is com­po­sed of Rado­mir Milo­j­ko­vic on gui­tar, who both as accom­pa­nist and soloist, has sophisti­ca­ted sen­si­bi­li­ty and high-level of con­sis­ten­cy; with the drums of Mar­ko Jela­ca, an orches­tral con­ti­nu­um of rhyth­mic irre­gu­la­ri­ties that nevert­hel­ess mark the most rigo­rous metric, and bas­sist David Mar­ro­quin, who with same sen­se of free­dom always brings a wide ran­ge of rhyth­ms and sounds. This music is uni­ver­sal; they com­po­se quar­tet to the power of four, as well as a quar­tet four times unique.

             Each com­po­si­ti­on is a stu­dy in its­elf, the ela­bo­ra­ti­on of the musi­cal con­cepts through harm­o­ny, melo­dy and rhythm. “I was most­ly wri­ting in the night­ti­me, while ever­y­bo­dy was asleep. The still­ness and peace of the night were gui­ding me”. David Far­row

ALBUM CRITIC

An ear­ly gem from saxo­pho­nist Muri­el Gross­mann – alre­a­dy at the sort of apex that would make her one of the key spi­ri­tu­al jazz play­ers in the deca­de to come – crea­ting the sort of music that’s made her one of our favo­ri­te con­tem­po­ra­ry jazz musi­ci­ans here at Dus­ty Groo­ve! The vibe here is slight­ly dif­fe­rent than some of Grossmann’s more recent mate­ri­al – may­be a bit more open and less modal, but still with this way of buil­ding up a tune in the­se bold blocks of sound! Muri­el blows alto sax throug­hout – and as on many of her other gre­at recor­dings, gui­ta­rist Rado­mir Milo­j­ko­vic is a key part of the sound here – crea­ting all the­se tones and colors in a pia­no-less group that also fea­tures David Mar­ro­quin on bass and Mar­ko Jela­ca on drums. The album works as one long suite of tracks, with seven pas­sa­ges – inclu­ding the seg­ments “Strength”, “Trust”, “Breathing”, “Pati­ence”, “Ope­ning”, “Slide”, and “Wel­co­me”.  © 1996–2023, Dus­ty Groo­ve, Inc.
(Limi­t­ed to just 300 copies!)