{"id":1134,"date":"2016-01-15T22:33:02","date_gmt":"2016-01-15T21:33:02","guid":{"rendered":"http:\/\/www.murielgrossmann.com\/?page_id=1134"},"modified":"2026-03-05T13:16:43","modified_gmt":"2026-03-05T12:16:43","slug":"news","status":"publish","type":"page","link":"https:\/\/murielgrossmann.com\/","title":{"rendered":"News"},"content":{"rendered":"
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\u2013>  5\/3\/2026  PRE-RELEASE<\/span>  of 12\u201c Vinyl  QUARTET (2008) New\u00adley remi\u00adxed &<\/span> remas\u00adte\u00adred.<\/span> by  Moder\u00adnis\u00adtas Records<\/a><\/span>
\n<\/span>ORDER<\/span> HERE<\/span><\/a><\/span>
\n<\/span><\/span><\/span><\/span><\/strong>with Rado\u00admir Milo\u00adj\u00adko\u00advic on gui\u00adtar, David Mar\u00adro\u00adquin on bass, Mar\u00adko Jela\u00adca on drums<\/span><\/span><\/span><\/span><\/a><\/p>\n

\u2013><\/span><\/strong>\u201aPlays the Music of McCoy Tyner and Gra\u00adteful Dead\u2018 review in Aqua\u00adri\u00adum Drun\u00adkard, US<\/span> Feb 2026<\/a>  READ<\/span> FULL<\/span> WRITE-UP<\/span><\/span><\/a><\/strong>
\n\u201c\u2026 In all the\u00adse tracks, Gross\u00admann seems to loca\u00adte a com\u00admon the\u00adme of kine\u00adtic poten\u00adti\u00adal and fle\u00adxi\u00adbi\u00adli\u00adty \u2013 the ways in which a song can offer a wealth of oppor\u00adtu\u00adni\u00adties for spon\u00adta\u00adneous inter\u00adac\u00adtion, com\u00adplex evo\u00adlu\u00adti\u00adon and sud\u00adden swer\u00adves into undis\u00adco\u00adver\u00aded coun\u00adtry.<\/span>\u201d Reed Jack\u00adson<\/em><\/span><\/strong>
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\u2013><\/span> <\/strong>\u201a<\/a><\/span><\/span><\/span><\/span>MAGNET<\/span> Exclu\u00adsi\u00adve: Muri\u00adel Gross\u00admann Goes Track By Track On \u201cPlays The Music Of McCoy Tyner And Gra\u00adteful Dead\u201d<\/a><\/span><\/p>\n

\u2013> <\/strong><\/span> <\/span>Muri\u00adel Gross\u00admann Quar\u00adtet at KING<\/span> GEORG<\/span>, Colo\u00adgne, D \u2014  27th of MARCH<\/span> RESERVE<\/span> YOUR<\/span> PLACE<\/span> HERE<\/span><\/span><\/a><\/span><\/span><\/strong><\/p>\n

\u2013><\/span> Muri\u00adel Gross\u00admann Quar\u00adtet at KULTURZENTRUM<\/span> SCHLACHTHOF<\/span>, Bre\u00admen, D \u2014  26th of MARCH<\/span> RESERVE<\/span> YOUR<\/span> PLACE<\/span> HERE<\/span><\/a> <\/span><\/span><\/span><\/span><\/span><\/span><\/strong><\/p>\n

\u2013> <\/span><\/span>Muri\u00adel Gross\u00admann Quar\u00adtet at MUSICON<\/span>, Den Haag, NL<\/span> \u2014  25th of MARCH<\/span> RESERVE<\/span> YOUR<\/span> PLACE<\/span> HERE<\/span><\/span><\/a><\/span><\/strong><\/p>\n

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\u2013> \u201aPlays the Music of McCoy Tyner and Gra\u00adteful Dead\u2018 review in Dus\u00adty Groo\u00adve, US<\/span> Dec 2025<\/a><\/span>
\n\u201c\u2026 A fan\u00adta\u00adstic record \u2026 Gross\u00admann does\u00adn\u2019t bend to the wills of Tyner and the Dead \u2013 and ins\u00adtead, uses the song struc\u00adtures very loo\u00adse\u00adly as a vehic\u00adle to crea\u00adte rhyth\u00adms to sup\u00adport very vivid impro\u00advi\u00adsa\u00adti\u00adons \u2013 with excep\u00adtio\u00adnal help from group mem\u00adbers \u201d Dus\u00adty Groove<\/em><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong><\/p>\n

\u2013><\/span> Review of MG-Plays the Music of MxCoy Tyner and Gra\u00adteful Dead<\/span>, DR21925-2LP<\/span><\/span><\/span> in <\/span>UK<\/span>VIBE<\/span> by Mike Gates<\/span><\/a><\/strong>
\n\u201c\u2026<\/span><\/span>Cru\u00adci\u00adal\u00adly, Gross\u00admann isn\u2019t making a point here \u2013 she\u2019s making music. The Dead tracks don\u2019t beco\u00adme jaz\u00adzed-up curi\u00ados, and Tyner doesn\u2019t get psy\u00adche\u00adde\u00adli\u00adcal\u00adly diluted. Ins\u00adtead, the album traces an invi\u00adsi\u00adble lineage: har\u00admo\u00adnic den\u00adsi\u00adty, asym\u00adme\u00adtri\u00adcal swing, and that sen\u00adse of end\u00adless for\u00adward moti\u00adon\u2026<\/span><\/strong>this is a thoughtful, immersi\u00adve lis\u00adten that rewards deep atten\u00adti\u00adon.<\/span><\/strong>\u201c <\/span>Mike Gates, <\/span>UK<\/span> <\/span>VIBE<\/span><\/a><\/em><\/span><\/span><\/span><\/span><\/strong><\/p>\n

\u2013><\/span> Muri\u00adel Gross\u00admann Quar\u00adtet at PORGY<\/span> &<\/span> BESS<\/span>, Vien\u00adna, AUT<\/span> \u2014  11th of JANUARY<\/span> RESERVE<\/span> YOUR<\/span> PLACE<\/span> HERE<\/span> + STREAMING<\/span><\/span><\/a><\/strong><\/p>\n

\u2013>  29\/12\/2025  RELEASE<\/span>  2x12\u201cVinyl  MG<\/span> \u2014 Plays the Music of McCoy Tyner and Gra\u00adteful Dead<\/span> by<\/span> Dream\u00adland\u00adRe\u00adcords, dis\u00adtri\u00adbu\u00adted by RR<\/span> GEMS<\/span> Records.<\/span>
\n<\/span>ORDER<\/span> HERE<\/span><\/a><\/span>
\n<\/span><\/strong>with Rado\u00admir Milo\u00adj\u00adko\u00advic on gui\u00adtar, Abel Boquera on Ham\u00admond B3<\/span> organ, Uros Sta\u00admen\u00adko\u00advic on drums<\/span><\/span><\/span>
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\n\u2013> <\/span><\/span>Review of MG-Breakth\u00adrough<\/span>, RRGEMS21<\/span><\/span><\/span> in SOUNDOHM<\/span><\/span><\/a>
\n<\/strong>\u201cThis is the real deal \u2014 music that con\u00adnects direct\u00adly to the lineage of Col\u00adtra\u00adne and Pha\u00adro\u00adah San\u00adders while car\u00adving out com\u00adple\u00adte\u00adly new ter\u00adri\u00adto\u00adry.\u201c SOUNDOHM<\/span><\/a><\/i><\/span><\/span><\/strong><\/p>\n<\/div>\n

\u2013><\/span>  IBIZA<\/span> HEUTE<\/span> INTERVIEW<\/span> Novem\u00adber 28\/2025: MURIEL<\/span> GROSSMANN<\/span> UEBER<\/span> INSPIRATION<\/span> INSELLEBEN<\/span> UND<\/span> IHR<\/span> NEUES<\/span> ALBUM<\/span><\/a>
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\n\u2013><\/span> The best Jazz on Band\u00adcamp, Nov 2025<\/a><\/span><\/strong>
\n\u201c<\/span><\/strong><\/strong>Muri\u00adel Gross\u00admann typi\u00adcal\u00adly invo\u00adkes two ele\u00adments to achie\u00adve a medi\u00adta\u00adti\u00adve sta\u00adte: spi\u00adrit and groo\u00adve. \u2026<\/span><\/strong>Grossmann\u2019s latest goes hea\u00advier with the groo\u00adve this time around, but dis\u00adhes out ple\u00adnty of both ele\u00adments to satis\u00adfy the indi\u00advi\u00addu\u00adal pre\u00adfe\u00adren\u00adces of her gro\u00adwing cult of fans.\u2026\u201cDave Sum\u00adner  <\/em>ENTIRE<\/span> REVIEW<\/span> HERE<\/span><\/a><\/span><\/strong><\/strong><\/strong><\/div>\n

\u2013><\/span> Muri\u00adel Gross\u00admann Quar\u00adtet at MOODS<\/span>, Zurich, CH<\/span> \u2014 14th of DECEMBER<\/span> RESERVE<\/span> YOUR<\/span> PLACE<\/span> HERE<\/span><\/span><\/a><\/strong><\/p>\n

\u2013><\/span> Muri\u00adel Gross\u00admann Quar\u00adtet at NEW<\/span> MORNING<\/span>, Paris, FR<\/span> \u2014 7th of DECEMBER<\/span> RESERVE<\/span> YOUR<\/span> PLACE<\/span> HERE<\/span><\/span><\/a><\/strong><\/p>\n

\u2013><\/span> Muri\u00adel Gross\u00admann Quar\u00adtet at WE<\/span> JAZZ<\/span> Fes\u00adti\u00adval, Kor\u00adja\u00ada\u00admo Hel\u00adsin\u00adki, FI<\/span> \u2014 29th of NOVEMBER<\/span> RESERVE<\/span> YOUR<\/span> PLACE<\/span> HERE<\/span><\/span><\/a><\/strong><\/p>\n

\u2013><\/span> Muri\u00adel Gross\u00admann Quar\u00adtet fea\u00adturing<\/span> T\u00f5no Nais\u00adsoo on Moog and Rho\u00addes at Phil\u00adly Joe\u2019s, Tal\u00adlinn, EE<\/span> \u2014 28th of NOVEMBER<\/span> RESERVE<\/span> YOUR<\/span> PLACE<\/span> HERE<\/span><\/span><\/a><\/strong><\/p>\n

\u2013> Review of MG-Breakth\u00adrough<\/span>, RRGEMS21<\/span><\/span><\/span> in <\/span>UK<\/span>VIBE<\/span> by Mike Gates<\/span><\/a>
\n\u201c\u2026 a record that not only reaf\u00adfirms her magne\u00adtic pre\u00adsence in the spi\u00adri\u00adtu\u00adal jazz realm but feels like a lumi\u00adnous dawn, a remin\u00adder that some jour\u00adneys only begin when you learn to let go. \u2026 MGQ<\/span> \u2026 Their cohe\u00adsi\u00adon feels ele\u00admen\u00adtal, as though they brea\u00adthe as one, attu\u00adn\u00aded to subt\u00adle\u00adties of silence and pul\u00adse. \u2026 \u201cBreakth\u00adrough\u201d feels intel\u00adli\u00adgent\u00adly and thoughtful\u00adly res\u00adtrai\u00adned, yet accom\u00adplished and powerful. There\u2019s no melo\u00addra\u00adma or excess. Ins\u00adtead the album invi\u00adtes you into deep lis\u00adtening. This is music in ser\u00advice of some\u00adthing bey\u00adond mere sound \u2013 of awa\u00adre\u00adness, pre\u00adsence, com\u00admu\u00adni\u00adon. \u201c <\/span><\/span>Mike Gates, UK<\/span> VIBE<\/span><\/em><\/a><\/span><\/span><\/span><\/span><\/span><\/strong><\/p>\n

\u2013><\/span> \u201aBreakth\u00adrough\u2018 review in Dus\u00adty Groo\u00adve, US<\/span> Nov 2025<\/a><\/span><\/strong>
\n\u201e\u2026 It\u2019s hard to ima\u00adgi\u00adne Muri\u00adel Gross\u00adman having a breakth\u00adrough, as each of her records have alre\u00ada\u00addy cover\u00aded a huge amount of musi\u00adcal ter\u00adri\u00adto\u00adry \u2013 but this time around, it defi\u00adni\u00adte\u00adly feels as if she\u2019s onto some\u00adthing even new and more magi\u00adcal than befo\u00adre \u2013 a blend of her acou\u00adstic spi\u00adri\u00adtu\u00adal jazz ener\u00adgy with a bit more elec\u00adtric work on Ham\u00admond B3<\/span>, Fen\u00adder Rho\u00addes, Moog, and a varie\u00adty of gui\u00adtars \u2013 all used on the\u00adse long, sear\u00adching tracks that are over\u00adflowing with soul!\u201d Dus\u00adty Groove<\/span><\/span><\/strong><\/p>\n

\u2013>  3\/10\/2025  PRE-RELEASE<\/span>    1x12\u201cVinyl  BREAKTHROUGH<\/span> by<\/span>  RR<\/span> GEMS<\/span> Records<\/a><\/span>
\n<\/span><\/span><\/strong>ORDER<\/span> HERE<\/span><\/a><\/span><\/strong>
\n<\/span>with Rado\u00admir Milo\u00adj\u00adko\u00advic on gui\u00adtar, Abel Boquera on Ham\u00admond B3<\/span> organ, Uros Sta\u00admen\u00adko\u00advic on drums<\/span>
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\u2013><\/span> Muri\u00adel Gross\u00admann Quar\u00adtet at Jazz in the City fes\u00adti\u00adval, Mario\u00adnet\u00adte Thea\u00adter Salz\u00adburg, AUT<\/span> \u2014 19th of OCTOBER<\/span> RESERVE<\/span> YOUR<\/span> PLACE<\/span> HERE<\/span><\/span><\/a><\/strong><\/p>\n

\u2013><\/span> Muri\u00adel Gross\u00admann Quar\u00adtet at Jazz Point Ibi\u00adza, Tea\u00adt\u00adro Ibi\u00adza, Ibi\u00adza, ES<\/span> \u2014 17th of OCTOBER<\/span> RESERVE<\/span> YOUR<\/span> PLACE<\/span> HERE<\/span><\/span><\/a><\/strong><\/p>\n

\u2013><\/span> Muri\u00adel Gross\u00admann Quar\u00adtet at Yecla Jazz Fes\u00adti\u00adval, Tea\u00adt\u00adro Con\u00adcha Segu\u00adra, Mur\u00adcia, ES<\/span> \u2014 3rd of OCTOBER<\/span> RESERVE<\/span> YOUR<\/span> PLACE<\/span> HERE<\/span><\/span><\/a><\/strong><\/p>\n

\u2013> <\/span><\/span><\/span><\/span>Muri\u00adel Gross\u00admann Quar\u00adtet at GAZARTE<\/span> Main Stage, Athens, GR<\/span> \u2014 20th of SEPTEMBER<\/span> RESERVE<\/span> YOUR<\/span> PLACE<\/span> HERE<\/span><\/span><\/a><\/strong><\/p>\n

\u2013><\/span> Fea\u00adture of MGQ live im King Georg, K\u00f6ln<\/span> in \u201cModern Music Must-Have\u2019s\u201d in Gold\u00admi\u00adne Sum\u00admer 2025 edi\u00adti\u00adon by Tone Scott<\/a><\/span><\/strong>
\n\u201c\u2026 <\/span><\/span>spi\u00adri\u00adtu\u00adal jazz. No modern play\u00ader exem\u00adpli\u00adfies this disci\u00adpli\u00adne more than saxophonist\/percussionist, Muri\u00adel Gross\u00admann<\/span><\/span>. \u2026<\/span> <\/span><\/span>The essence of adre\u00adna\u00adline from per\u00adforming in front of a pas\u00adsio\u00adna\u00adte live audi\u00adence is strewn over every track. Gross\u00admann always seems to lose her- self in the music, as if she\u2019s tran\u00ads\u00adcen\u00added to ano\u00adther dimen\u00adsi\u00adon, and it con\u00adveys this beau\u00adtiful\u00adly with the King Georg per\u00adfor\u00admance. As well, the artist\u2019s trus\u00adted musi\u00adcal con\u00adfi\u00addant, gui\u00adta\u00adrist Rado\u00admir Milo\u00adj\u00adko\u00advic, as well as drum\u00admer Uros Sta\u00admen\u00adko\u00advic and orga\u00adnist Abel Boquera, pro\u00advi\u00adde sup\u00adport for her musi\u00adcal tran\u00ads\u00adcen\u00addence with per\u00adfec\u00adtion.<\/span><\/strong>\u201c <\/span><\/span>Tone Scott, Gold\u00admi\u00adne, The Music Coll\u00adec\u00adtors Maga\u00adzin<\/em><\/span>e<\/em><\/span><\/a><\/span><\/strong><\/p>\n

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\u2013> <\/span>Muri\u00adel Gross\u00admann in THE<\/span> JAZZ<\/span> SESSION<\/span> Inter\u00adview with Jason Cra\u00adne 15\/4\/2025<\/a><\/span><\/strong>
\n<\/em><\/span><\/strong><\/p>\n

\u2013> <\/span>Review of <\/span>MGQ<\/span> live i<\/span>m King Georg, K\u00f6ln<\/span><\/span> in <\/span>UK<\/span>VIBE<\/span> by Mike Gates<\/span><\/a><\/span>
\n\u201c\u2026 crea\u00adtes a cos\u00admos of sound that is as medi\u00adta\u00adti\u00adve as it is powerful \u2026 this live recor\u00adding shows the quartet\u2019s evo\u00adlu\u00adti\u00adon towards an incre\u00adasing\u00adly psy\u00adche\u00adde\u00adlic, blue\u00adsy, prog\u00adgy aes\u00adthe\u00adtic \u2026The joyful feel of the night plays out loud and clear, from this fabu\u00adlous quar\u00adtet of musi\u00adci\u00adans through to the audi\u00adence and onto the recor\u00adding \u2026 her play\u00ading is incre\u00addi\u00adble, light\u00ading up the night with its lumi\u00adno\u00adsi\u00adty. The com\u00adpo\u00adsi\u00adti\u00adons here are strong, with ple\u00adnty of room for coll\u00adec\u00adti\u00adve inter\u00adplay \u2026  Stun\u00adning musi\u00adci\u00adan\u00adship all around, and a gre\u00adat live album to sit back and enjoy from one of the world\u2019s lea\u00adding lights in the spi\u00adri\u00adtu\u00adal jazz uni\u00adver\u00adse. \u201c <\/span><\/span>Mike Gates, UK<\/span> VIBE<\/span><\/em><\/a><\/span><\/strong><\/p>\n

\u2013> <\/span>\u201a<\/a>MGQ<\/span> live i<\/span>m King Georg, K\u00f6ln<\/span><\/span><\/a>\u2018 review in Dus\u00adty Groo\u00adve, US<\/span> April 2025<\/a><\/span><\/strong>
\n\u201e\u2026 Long live tracks from the fan\u00adta\u00adstic saxo\u00adpho\u00adnist Muri\u00adel Gross\u00admann \u2013 per\u00adforming here with her quar\u00adtet at a show in Ger\u00adma\u00adny, and may\u00adbe sound\u00ading even more maje\u00ads\u00adtic in con\u00adcert than in the stu\u00addio! Grossmann\u2019s been blo\u00adwing our mind for years, and just keeps on doing so with music like this \u2013 spin\u00adning out not just her own incre\u00addi\u00adble work on tenor, sopra\u00adno, and alto saxo\u00adpho\u00adnes \u2013 but let\u00adting her group find this very uni\u00adque modal groo\u00adve\u201d Dus\u00adty Groove<\/span><\/span><\/strong><\/p>\n

\u2013><\/span> Muri\u00adel Gross\u00admann MGQ<\/span> Live Im King Georg, K\u00f6ln HHV<\/span> Exclu\u00adsi\u00adve Trans\u00adpa\u00adrent Green Vinyl Edition<\/span><\/span><\/a><\/strong><\/p>\n

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\u2013> <\/span>Muri\u00adel Gross\u00admann &<\/span> Funk Explo\u00adsi\u00adon en Pal\u00adma de Mal\u00adlor\u00adca en el dia de les Illes Balears, March 2, 2025, see the pho\u00adtos of this con\u00adcert in Tomajazz.<\/a><\/span><\/strong><\/span><\/p>\n<\/div>\n

\u2013> <\/span>\u201aThe Light<\/span> Of The Mind\u2018 review by Jason Gross in The New York City Jazz Record, March 2025<\/span><\/a>
\n\u201e\u2026<\/span>Though wide\u00adly varied, The Light of the Mind is yet ano\u00adther con\u00adsis\u00adtent, self-assu\u00adred release by Gross\u00admann and her col\u00adla\u00adbo\u00adra\u00adtors.\u201dJason Gross<\/span><\/span><\/strong><\/p>\n

\u2013>  08\/01\/2025  PRE-RELEASE<\/span>    1x12\u201c<\/span><\/strong><\/span>V<\/span><\/strong>inyl  MGQ<\/span> live I\u2019m<\/span> King Georg, K\u00f6ln <\/span><\/b>  by Power House Records<\/a><\/span><\/strong><\/span>
\n<\/span>PRE-ORDER<\/span> HERE<\/span><\/a><\/span>
\n<\/span><\/strong>with Rado\u00admir Milo\u00adj\u00adko\u00advic on gui\u00adtar, Abel Boquera on Ham<\/strong>mond key\u00adboard, Uros Sta\u00admen\u00adko\u00advic on drums
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\u2013> <\/span>\u201aThe Light Of The Mind\u2018 review by Imran Mir\u00adza in UKVi\u00adbe, Dez 2024<\/a>
\n<\/span><\/span><\/span><\/strong>\u201e\u2026 A high\u00adly-respec\u00adted and imme\u00ada\u00adsur\u00ada\u00adb\u00adly-talen\u00adted artist, Muri\u00adel Grossmann\u2019s insur\u00admoun\u00adta\u00adble efforts have soli\u00addi\u00adfied her as one of the genre\u2019s most com\u00adpul\u00adso\u00adry voices crea\u00adting music today. \u2026 Musi\u00adcal\u00adly, \u2018The Light of the Mind\u2019 finds the quar\u00adtet in fan\u00adta\u00adstic form \u2026 the mul\u00adti-face\u00adted saxo\u00adpho\u00adnist just never dis\u00adap\u00adpoints \u2026 con\u00adti\u00adnues to mas\u00adterful\u00adly build upon her towe\u00adring lega\u00adcy with a bur\u00adgeo\u00adning cata\u00adlo\u00adgue of imma\u00adcu\u00adla\u00adte releases.<\/span>\u201d Imran Mirza<\/span><\/span><\/span><\/strong><\/span><\/p>\n

\u2013> <\/span>\u201aThe Light Of The Mind\u2018 review in Rough\u00adTra\u00adde, UK<\/span> Dez 2024<\/a><\/span>
\n\u201eTho\u00adse who know know. Muri\u00adel Grossmann\u2019s repu\u00adta\u00adti\u00adon as a lea\u00adding prac\u00adti\u00adtio\u00adner of spi\u00adri\u00adtu\u00adal jazz that groo\u00adves, deep\u00adly groo\u00adves, has grown ste\u00adadi\u00adly with every new recor\u00adding\u2026 If, howe\u00adver, you are a new lis\u00adte\u00adner, you will find with this album that you have come to a place whe\u00adre con\u00adtem\u00adpo\u00adra\u00adry spi\u00adri\u00adtu\u00adal jazz meets hap\u00adpi\u00adness. Serious hap\u00adpi\u00adness.<\/span>\u201d Rough\u00adtra\u00adde<\/span><\/span><\/span><\/strong><\/span><\/p>\n

\u2013> <\/span>\u201aThe Light Of The Mind\u2018 review in Dus\u00adty Groo\u00adve, US<\/span> Jan 2025<\/a><\/span><\/span><\/strong>
\n\u201e\u2026 A fan\u00adta\u00adstic step for\u00adward for Muri\u00adel Gross\u00admann \u2013 an artist who just keeps on expan\u00adding her talents at the same time she\u2019s expan\u00adding our minds! \u2026 still every bit as spi\u00adri\u00adtu\u00adal and soulful, but wider-rea\u00adching too.\u201d Dus\u00adty Groove<\/span><\/strong><\/span><\/p>\n

\u2013> <\/span>\u201aThe Light Of The Mind\u2018 review in Juno Records, US<\/span> Dec 2024<\/a><\/span><\/span><\/strong>
\n\u201eMuri\u00adel Grossmann\u2019s latest offe\u00adring is a radi\u00adant jour\u00adney into spi\u00adri\u00adtu\u00adal jazz, rich with groo\u00adve and emo\u00adtio\u00adnal reso\u00adnan\u00adce\u2026. Grossmann\u2019s work pul\u00adses with warmth, com\u00admu\u00adni\u00adty and pro\u00adfound beau\u00adty.\u201d Juno Records<\/span><\/span><\/strong><\/p>\n

\u2013><\/span> We are thril\u00adled to release the FIRST<\/span> SINGEL<\/span> of the new album <\/span>The Light Of The Mind<\/span><\/span> named Uni\u00adson Unvei\u00adled. You can hear it on my<\/span> band\u00adcamp, <\/span><\/a>hope you <\/span><\/span>enjoy it.<\/span><\/span><\/span><\/strong><\/span><\/p>\n

Plea\u00adse see the gre\u00adat<\/span> audio\u00advi\u00adsu\u00adal<\/a> that Dmi\u00adt\u00adri Kali\u00adnin from RR<\/span> GEMS<\/span> assem\u00adbled. <\/span><\/span>The audio\u00advi\u00adsu\u00adal fea\u00adtures snip\u00adpets from a con\u00adcert cap\u00adtu\u00adred by Ol\u00e9o films at Jazz \u00e0 la Vil\u00adlet\u00adte in la Phil\u00adhar\u00admo\u00adnie de Paris along\u00adside a coll\u00adec\u00adtion of ama\u00adzing con\u00adcert pho\u00adto\u00adgraphs taken by talen\u00adted indi\u00advi\u00addu\u00adals, for which we are tru\u00adly grateful.<\/span><\/span><\/strong><\/p>\n

\u2013>  13\/11\/2024  PRE-RELEASE<\/span>    1x12\u201cVinyl  THE<\/span> LIGHT<\/span> OF<\/span> THE<\/span> MIND<\/span><\/b>  by  RR<\/span> GEMS<\/span> Records<\/a><\/span>
\n<\/span>PRE-ORDER<\/span> HERE<\/span><\/a><\/span>
\n<\/span>with Rado\u00admir Milo\u00adj\u00adko\u00advic on gui\u00adtar, Abel Boquera on Ham\u00admond B3<\/span> organ, Uros Sta\u00admen\u00adko\u00advic on drums
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\n\u2013> Muri\u00adel Gross\u00admann was nomi\u00adna\u00adted as Aus\u00adtri\u00adan per\u00adso\u00adna\u00adli\u00adty 2024 in the cate\u00adgo\u00adry SUCCESS<\/span> INTERNATIONAL<\/span>; thank you so much for voting. Muri\u00adel Gross\u00admann Por\u00adtr\u00e4t 24<\/a><\/span><\/span><\/span>
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\u2013> Muri\u00adel Gross\u00admann Quar\u00adtet <\/span>A LA<\/span> VILLETTE<\/span> @PHILHARMONIE<\/span>, PARIS<\/span> HEAR<\/span> THE<\/span> CONCERT<\/span><\/span><\/a><\/span><\/span><\/strong><\/p>\n

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\u2013><\/span> Muri\u00adel Gross\u00admann Quar\u00adtet fea\u00adturing Abel Boquera<\/span> on ham\u00admond <\/span><\/a>B3<\/span> at JAZZ<\/span> A LA<\/span> VILLETTE<\/span> @PHILHARMONIE<\/span>, PARIS<\/span>,<\/span><\/span><\/span><\/strong> 06\/09\/24 20:00HRS<\/span><\/span><\/strong>
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\u2013> Muri\u00adel Gross\u00admann Quar\u00adtet fea\u00adturing Txema<\/span><\/span> Rie\u00adra on ham\u00admond <\/span><\/a><\/span>B3<\/span> at GILLES<\/span><\/span> PETERSON<\/span> PRESENTS<\/span> \u2014 IMPRESSIONS<\/span><\/span><\/span><\/strong><\/span> 2024, FONDATION<\/span> MAEGHT<\/span>, St. Paul de Vence 09\/08\/24 21:30HRS<\/span><\/span>
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\u2013> <\/span>\u201aDevo\u00adti\u00adon\u2018 review by Elliott Simon in The New York City Jazz Record, March 2024<\/a><\/span><\/strong>
\n\u201e\u2026 This new release is the group\u2019s rea\u00adli\u00adsa\u00adti\u00adon of embo\u00addy\u00ading a broa\u00adder scope, ana\u00adlog\u00adous to pre\u00adsen\u00adting full sym\u00adpho\u00adnies rather than focu\u00adsed con\u00adcer\u00adtos. \u2026 Devo\u00adti\u00adon is sur\u00adpri\u00adsin\u00adgly the saxophonist\u00b4s U.S. label debut, and with it she crafts a tran\u00ads\u00adcen\u00addent musi\u00adcal expe\u00adri\u00adence, crea\u00adting a musi\u00adcal \u201cuber\u201d sta\u00adte \u2014 a mul\u00adti\u00adface\u00adted jour\u00adney through her diver\u00adse influen\u00adces and bey\u00adond \u2026\u201dElliott Simon<\/em><\/span><\/strong><\/p>\n

\u2013> 2\/03\/24 at 20:00h MURIEL<\/span> GROSSMANN<\/span> QUARTET<\/span> \u2026 plays DEVOTION<\/span> in DAI<\/span><\/span>, Kul\u00adtir\u00adzen\u00adtrum Hei\u00addel\u00adberg, Germany<\/span><\/span><\/strong><\/p>\n

\u2013><\/span> 1\/03\/24 at 20:30h MURIEL<\/span> GROSSMANN<\/span> QUARTET<\/span> \u2026 plays DEVOTION<\/span> in Jazz\u00adclub Han\u00adno\u00adver, Germany<\/span><\/strong><\/p>\n

\u2013><\/span> Con\u00adcert Cri\u00adtic of Por\u00adgy &<\/span> Bess Feb 2024 by Samir H. K\u00f6ck<\/span> <\/a><\/span><\/strong>
\nREAD<\/span> TRANSLATION<\/span> HERE<\/span><\/span><\/a><\/strong><\/p>\n

-><\/span> 15\/02\/24 at 20:30h MURIEL<\/span> GROSSMANN<\/span> QUARTET<\/span> \u2026 plays DEVOTION<\/span> in Por\u00adgy <\/span>&<\/span> Bess, Vien\u00adna Aus\u00adtria <\/span>TICKETS<\/span> HERE<\/span><\/span><\/a>
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\n\u2013> The best Jazz on Band\u00adcamp, Jann 2024<\/span><\/a>
\n<\/span><\/span>\u201cIn one breath, Muri\u00adel Gross\u00adman draws every bit of sere\u00adni\u00adty her joyful sound has to give, while gene\u00adra\u00adting enough inten\u00adsi\u00adty to make it reso\u00adna\u00adte across the breadth of the pla\u00adnet\u2026\u201cDave Sum\u00adner  <\/em><\/span>ENTIRE<\/span> REVIEW<\/span> HERE<\/span><\/span><\/span><\/a><\/strong><\/p>\n

\u2013><\/span>  \u2018Devo\u00adti\u00adon\u2019 review by Brent Siro\u00adta in Aqua\u00adri\u00adum\u00addrun\u00adkard, Los Ange\u00adles, Feb 2nd 2024<\/span><\/a><\/strong>
\n\u201cSome\u00adti\u00admes, they are mani\u00adfest\u00ading the onen\u00adess of the uni\u00adver\u00adse; and some\u00adti\u00admes, they are just taking our asses to church. \u2026<\/span>At a mam\u00admo\u00adth, mul\u00adti\u00adco\u00adlo\u00adred nine\u00adty minu\u00adtes brim\u00adming with relent\u00adless\u00adly inven\u00adti\u00adve play\u00ading and irre\u00adsis\u00adti\u00adble group dyna\u00admics, Devo\u00adti\u00adon encap\u00adsu\u00adla\u00adtes ever\u00ady\u00adthing that is exhi\u00adla\u00adra\u00adting about Muri\u00adel Grossmann\u2019s alre\u00ada\u00addy sub\u00adstan\u00adti\u00adal oeu\u00advre. \u2026<\/span>Here all the rest\u00adless sonic divin\u00ada\u00adti\u00adon that has cha\u00adrac\u00adte\u00adri\u00adzed much of her ear\u00adlier work is brought back down to earth and chan\u00adne\u00adled into the unstoppable groo\u00adve. It is, after all, the people\u2019s music.\u201d Brent Siro\u00adta<\/em><\/span><\/strong><\/p>\n

\u2013> <\/span>Muri\u00adel Gross\u00admann Explo\u00adres A Uni\u00adver\u00adse of Bound\u00adless Pos\u00adsi\u00adbi\u00adli\u00adtiy, All About Jazz, by David Kauf\u00adman, 7\/2\/2024<\/span><\/a> <\/strong><\/p>\n

\u2013> <\/span>Muri\u00adel Gross\u00admann im<\/span> Inter\u00adview mit Mar\u00adkus Dei\u00adsen\u00adber\u00adger von MICA<\/span> Aus\u00adtria \u201cWar Spie\u00adlen F\u00fcr Die Musik\u201d 30\/1\/2024<\/span><\/a> TRANSLATION<\/span> HERE<\/span><\/span><\/a><\/strong><\/p>\n

\u2013><\/span>  \u2018Devo\u00adti\u00adon\u2019 review by Leo\u00adnid Aus\u00adkern in Jazz\u00adQuad, Bela\u00adrus, 2023<\/span><\/a><\/strong>
\n\u201d \u2026 It is curious that in terms of style Muri\u00adel does not seem to offer any\u00adthing revo\u00adlu\u00adtio\u00adna\u00adry. But from the alre\u00ada\u00addy fami\u00adli\u00adar \u201cbricks\u201d, with the talent of an out\u00adstan\u00adding archi\u00adtect, she assem\u00adbles a buil\u00adding that is equal\u00adly har\u00admo\u00adnious and spec\u00adta\u00adcu\u00adlar, both in struc\u00adtu\u00adre and in deco\u00adra\u00adti\u00adve ele\u00adments. An exam\u00adp\u00adle of this is lite\u00adral\u00adly any pie\u00adce on the album\u2026all the mem\u00adbers of the quar\u00adtet are so con\u00advin\u00adcing that they only con\u00adfirm the con\u00advic\u00adtion for\u00admed during this hour and a half of lis\u00adtening to the album that this is Muri\u00adel Grossman\u2019s best album in recent years<\/span>\u201d Leo\u00adnid Auskern<\/em><\/span><\/span><\/strong><\/p>\n

\u2013><\/span> Review of DEVOTION<\/span> ALL<\/span> MUSIC<\/span> Gui\u00adde by Matt Collar<\/a>
\n<\/span>\u201cIf someone play\u00aded you saxo\u00adpho\u00adnist Muri\u00adel Grossmann\u2019s 2023 album Devo\u00adti\u00adon and said it was a les\u00adser-known organ and psych-soul-jazz album from the late \u201960s, you might just belie\u00adve them. It\u2019s an evo\u00adca\u00adti\u00adve vibe the Euro\u00adpean instru\u00admen\u00adta\u00adlist has been per\u00adfec\u00adting for over a deca\u00adde and which she brings to new levels here\u2026\u201d Matt Col\u00adlar<\/em><\/span><\/strong><\/p>\n

\u2013><\/span> Inter\u00adview<\/span><\/span><\/span> with Muri\u00adel Gross\u00admann in Jazz\u00adblues\u00adnews: My deepest wish is to spread joy and bliss through my music<\/span><\/a><\/strong><\/p>\n

\u2013> <\/span>Review of DEVOTION<\/span> in The Decem\u00adber \u201cEclec\u00adtic<\/span> Dis\u00adco\u00adveries No.9\u2033 of Gold\u00admi\u00adne Maga\u00adzin 13.12.23<\/span><\/a>
\n\u201c.. Gross\u00admann has released her uni\u00adque brand of jazz music into the uni\u00adver\u00adsal sonic ethers, and has, through her own ves\u00adsel, car\u00adri\u00aded the deep\u00adly eclec\u00adtic spi\u00adrit of some of the grea\u00adtest jazz play\u00aders of all time \u2026 into the new mill\u00aden\u00adni\u00adum, wit\u00adhout reser\u00adve, wit\u00adhout con\u00adfor\u00admi\u00adty, and wit\u00adhout shame.  It would be easy to say that Muri\u00adel Grossmann\u2019s musi\u00adcal hand\u00adprint has made way for her to be ack\u00adnow\u00adled\u00adged as one of the grea\u00adtest jazz musi\u00adci\u00adans of the 21st Cen\u00adtu\u00adry \u2026 DEVOTION<\/span> <\/span><\/span><\/strong><\/span>\u2026 <\/span><\/span><\/span><\/span>a con\u00adti\u00adnua\u00adtion of her Uni\u00adver\u00adsal Code pro\u00adject, but also what is very pos\u00adsi\u00adbly one of the grea\u00adtest jazz albums of the new mill\u00aden\u00adni\u00adum, by far. Tone Scott<\/em><\/span><\/strong><\/p>\n

\u2013><\/span> Review of DEVOTION<\/span> in wswalcottmedicineshow<\/a>
\n<\/span><\/strong><\/span><\/span><\/strong>\u201c.. from my first lis\u00adten to Devo\u00adti\u00adon I knew the\u00adre was some\u00adthing about it which real\u00adly scrat\u00adched that itch.  What itch \u201cthat\u201d was, I wasn\u2019t 100% sure but I knew right away that I was dig\u00adging it.  \u2026 Devo\u00adti\u00adon feels like Gross\u00adman has mana\u00adged to take the timing and spa\u00adcing that Gar\u00adcia lear\u00adned from Col\u00adtra\u00adne and trans\u00adform it into her own space.  To fur\u00adther cor\u00adre\u00adla\u00adte the Gar\u00adcia feel to this album, Devo\u00adti\u00adon almost feels like what Legi\u00adon of Mary would have sound\u00aded like if Mar\u00adt\u00edn Fier\u00adro was front and cen\u00adter rather than Jer\u00adry and Merle.\u201d<\/strong><\/span><\/span><\/strong>
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\u2013><\/span>WATCH<\/span> the <\/a><\/span><\/span>glo\u00adrious<\/span> VISUALIZER<\/span> of Title song DEVOTION<\/span> by Sarah Lind\u00adsay Goldstein<\/span><\/span>
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\u2013><\/span> Review of DEVOTION<\/span> in Dus\u00adty Groo\u00adve Chicago<\/a><\/span><\/strong><\/span>
\n\u201c\u2026 as Gross\u00adman real\u00adly opens up that mix of modal and spi\u00adri\u00adtu\u00adal styl\u00ades she does so well \u2026 \u2013 in a com\u00adbo that also fea\u00adtures gre\u00adat Ham\u00admond B3<\/span> from Abel Boquera, gui\u00adtar from Rado\u00admir Milo\u00adj\u00adko\u00advic, and drums from Uros Sta\u00admen\u00adko\u00advic. At times, the organ is used almost in a Lar\u00adry Young sort of way \u2013 but other moments have the instru\u00adment in moo\u00addier waves of sound, espe\u00adci\u00adal\u00adly when things get slight\u00adly exo\u00adtic \u2013 and the dou\u00adble-length set opens up with beau\u00adtiful tunes throug\u00adhout \u2026\u201d Dus\u00adty Groo\u00adve, Chicago<\/em><\/a>
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\n\u2013> <\/span>DEVOTION<\/span> RELEASE<\/span> CONCERT<\/span> 4\/12\/23 at SCHLACHTHOF<\/span>, Bre\u00admen Germany<\/span><\/a><\/span><\/strong><\/p>\n

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\u2013><\/span> DEVOTION<\/span> RELEASE<\/span> CONCERT<\/span> 2\/12\/23 at KING<\/span> GEORG<\/span>, Colo\u00adgne Ger\u00adma\u00adny TICKETS<\/span> HERE<\/span><\/span><\/a><\/span><\/strong><\/p>\n

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\u2013>  01\/12\/2023  New release   2x12\u201cVinyl<\/span>  DEVOTION<\/span><\/span> TMR-960<\/span>   by THIRD<\/span> MAN<\/span> RECORDS<\/span> PRE-SALE<\/span> NOW<\/span><\/a><\/span> at  <\/span> Third Man Records<\/a> or at<\/span> MY<\/span> BANDCAMP<\/span> PAGE<\/span><\/a>
\n<\/span><\/span>with Rado\u00admir Milo\u00adj\u00adko\u00advic on gui\u00adtar<\/span>, Abel Boquera on organ<\/span>, Uros Sta\u00admen\u00adko\u00advic on drums<\/span>  Art\u00adwork by <\/span>Jomo\u00adto\u00adpia<\/span><\/span><\/a><\/strong><\/span><\/span><\/strong><\/p>\n

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\u2013><\/span>  Review of UNIVERSAL<\/span> CODE<\/span> by Tone Scott, Gold\u00admi\u00adne Maga\u00adzin, 18.08.23 <\/a>
\n<\/span><\/span><\/strong>Uni\u00adver\u00adsal Code is a per\u00adfect modern approach to the essen\u00adces of Hard-Bop (slight\u00adly), Post-Bop, Soul Jazz and Modal Jazz coll\u00adec\u00adtively strewn over a \u2019new mill\u00aden\u00adni\u00adum\u2019 musi\u00adcal can\u00advas. To me, what sets this new album apart \u2026  is the cohe\u00adsi\u00adve\u00adness across the enti\u00adre pro\u00adject that makes the album bla\u00adtant\u00adly feel as if it free-flows along as one enti\u00adre musi\u00adcal suite with nine various move\u00adments.  Ano\u00adther musi\u00adcal pro\u00adper\u00adty that adds to the uni\u00adque\u00adness of Uni\u00adver\u00adsal Code, is an almost psy\u00adche\u00adde\u00adlic under\u00adto\u00adne scat\u00adte\u00adred over various ele\u00adments of the record\u2026 much of the musi\u00adcal accom\u00adp\u00adaniment as well as much of Grossmann\u2019s play\u00ading con\u00advey the very ele\u00adments that make albums like Santana\u2019s Abra\u00adxas and Jef\u00adfer\u00adson Airplane\u2019s Sur\u00adrea\u00adli\u00adstic Pil\u00adlow, subt\u00adle psy\u00adche\u00adde\u00adlic mas\u00adter\u00adpie\u00adces \u2026 Moreo\u00adver, the modern day ico\u00adnic sound signa\u00adtu\u00adre of Muri\u00adel Gross\u00admann, with wha\u00adte\u00adver tona\u00adli\u00adty of saxo\u00adpho\u00adne she choo\u00adses to wield, is, in every way, the very reason I keep coming back, over and over, for each new release. <\/span><\/strong>
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\u2013> <\/span>Muri\u00adel Gross\u00admann Quar\u00adtet fea\u00adturing Eli\u00adas Mei\u00adri on keys at DANAUS<\/span> FESTIVAL<\/span> 2023, Sce\u00adne<\/span> du Cha\u00adteux, Tour\u00adet\u00adte Levens 03\/08\/23 21:15hrs<\/span><\/strong><\/p>\n

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\u2013> <\/span>Muri\u00adel Gross\u00admann Quar\u00adtet fea\u00adturing Loren\u00e7 Bar\u00adce\u00adlo on ham\u00admond B3<\/span> at GETXO<\/span> JAZZ<\/span> 2023, Pla\u00adza de la Estaci\u00f3n de Alg\u00ador\u00adta, Get\u00adxo 19\/06\/23 19hrs<\/span><\/span><\/strong><\/p>\n

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\u2013>  <\/span><\/strong>Review of UNIVERSAL<\/span> CODE<\/span> by Tim Cas\u00adpar Boeh\u00adne, HHV<\/span> Maga\u00adzin Ger\u00adma\u00adny, 28.06.23 <\/a>TRANSLATION<\/span> HERE<\/span><\/span><\/a><\/span><\/strong>
\n\u201cUni\u00adver\u00adsal Code\u201d \u2026 sim\u00adply pro\u00adves to be a clas\u00adsic voca\u00adbu\u00adla\u00adry that deri\u00adves its moder\u00adni\u00adty from the fact that the\u00adse melo\u00addies and har\u00admo\u00adnies, the\u00adse phra\u00adsings and accents, all natu\u00adral\u00adly fall into place and speak direct\u00adly to the lis\u00adte\u00adner. The first three tracks are named \u201cReso\u00adnan\u00adce,\u201d \u201cCla\u00adri\u00adty,\u201d and \u201cInter\u00adcon\u00adnec\u00adtion,\u201d pre\u00adcis\u00ade\u00adly describ\u00ading what the music does to you.\u201d Tim Cas\u00adper Boeh\u00adne, HHVMAG<\/span><\/em><\/span><\/strong>
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\n\u2013><\/span>  <\/span>Ent\u00adre\u00advis\u00adta con Muri\u00adel Gross\u00admann \u2014 De Lo spi\u00adri\u00adtu\u00adal en el Jazz, AUX121<\/span>, Jun Jul 23, Espa\u00ad\u00f1a, Jani\u00adre Goi\u00adkoet\u00adxea<\/span><\/a> TRANSLATION<\/span> HERE<\/span><\/span><\/a>
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\n\u2013><\/span>  <\/strong>09\/06\/2023  New release   2x12\u201c<\/span>Vinyl  <\/b>UNIVERSAL<\/span> CODE<\/span><\/span> <\/span><\/span>  by  <\/span>RR<\/span> GEMS<\/span> Records<\/a><\/span>
\n<\/span><\/span>ORDER<\/span> HERE<\/span><\/span><\/a><\/span>
\n<\/span><\/span><\/strong>with Rado\u00admir Milo\u00adj\u00adko\u00advic<\/span><\/span> on gui\u00adtar<\/span>, Llo\u00adren\u00e7<\/span> Bar\u00adcel\u00f3<\/span> on organ, <\/span>Uros Sta\u00admen\u00adko\u00advic<\/span> on drums and Gina Schwarz<\/span> on bass on song Non- Dua\u00adli\u00adty, Essence and Libe\u00adra\u00adti\u00adon. Art\u00adwork by Jomo\u00adto\u00adpia<\/a>
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\u2013><\/span>  <\/span>Thril\u00adled to be part of the exi\u00adting sub\u00adscrip\u00adti\u00adon packa\u00adge of THIRD<\/span> MAN<\/span> RECORD<\/span> hono\u00adu\u00adring the gre\u00adat elec\u00adtric Miles David-Fearless<\/span><\/a><\/span><\/strong><\/p>\n

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\n
\n\u2013><\/span>  Review of BIRTH<\/span> OF<\/span> THE<\/span> MYSTERY<\/span> in Dus\u00adty Groo\u00adve Chicago<\/a><\/span><\/strong><\/span>
\n\u201cAn ear\u00adly gem from saxo\u00adpho\u00adnist Muri\u00adel Gross\u00admann \u2013 alre\u00ada\u00addy at the sort of apex that would make her one of the key spi\u00adri\u00adtu\u00adal jazz play\u00aders in the deca\u00adde to come \u2013 crea\u00adting the sort of music that\u2019s made her one of our favo\u00adri\u00adte con\u00adtem\u00adpo\u00adra\u00adry jazz musi\u00adci\u00adans here at Dus\u00adty Groo\u00adve! The vibe here is slight\u00adly dif\u00adfe\u00adrent than some of Grossmann\u2019s more recent mate\u00adri\u00adal \u2013 may\u00adbe a bit more open and less modal, but still with this way of buil\u00adding up a tune in the\u00adse bold blocks of sound!\u2026\u201d Dus\u00adty Groo\u00adve, Chicago<\/em><\/a><\/span><\/strong><\/span><\/span><\/p>\n

\u2013><\/span><\/strong>  Album review for UNIVERSAL<\/span> CODE<\/span><\/span> in skjazz, Slo\u00adva\u00adkia by Jan Hocek<\/span><\/a> <\/strong>Trans\u00adla\u00adti\u00adon HERE<\/span><\/a><\/strong>
\n<\/span>\u201c\u2026she found a true uni\u00adver\u00adsal code of modern jazz;  tog\u00ade\u00adther with her team\u00adma\u00adtes, she lite\u00adral\u00adly crea\u00adted the essence of the most vital, the most endu\u00adring jazz, \u2026 lis\u00adte\u00adner is expo\u00adsed to the attack of some\u00adthing almost other\u00adworld\u00adly, sim\u00adply inde\u00adscri\u00adba\u00adble. \u2026 it must be added that the enti\u00adre album does not have a sin\u00adgle weak\u00adne\u00adss and if you let yours\u00adelf be absor\u00adbed, you will be reward\u00aded with an extra\u00ador\u00addi\u00adna\u00adry lis\u00adtening expe\u00adri\u00adence that has the power to tru\u00adly enrich your life.  It\u2019s not just music, it\u2019s some\u00adthing that tran\u00ads\u00adcends a person\u2026\u201d<\/span><\/strong><\/span><\/p>\n

\u2013>  01\/02\/2023  New release! Album<\/span> BIRTH OF THE MYSTERY (2010)<\/span> on Vinyl, released by<\/span> Pas\u00adse\u00adri\u00adne Records<\/a> in a<\/span> limi\u00adt\u00aded edi\u00adti\u00adon of 300ex.<\/span><\/span><\/span>
\norder at<\/span> Dus\u00adty Groo\u00adve<\/a><\/span> ; <\/span><\/span>Deep<\/span> Groo\u00adve Maine, Maine USA<\/span>; Red Scoll Records, CT<\/span> USA<\/span>; Father Her\u00adbie <\/span><\/span>Records, Thes\u00adsa\u00adlo\u00adni\u00adki, GR<\/span>; Turt\u00adle Records, Brussels, BE<\/span><\/span><\/span><\/span><\/span>
\n<\/span>with Rado\u00admir Milo\u00adj\u00adko\u00advic on gui\u00adtar, David Mar\u00adro\u00adquin on upright bass. Mar\u00adko Jela\u00adca on drums.
\n<\/span>
\n\u2013> <\/span>Pho\u00adtos of Trans\u00admu\u00adsi\u00adcal\u00ades Fes\u00adti\u00adval, Ren\u00adnes 2022 by Ber\u00adnard Sam\u00admut<\/a> <\/span>
\n\u2013> <\/span>Pho\u00adtos of Sonic City Fes\u00adti\u00adval by Barreteau\/Lapasin<\/a><\/span> <\/span><\/span><\/span>
\n\u2013> <\/span>Autumn Tour 2022 Recab by Dmi\u00adt\u00adri Kali\u00adnin<\/a><\/span> <\/span><\/span><\/span><\/span><\/span>
\n\u2013> <\/span><\/span><\/span><\/span><\/span>Con\u00adcert review Can\u00adnes \u201cMuri\u00adel and Her Boys\u201c<\/span><\/a>in Polar, Jazz &<\/span> Blues Dec 2022 <\/span>t<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong>rans\u00adla\u00adti\u00adon<\/span> HERE<\/span><\/a><\/span><\/span><\/span><\/strong><\/span><\/p>\n

<\/a>
\n
\n\u2013>  <\/span>Sounds ins\u00adtead of Ani\u00admals by Lars Fleischmann<\/a><\/span><\/strong><\/p>\n

\u2013>  Review of UNIVERSAL<\/span> CODE<\/span> by Pip\u00adpo Kuhzart<\/a><\/span><\/strong>
\n\u201cThis is the real deal, the jazz that blows you through once, but blows through your clam\u00admy, anxious mind, lets the lis\u00adte\u00adner belie\u00adve that joy and peace are pos\u00adsi\u00adble, uni\u00adver\u00adsal even. .\u2026 This is the real deal. Big stuff, enorm\u00adous, mas\u00adterful, but not serious \u2014 it sounds too effort\u00adless for that, too self-evi\u00addent in its abili\u00adties, real experts know no snob\u00adbe\u00adry, they draw the mas\u00adses into their won\u00adderful extra world whe\u00adre ever\u00adyo\u00adne can be included. See Muri\u00adel Gross\u00admann and die, folks\u201d <\/strong><\/span><\/span><\/p>\n

\u2013><\/span>  Review of UNIVERSAL<\/span> CODE<\/span> in Dus\u00adty Groo\u00adve Chicago<\/a><\/span><\/strong><\/span>
\n\u201cA fan\u00adta\u00adstic record that not only con\u00adti\u00adnues the gre\u00adat blend of sounds that saxo\u00adpho\u00adnist Muri\u00adel Gross\u00admann has given us in recent years, but also pushes things for\u00adward with a stun\u00adning com\u00adbi\u00adna\u00adti\u00adon that real\u00adly knocks things out of the park! \u2026 Things are still as spi\u00adri\u00adtu\u00adal as befo\u00adre, but may\u00adbe step back a bit to bring in some soulful organ and gui\u00adtar curr\u00adents from a pre\u00advious gene\u00adra\u00adti\u00adon too \u2013 at a level that con\u00adti\u00adnues to make Muri\u00adel one of our favo\u00adri\u00adte con\u00adtem\u00adpo\u00adra\u00adry play\u00aders in jazz!\u201d Dus\u00adty Groo\u00adve, Chicago<\/em><\/a><\/span><\/strong><\/span><\/p>\n

\u2013><\/span>  \u2018Uni\u00adver\u00adsal Code<\/span>\u2019 review by Leo\u00adnid Aus\u00adkern in Jazz\u00adQuad, Bela\u00adrus, 2022<\/span><\/a>
\n\u201d \u2026 Muri\u00adel offe\u00adred the lis\u00adten\u00aders a pro\u00adgram of nine new com\u00adpo\u00adsi\u00adti\u00adons, per\u00adfor\u00admed in her cha\u00adrac\u00adte\u00adristic style, orga\u00adni\u00adcal\u00adly com\u00adbi\u00adning the most modern trends in jazz with a solid back\u00adground of Coltrane\u2019s ide\u00adas. Per\u00adhaps this time this syn\u00adthe\u00adsis tur\u00adned out to be the most impres\u00adsi\u00adve, and the ensem\u00adble sound in Uni\u00adver\u00adsal Code see\u00admed to me the most solid and inte\u00adgral. ..hope my brief and sub\u00adjec\u00adti\u00adve impres\u00adsi\u00adons will let you dis\u00adco\u00adver this very talen\u00adted and crea\u00adti\u00adve per\u00adfor\u00admer and com\u00adpo\u00adser.<\/span>\u201d<\/span><\/span><\/strong><\/p>\n

\u2013>  02\/11\/2022  New release! Album<\/span> UNIVERSAL CODE<\/span> on CD<\/span>,<\/span><\/strong><\/span>
\nORDER<\/span> HERE<\/span><\/a><\/span>
\n<\/span><\/strong><\/span>Rado\u00admir Milo\u00adj\u00adko\u00advic on gui\u00adtar, Llo\u00adren\u00e7<\/span> Bar\u00adcel\u00f3 on organ, Uros Sta\u00admen\u00adko\u00advic on drums with  Gina Schwarz on upright bass.
\n<\/strong><\/span>
\n<\/a>
\n<\/span>\u2013> <\/span><\/strong><\/span>Muri\u00adel Gross\u00admann Quar\u00adtet fea\u00adturing Ali\u00adna Bzhez\u00adhinska on harp at JAZZ<\/span> POINT<\/span> IBIZA<\/span> 2022, Con\u00adser\u00adva\u00adto\u00adri de Cata\u00adli\u00adna Bufi, Eivis\u00adsa 16\/10\/22 12hrs<\/span><\/strong><\/span><\/span><\/a><\/p>\n

<\/a><\/p>\n

\u2013><\/span> Muri\u00adel Gross\u00admann Quar\u00adtet at FIRA<\/span> B, Museu de Mal\u00adlor\u00adca, Pal\u00adma 29\/09\/22 18hrs<\/span><\/a><\/span><\/strong>
\n\u2013><\/span> Muri\u00adel Gross\u00admann Quar\u00adtet at KUKUK<\/span>, Kunst\u00adhaus Weiz, Aus\u00adtria 16\/09\/22 19hrs<\/span><\/a>
\n<\/span><\/strong>
\n<\/a>
\n\u2013> <\/span><\/strong>Muri\u00adel Gross\u00admann Quar\u00adtet at PARIS<\/span> JAZZ<\/span> FEST<\/span> 04\/09\/22 15HRS<\/span><\/a>
\n<\/span><\/strong>
\n<\/a><\/span>
\n\u2013><\/span> Muri\u00adel Gross\u00admann Quar\u00adtet at Leu\u00adven Jazz 18\/03\/22<\/span><\/a>
\n<\/span><\/strong>
\n<\/a><\/p>\n

\u2013><\/span>  \u201aUni\u00adon\u2018 review by Elliott Simon in New York City Jazz Records, March 2022<\/span><\/span><\/a><\/span><\/strong>
\n\u201eSaxo\u00adpho\u00adnist Muri\u00adel Gross\u00admann is the con\u00adsum\u00adma\u00adte com\u00adbi\u00adna\u00adti\u00adon of jazz spi\u00adri\u00adtua\u00adli\u00adty, blues and funk. While direc\u00adting her band to main\u00adtain a modern crea\u00adti\u00adve groo\u00adve, she beck\u00adons John Coltrane\u2019s spi\u00adrit with a sin\u00adgle note. With equal nods to Col\u00adtra\u00adne and Al Kooper, Gross\u00admann is \u2018Her Holy Modal High\u00adness\u2019 \u2026 Recor\u00added in stu\u00addio, the ses\u00adsi\u00adon impres\u00adses with the imme\u00addia\u00adcy of a live per\u00adfor\u00admance. When Col\u00adtra\u00adne said he had found a way into a new kind of music this is what he was tal\u00adking about. \u2026\u201d<\/span><\/strong><\/p>\n

\u2013> <\/span>Con\u00adcert review of the Con\u00adcert of Muri\u00adel Gross\u00admann Quar\u00adtet in Por\u00adgy &<\/span> Bess, Vien\u00adna, 23th of Jan 2022 by Samir K\u00f6ck, Die Pres\u00adse<\/span>  <\/span>eng\u00adlish trans\u00adla\u00adti\u00adon here<\/span><\/span><\/span><\/a><\/strong><\/span><\/p>\n

<\/a><\/p>\n

\u2013> <\/strong><\/span>Review of Uni\u00adon in Avo\u00adpo\u00adlis by Zois Chal\u00adki\u00ado\u00adpou\u00adlos, Athens, Jan 2022 <\/span><\/strong><\/span>eng\u00adlish trans\u00adla\u00adti\u00adon here<\/strong><\/span><\/span><\/span><\/span><\/span><\/span><\/a><\/p>\n

\u2013><\/span>  <\/span>TV-Por\u00adtrait: Muri\u00adel Gross\u00admann by Diet\u00admar Pet\u00adschl in, Kul\u00adtur\u00admon\u00adtag ORF<\/span>, Kul\u00adtur\u00adzeit 3 SAT<\/span> WITH<\/span> ENGLISH<\/span> SUBTITLES<\/span><\/span> WATCH<\/span> HERE<\/span><\/span><\/span><\/a><\/span><\/span><\/strong><\/p>\n

\u2013><\/span>  New Video on You\u00adtube OUT<\/span> NOW<\/span> ! WATCH<\/span> HERE<\/span><\/span><\/a><\/span><\/span><\/strong><\/p>\n

\u2013><\/span>  New Video on You\u00adtube OUT<\/span> NOW<\/span> ! WATCH<\/span> HERE<\/span><\/span><\/a><\/span><\/span><\/strong><\/p>\n

\u2013><\/span>  <\/strong>Mark Corroto\u2019s Best Recor\u00addings Of 2021 in All About Jazz<\/a><\/strong>
\n\u201cSaxo\u00adpho\u00adnist Muri\u00adel Gross\u00admann<\/span><\/span> does\u00adn\u2019t shy away from her Col\u00adtra\u00adne influen\u00adces. I use influence in the plu\u00adral, becau\u00adse her music reminds me of both John and Ali\u00adce Col\u00adtra\u00adne<\/span><\/span>. Both soni\u00adcal\u00adly and spi\u00adri\u00adtual\u00adly, she has that cer\u00adtain spe\u00adcial extra we cra\u00adve from our musicians.\u201d<\/span><\/strong><\/span><\/p>\n

\u2013> <\/span><\/span>Review of Uni\u00adon in All About Jazz by Mark Cor\u00adro\u00adto, 2021<\/a><\/span>
\n\u201d \u2026 the ver\u00adsi\u00adons heard here are more vibrant than their first incar\u00adna\u00adti\u00adons. Chalk that up to Gross\u00adman and com\u00adpa\u00adny working and rewor\u00adking the\u00adse com\u00adpo\u00adsi\u00adti\u00adons in per\u00adfor\u00adman\u00adces. The band\u2019s fami\u00adlia\u00adri\u00adty with the mate\u00adri\u00adal blos\u00adsoms into a stel\u00adlar recording. \u201d<\/span>
\n<\/span><\/strong>
\n\u2013><\/span> Muri\u00adel Gross\u00admann: \u201cLa m\u00fasi\u00adca es siemp\u00adre una refle\u00adxi\u00f3n de lo que est\u00e1 pasan\u00addo en ti\u201d, <\/a><\/span><\/span>Inter\u00adview of<\/span> Lost Ange\u00adles<\/a> in<\/span> Mal\u00adlor\u00adca Music Maga\u00adzi\u00adne<\/a><\/span>,<\/span> 5th of Dec 2021, <\/span>eng\u00adlish trans\u00adla\u00adti\u00adon here<\/a><\/span>
\n<\/span><\/span><\/span>
\n<\/strong>\u2013> Pho\u00adto\u00adgal\u00adlery: <\/span><\/a><\/span>Muri\u00adel Gross\u00admann Quar\u00adtet (Fira B! 2021. Mal\u00adlor\u00adca) by Jos\u00e9 Luis Luna Rocafort<\/span><\/strong><\/span><\/p>\n

\u2013> BANDCAMP<\/span> WEEKLY<\/span> pres\u00adents UNION<\/span> on release date 2nd of Nov 2021<\/span> <\/span><\/a><\/span><\/strong><\/span><\/p>\n

\u2013>  <\/span>Review of UNION<\/span> in Dus\u00adty Groo\u00adve Chicago<\/a><\/span><\/strong><\/span>
\n\u201cUNION<\/span> \u2026Com\u00adple\u00adte\u00adly stun\u00adning music from the mar\u00adve\u00adlous Muri\u00adel Gross\u00admann \u2013 a saxo\u00adpho\u00adnist who\u2019s beco\u00adme one of our favo\u00adri\u00adte jazz talents over the cour\u00adse of the past deca\u00adde \u2013 thanks to deep\u00adly spi\u00adri\u00adtu\u00adal work like this!\u2026 If you\u2019\u00adve not heard the music of Muri\u00adel Gross\u00admann befo\u00adre, you\u2019\u00adre in for a tre\u00adat \u2013 and if you have, your coll\u00adec\u00adtion of real\u00adly spe\u00adcial albums just got one record big\u00adger!\u201d Dus\u00adty Groo\u00adve, Chicago<\/em><\/a><\/span><\/strong><\/span><\/p>\n

\u2013><\/span>  <\/strong>Review of UNION<\/span> in UK<\/span> VIBE<\/span> by Mike Gates<\/a>
\n\u201cThe band are so tog\u00ade\u00adther, jour\u00adney\u00ading on and out\u00adward \u2026 It\u2019s an incre\u00addi\u00adbly powerful sound \u2026 And so, once more, Muri\u00adel Gross\u00admann has deli\u00adver\u00aded a won\u00adderful album for our ears, hearts, and minds, to sit back and enjoy.\u201c Mike Gates, UK<\/span> VIBE<\/span><\/em><\/a><\/span>
\n<\/strong><\/span><\/p>\n

\u2013>  <\/span><\/span><\/span>!!! WE<\/span> ARE<\/span>  ORGANISING<\/span> A TOUR<\/span> FOR<\/span> JANUARY<\/span> 2022. IF<\/span> YOU<\/span> WOULD<\/span> LIKE<\/span> US<\/span> TO<\/span> PLAY<\/span> NEAR<\/span> YOU<\/span>, PLEASE<\/span> SEND<\/span> US<\/span> SUGGESTIONS<\/span> OR<\/span> OFFERS<\/span> !!!<\/span>
\nmail to <\/span>murielgrossmann@gmail.com<\/a><\/span>
\n<\/span><\/span><\/span><\/strong><\/p>\n

\u2013> Con\u00adcert review from Con\u00adcert on Jazz Point Ibi\u00adza 2020 in PIKES<\/span> IBIZA<\/span> in Toma\u00adjazz by Lost Angeles<\/span><\/a>
\n<\/span>
\n\u2013>  <\/span>Muri\u00adel Gross\u00admann Quar\u00adtet plays JAZZ<\/span> POINT<\/span> IBIZA<\/span> 2021<\/a><\/span> OPENING<\/span> DINNER<\/span> PARTY<\/span> 14\/11\/21, 20 hrs at PIKES<\/span> IBIZA<\/span><\/a><\/span><\/span>
\n(with the kind sup\u00adport of Joel Chriss &<\/span> Co NYC<\/span>, IMA<\/span>, Ibi\u00adza and Con\u00adsell de Ibi\u00adza, IEB<\/span>)<\/span><\/span>
\n<\/span>with Rado\u00admir Milo\u00adj\u00adko\u00advic on gui\u00adtar, Llo\u00adren\u00e7<\/span> Bar\u00adcel\u00f3<\/span><\/span><\/span><\/span><\/span> ham\u00admond, Uros Sta\u00admen\u00adko\u00advic on drums\u2019
\n<\/a><\/span><\/span><\/strong><\/p>\n

\u2013> Song HAPPINESS<\/span> from MURIEL<\/span> GROSSMANN<\/span> \u2014 UNION<\/span> on YOUTUBE<\/span><\/a><\/span><\/span><\/span><\/strong><\/p>\n

\u2013><\/span>  <\/strong>02\/11\/2021  New release   12\u201c<\/span>Vinyl  <\/b>UNION<\/span><\/span> <\/span><\/span>  by  <\/span>RR<\/span> GEMS<\/span> Records<\/a><\/span>
\n<\/span><\/span>ORDER<\/span> HERE<\/span><\/span><\/a><\/span>
\n<\/span><\/span><\/strong>with Rado\u00admir Milo\u00adj\u00adko\u00advic<\/span><\/span> on gui\u00adtar<\/span>, Llo\u00adren\u00e7<\/span> Bar\u00adcel\u00f3<\/span> on organ, <\/span>Uros Sta\u00admen\u00adko\u00advic<\/span> on drums<\/span><\/span><\/span><\/strong><\/p>\n

<\/a><\/p>\n

\u2013><\/span>  02\/11\/2021  New release<\/span><\/span>! Album UNION<\/span> on CD<\/span>,
\n<\/span><\/strong>ORDER<\/span> HERE<\/span><\/span><\/a><\/span>
\n<\/span><\/span><\/strong>with Rado\u00admir Milo\u00adj\u00adko\u00advic<\/span><\/span> on gui\u00adtar<\/span>, Llo\u00adren\u00e7<\/span> Bar\u00adcel\u00f3<\/span> on organ<\/span>, <\/span><\/span>Uros Sta\u00admen\u00adko\u00advic<\/span> on drums<\/span><\/span><\/span><\/strong><\/p>\n

<\/a><\/p>\n

\u2013>  <\/span>Review of <\/span>NATURAL<\/span> TIME<\/span> with bonus Track DUSTY<\/span><\/span><\/a><\/span> GROOVE<\/span> \u2014 CHICAGO<\/span> Nov 2021<\/span><\/span><\/span>
\nA real step for\u00adward for saxo\u00adpho\u00adnist Muri\u00adel Gross\u00admann \u2013 as the set seems to have a new sort of fire that wasn\u2019t the\u00adre on her debut \u2026 The tunes here all have this fan\u00adta\u00adstic sen\u00adse of pul\u00adse \u2026  Dus\u00adty Groo\u00adve, Chicago<\/em><\/a><\/span>
\n<\/span>
\n\u2013><\/span><\/strong>  02\/11\/2021  the 2016 album NATURAL<\/span> TIME<\/span><\/span><\/span>, released for the first time on 2x12\u201c<\/span>Vinyl  by  <\/span>Dream\u00adland\u00adre\u00adcords, dis\u00adtri\u00adbu\u00adted by RR<\/span> GEMS<\/span> Records<\/a><\/span><\/strong>
\n<\/span><\/span>ORDER<\/span> HERE<\/span><\/span><\/a><\/span>
\n<\/span><\/span><\/strong>with Rado\u00admir Milo\u00adj\u00adko\u00advic<\/span><\/span> on gui\u00adtar<\/span>, Gina Schwarz<\/a><\/span> <\/span>on bass, <\/span>Uros Sta\u00admen\u00adko\u00advic<\/span> on drums<\/span><\/span><\/span><\/strong><\/p>\n

<\/a><\/p>\n

\u2013><\/span><\/strong>  02\/11\/2021  the 2016 album NATURAL<\/span> TIME<\/span><\/span><\/span>, released on Cd<\/span>  by  <\/span>Dream\u00adland\u00adre\u00adcord  with a NEW<\/span> phy\u00adsi\u00adcal only track INNER<\/span> FIRE<\/span> !<\/span><\/strong>
\n<\/span><\/span>ORDER<\/span> HERE<\/span><\/span><\/a><\/span>
\n<\/span><\/span><\/strong>with Rado\u00admir Milo\u00adj\u00adko\u00advic<\/span><\/span> on gui\u00adtar<\/span>, Gina Schwarz<\/a><\/span> <\/span>on bass, <\/span> Uros Sta\u00admen\u00adko\u00advic<\/span> on drums<\/span><\/span><\/span><\/strong><\/p>\n

<\/a><\/p>\n

\u2013>   Artic\u00adle of Mih\u00e1\u00adly Cz\u00e9\u00adkus in Hang\u00adz\u00e1s\u00adVil\u00e1g Maga\u00adzin Hun\u00adga\u00adry, Aug\/2021<\/span><\/a>
\neng\u00adlish trans\u00adla\u00adti\u00adon here<\/span><\/span><\/span><\/a><\/span><\/span><\/span><\/strong><\/p>\n

\u2013><\/span> \u201cWas ich wuss\u00adte, war: Ich will in die Son\u00adne!\u201d Muri\u00adel Gross\u00admann im MICA<\/span> INTERVIEW<\/span>: by Mar\u00adkus Dei\u00adsen\u00adber\u00adger, 16th of June 2021 <\/span><\/span><\/a>eng\u00adlish trans\u00adla\u00adti\u00adon here<\/span><\/span><\/a><\/strong><\/p>\n

\u2013><\/span>   20\/09\/2021  Upco\u00adming New release   12\u201c<\/span>Vinyl  <\/b>UNION<\/span><\/span> <\/span><\/span>  by  <\/span>RR<\/span> GEMS<\/span> Records<\/a><\/span>
\n<\/span>with Rado\u00admir Milo\u00adj\u00adko\u00advic<\/span><\/span> <\/span>on gui\u00adtar<\/span>, <\/span>Llo\u00adren\u00e7<\/span> Bar\u00adcel\u00f3<\/span> on organ<\/span> <\/span>and<\/span> <\/span>Uros Sta\u00admen\u00adko\u00advic<\/span> <\/span>on drums
\n<\/span><\/span>
\n\u2013>  <\/span>TV-Por\u00adtrait: Muri\u00adel Gross\u00admann by Diet\u00admar Pet\u00adschl in Kul\u00adtur\u00adzeit 3 SAT<\/span> 10th of May 2021, plea\u00adse see from min 28<\/span><\/span><\/a><\/span><\/strong><\/p>\n

\u2013><\/span> <\/strong> Artic\u00adle: Muri\u00adel Gross\u00admann And All That Jazz, Ibica\u00adsa, by Jer\u00adry Brownstein<\/span><\/span><\/a><\/strong><\/p>\n

\u2013>  Edi\u00adtors Pic Review of QUIET<\/span> EARTH<\/span> Down\u00adbeat by Dave Cantor<\/span><\/a><\/span>
\n\u201d With a ste\u00adady stream of records flowing sin\u00adce 2007, the work \u2026 invo\u00adkes natu\u00adre as easi\u00adly as the stur\u00addy histo\u00adry of spi\u00adri\u00adtu\u00adal-jazz. .\u2026 she cemen\u00adted her voice and refi\u00adned her sonic purpose.\u201d<\/span><\/span><\/span><\/span><\/strong><\/p>\n

\u2013><\/span>  <\/strong>Review of QUIET<\/span> EARTH<\/span> in UK<\/span> VIBE<\/span> by Ian Ward<\/strong><\/span><\/a>
\n\u201d \u2026 a medi\u00adta\u00adti\u00adve sin\u00adgle-voice spi\u00adri\u00adtua\u00adli\u00adty that evo\u00adkes hope and posi\u00adti\u00adve ener\u00adgies and allows tho\u00adse of us for\u00adt\u00adu\u00adna\u00adte enough to be able to con\u00adnect with it, to feel heal\u00ading, growth, and uplift. \u2026\u201d <\/span><\/strong><\/p>\n

\u2013> <\/span><\/strong>\u2018Quiet Earth\u2019 review by Dus\u00adty Groo\u00adve, Chi\u00adca\u00adgo, 2020<\/span><\/a><\/span><\/strong>
\n<\/span>\u201c\u2026 This album\u2019s got the ama\u00adzing rhyth\u00admic pul\u00adse of Grossman\u2019s pre\u00advious records, but also shifts the sound slight\u00adly too \u2013 as in addi\u00adti\u00adon to the fan\u00adta\u00adstic use of gui\u00adtar by Rado\u00admir Milo\u00adj\u00adko\u00advic, the set also fea\u00adtures the\u00adse stron\u00adgly swir\u00adling organ lines from Llo\u00adren\u00e7 Bar\u00adce\u00adlo \u2013 in a way that makes us ima\u00adgi\u00adne what it might sound like if we ever got to hear tho\u00adse lost jam ses\u00adsi\u00adons bet\u00adween John Col\u00adtra\u00adne and Lar\u00adry Young!\u201d<\/span><\/span><\/strong><\/p>\n

\u2013><\/span>  Review of Quiet Earth in All About Jazz by Mark Cor\u00adro\u00adto, 2020<\/strong><\/a><\/span><\/p>\n

\u2013>  Video of AFRICAN<\/span> CALL<\/span> by RR<\/span> GEMS<\/span> Records OUT<\/span> NOW<\/span>! WATCH<\/span> HERE<\/span><\/span><\/span><\/a>
\n<\/span><\/span>
\n\u2013><\/span>  04\/12\/2020  New release   12\u201c<\/span>Vinyl  <\/b>QUIET<\/span> EARTH<\/span><\/span> <\/span><\/span>  by  <\/span>RR<\/span> GEMS<\/span> Records<\/a><\/span>
\n<\/span><\/span><\/strong>ORDER<\/span> HERE<\/span><\/span><\/a><\/span>
\n<\/span><\/span><\/strong>with Rado\u00admir Milo\u00adj\u00adko\u00advic<\/span><\/span> on gui\u00adtar<\/span>, Llo\u00adren\u00e7<\/span> Bar\u00adcel\u00f3<\/span> on organ<\/span>, Gina Schwarz<\/a><\/span> <\/span>on bass and<\/span> Uros Sta\u00admen\u00adko\u00advic<\/span> on drums<\/span><\/span><\/span><\/strong><\/p>\n

<\/a><\/p>\n

\u2013> <\/strong><\/span>\u2018Quiet Earth\u2019 review by Leo\u00adnid Aus\u00adkern in Jazz\u00adQuad, Bela\u00adrus, 2020<\/strong><\/span><\/a>
\n\u201c \u2026 for me per\u00adso\u00adnal\u00adly, Muri\u00adel Grossmann\u2019s music always evo\u00adkes the most posi\u00adti\u00adve emo\u00adti\u00adons. \u2026 To com\u00adpo\u00adse music and put into the per\u00adfor\u00admance so much expres\u00adsi\u00adon and talent that the lis\u00adte\u00adner feels and remem\u00adbers this pas\u00adsio\u00adna\u00adte mes\u00adsa\u00adge wit\u00adhout words from the gre\u00adat mas\u00adter of modern jazz, Muri\u00adel Grossmann.\u201d<\/strong><\/span><\/span><\/span><\/p>\n

\u2013><\/span>  For PRE-SALE<\/span> OUT<\/span> NOW<\/span> !! 29\/11\/2020  new album  QUIET<\/span> EARTH<\/span>
\n<\/span><\/span><\/strong>ORDER<\/span> HERE<\/span><\/span><\/a><\/span>
\n<\/span><\/span><\/strong>with Rado\u00admir Milo\u00adj\u00adko\u00advic<\/span><\/span> on gui\u00adtar<\/span>, Llo\u00adren\u00e7<\/span> Bar\u00adcel\u00f3<\/span> on organ<\/span>, Gina Schwarz<\/a><\/span> <\/span>on bass and<\/span> Uros Sta\u00admen\u00adko\u00advic<\/span> on drums<\/span><\/span><\/span><\/strong><\/p>\n

<\/a><\/p>\n

\u2013>  OUT<\/span> NOW<\/span> !  12\u201cVinyl x 2LP<\/span>   HHV<\/span> SUMMER<\/span> OF<\/span> JAZZ<\/span> presents:
\n<\/b><\/span>REVERENCE<\/span> HHV<\/span> Exclu\u00adsi\u00adve Trans\u00adpa\u00adrent Red<\/span> (limi\u00adt\u00aded to 200) <\/span>by RR<\/span> GEMS<\/span> Records<\/a>
\nORDER<\/span>  HERE<\/span><\/a><\/span>
\n<\/span><\/span><\/strong><\/p>\n

<\/a><\/p>\n

\u2013><\/span> \u2018Eine Wie\u00adne\u00adrin erobert die Jazz\u00adwelt\u2019 in \u2018die Pres\u00adse\u2019<\/span> by Samir H. K\u00f6ck, July 2020 eng\u00adlish trans\u00adla\u00adti\u00adon here<\/span><\/span><\/span><\/a><\/strong><\/p>\n

\u2013> <\/span>Review of REVERENCE<\/span> in Jazz podi\u00adum<\/span> by Thors\u00adten Mey\u00ader, May-June 2020<\/span><\/a><\/strong><\/p>\n

\u2013><\/span> \u2018Muri\u00adel Gross\u00admann \u2014 Ein Echo der Fr\u00fc\u00adhen Sech\u00adzi\u00adger in dai\u00adly Ber\u00adlin News\u00adpa\u00adper \u2018TAZ<\/span>\u2019, May 20, 2020<\/span><\/a> eng\u00adlish trans\u00adla\u00adti\u00adon here<\/span><\/a><\/span><\/strong><\/p>\n

\u2013><\/span> <\/strong><\/span> <\/strong>Review of REVERENCE<\/span> in THE<\/span> VINY<\/span> PRESS<\/span> by Bill Hart<\/strong><\/span><\/a><\/span><\/span><\/p>\n

\u2013>  <\/span>Review of ELEVATION<\/span> in Dus\u00adty Groo\u00adve Chicago<\/a>
\n\u2026\u201cFan\u00adta\u00adstic work from saxo\u00adpho\u00adnist Muri\u00adel Gross\u00admann \u2013 a play\u00ader who\u2019s tur\u00adning out to be as important to our gene\u00adra\u00adti\u00adon as John Col\u00adtra\u00adne and Pha\u00adro\u00adah San\u00adders were to theirs!\u201d<\/span><\/span><\/strong><\/span><\/p>\n

\u2013>  <\/span>Review of ELEVATION<\/span> in UK<\/span> VIBE<\/span> by Mike Gates<\/span><\/a><\/strong><\/p>\n

\u2013><\/span> Por\u00adtrait \u2018Muri\u00adel Gross\u00admann \u2014 Abs\u00adtrac\u00adtion with A Sea View\u2019 in \u2018HHV<\/span> \u2011Maga\u00adzi\u00adne\u2019, by  Chris\u00adtoph Ben\u00adke\u00adser, May 2020<\/span><\/a><\/strong><\/strong><\/p>\n

\u2013><\/strong>  <\/span>OUT<\/span> NOW<\/span> !  12\u201c<\/span>Vinyl &<\/span> CD<\/span> <\/span>  ELEVATION<\/span><\/span>   <\/span><\/span>by<\/span><\/span>  <\/span><\/span>JAZZMAN<\/span> RECORDS<\/span><\/span><\/a><\/strong>
\nORDER<\/span>  HERE<\/span><\/a><\/span><\/strong>
\nwith Rado\u00admir Milo\u00adj\u00adko\u00advic on gui\u00adtar, Gina Schwarz<\/a> on bass and Uros Sta\u00admen\u00adko\u00advic on drums<\/span><\/strong>
\n<\/span>
\n<\/span><\/a><\/p>\n

\u2013><\/span> \u2018An Inter\u00adview With Muri\u00adel Gross\u00admann\u2019<\/span> in the Zine: The Gre\u00adat Migra\u00adti\u00adon, March 2020, by Leon T. Smith lll<\/span><\/a><\/strong><\/span><\/p>\n

\u2013> <\/span>Por\u00adtrait \u2018Mit John Col\u00adtra\u00adne Nach Ibi\u00adza\u2019 in der \u2018ZEIT<\/span>\u2019, by Chris\u00adti\u00adan Staas, March 2020<\/a><\/span><\/strong><\/span><\/p>\n

\u2013> Por\u00adtrait \u2018Muri\u00adel Gross\u00admann \u2014 Her Name is Jazz\u2019 in MIC<\/span>.GR<\/span> by A\u03c1\u03b7 \u039a\u03b1\u03c1\u03b1\u03bc\u03c0\u03b5\u03ac\u03b6\u03b7, Aris Karam\u00adpea\u00adzis April 2020<\/a><\/span><\/strong><\/p>\n

\u2013><\/span>  \u2018<\/span><\/span>Muri\u00adel Gross\u00admann, Gol\u00adden Rule. Jazz Espi\u00adri\u00adtu\u00adal de la mas actu\u00adal\u2019 by Lro\u00adtu\u00adla, musicaquemesorprende.wordpress.com<\/a><\/span><\/strong><\/span><\/p>\n

\u2013>  OUT<\/span> NOW<\/span> !  Edi\u00adti\u00adon 2#   12\u201cVinyl x 2LP<\/span>   <\/b><\/span>GOLDEN<\/span> RULE<\/span><\/span> by RR<\/span> GEMS<\/span> Records<\/a><\/span><\/span>
\nORDER<\/span> HERE<\/span><\/a><\/span>
\n<\/strong>with<\/span> Rado\u00admir Milo\u00adj\u00adko\u00advic on gui\u00adtar, <\/span>Gina Schwarz<\/a> on bass<\/span> and<\/span> Uros Sta\u00admen\u00adko\u00advic on drums<\/span><\/span><\/strong>
\n<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong><\/p>\n

<\/a><\/span><\/span><\/span><\/span><\/span><\/span><\/strong><\/p>\n


\n\u2013>  <\/span>Muri\u00adel Gross\u00admann Quin\u00adtet fea\u00adturing<\/span> Joe San\u00adders on bass plays JAZZ<\/span> POINT<\/span> IBIZA<\/span><\/a><\/span> 06\/03\/20, 21 hrs in HEART<\/span> IBIZA<\/span> <\/span>
\n(with the kind sup\u00adport of Joel Chriss&<\/span>Co NYC<\/span>, IMA<\/span>, Ibi\u00adza and Con\u00adsell de Ibiza)<\/span><\/span>
\n<\/span><\/strong>with Rado\u00admir Milo\u00adj\u00adko\u00advic on gui\u00adtar, Llo\u00adren\u00e7<\/span> Bar\u00adcel\u00f3<\/span><\/span><\/span><\/span><\/span><\/span> <\/span>on ham\u00admond, Uros Sta\u00admen\u00adko\u00advic on drums<\/span>
\nfea\u00adturing Joe San\u00adders on bass<\/span><\/span><\/strong><\/p>\n

<\/a><\/p>\n

\u2013>  <\/span>Muri\u00adel Gross\u00admann Quin\u00adtet plays VINTERJAZZ<\/span> Mythic Suns\u00adhi\u00adne<\/span> resi\u00adden\u00adcy 29\/02\/20, 21 hrs in <\/span>ALICE<\/span><\/a><\/span> <\/span>
\n(with the kind sup\u00adport of Insti\u00adtur d\u2019E\u00adstu\u00addis Bale\u00e0rics)<\/span><\/span>
\n<\/span><\/span><\/span><\/span>with Rado\u00admir Milo\u00adj\u00adko\u00advic on gui\u00adtar, Llo\u00adren\u00e7<\/span> Bar\u00adcel\u00f3 on ham\u00admond<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>, Gina Schwarz on bass and Uros Sta\u00admen\u00adko\u00advic on drums<\/span><\/span><\/span><\/span><\/strong><\/strong><\/p>\n

<\/a><\/p>\n

\u2013><\/span> Inter\u00adview in PSYCHEDELIC<\/span> BABY<\/span> MAGAZINE<\/span> by  Kle\u00admen Brez\u00adni\u00adkar<\/span><\/span><\/a><\/strong><\/p>\n

\u2013> <\/span>Head over to BANDCAMP<\/span> WEEKLY<\/span> hea\u00adring the  inter\u00adview with Andrew Jervis<\/a><\/span><\/strong><\/p>\n

<\/a><\/p>\n

\u2013><\/span> \u201cGross\u00admann gets to the Roots of Rhythm\u201d by Deni\u00adse Sul\u00adli\u00advan Down\u00adbeat Feb 2020<\/a><\/span> <\/strong> <\/span>
\n\u201c\u2026  her new album Rever\u00adence is a modern masterpiece\u201d \u2026<\/span><\/strong>
\n\u201cMuri\u00adel <\/span><\/span>Gross\u00admann cha\u00adrac\u00adte\u00adri\u00adses her Quintet\u2018s latest album, Rever\u00adence<\/em>, as a spi\u00adri\u00adtu\u00adal-jazz effort \u2014 the sum of her devo\u00adti\u00adon to a lifel\u00adong explo\u00adra\u00adti\u00adon of rhyth\u00adms, par\u00adti\u00adcu\u00adlar\u00adly tho\u00adse of Afri\u00adcan ori\u00adgin. The album is Grossmann\u2019s attempt to com\u00adbi\u00adne what she calls the \u201creassu\u00adring ele\u00adments of spi\u00adri\u00adtu\u00adal-jazz\u201d and its antecedents. \u2026 \u201d<\/span><\/span><\/strong><\/p>\n

\u2013>  10\/12\/2019  new album  <\/span>REVERENCE<\/span><\/span><\/a>  on CD out !!
\n<\/span><\/strong>with<\/span> Rado\u00admir Milo\u00adj\u00adko\u00advic on gui\u00adtar, <\/span>Gina Schwarz on bass<\/span> and<\/span> Uros Sta\u00admen\u00adko\u00advic <\/strong>on drums, Llo\u00adren\u00e7<\/span> Bar\u00adcel\u00f3<\/span> on organ<\/strong>
\n<\/a><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

\u2013>  <\/span>Review of REVERENCE<\/span> in All\u00adMu\u00adsic gui\u00adde by Thom Jurek<\/span>
\n<\/a>\u201c\u2026 That group is appen\u00added here by Mal\u00adlor\u00adcan<\/span> Ham\u00admond B\u20113 orga\u00adnist Llo\u00adren\u00e7 Bar\u00adcel\u00f3, who\u00adse play\u00ading crea\u00adtes a wide palet\u00adte of tonal, rhyth\u00admic, and tex\u00adtu\u00adral pos\u00adsi\u00adbi\u00adli\u00adties. Grossmann\u2019s eight com\u00adpo\u00adsi\u00adti\u00adons con\u00adti\u00adnue to evo\u00adke Col\u00adtra\u00adne as a touch\u00adstone, but they also embrace the poly\u00adrhyth\u00admic tra\u00addi\u00adti\u00adons of the Afri\u00adcan con\u00adti\u00adnent and fil\u00adter their dis\u00adco\u00adveries through the band\u2019s inna\u00adte groo\u00adve con\u00adscious\u00adness. \u2026 <\/span><\/strong>Here, their inspi\u00adra\u00adti\u00adon, com\u00admu\u00adni\u00adca\u00adti\u00adon, and pro\u00adfound explo\u00adra\u00adti\u00adon, result in a new water\u00admark for excel\u00adlence in jazz.\u201d <\/strong><\/span><\/p>\n

\u2013><\/span>  Review of Muri\u00adel Gross\u00admann REVERENCE<\/span> Vinyl in UK<\/span> Vibe, by Nick Schlitt\u00adner, Dec 2019<\/a><\/span><\/strong><\/span>  \u201c\u2026 \u2018Rever\u00adence\u2019 is a record that con\u00adsis\u00adt\u00adent\u00adly and respectful\u00adly draws on Afri\u00adca influen\u00adces to crea\u00adte won\u00adderful, memo\u00adrable, mul\u00adti-laye\u00adred, ori\u00adgi\u00adnal and exu\u00adberant tunes. \u2026 It\u2019s a joy and a pri\u00advi\u00adle\u00adge to hear such a won\u00adderful album. If Gol\u00adden Rule was per\u00adme\u00ada\u00adted with the spi\u00adrit of John Col\u00adtra\u00adne then \u2018Rever\u00adence\u2019 which with its swir\u00adling organs, gor\u00adge\u00adous strings, and Rado\u00admir Milojkovic\u2019s dri\u00adving gui\u00adtar is explo\u00adring the paths first tra\u00advel\u00adled by Ali\u00adce Col\u00adtra\u00adne, Miles elec\u00adtric bands and Lar\u00adry Young. It is powerful, insis\u00adtent, crea\u00adti\u00adve and joy\u00adous music ancho\u00adred by an ama\u00adzin\u00adgly tight rhythm sec\u00adtion that groo\u00adves like hell\u2026\u201d<\/strong><\/span><\/p>\n

\u2013><\/span>  \u2018Rever\u00adence\u2019 review by Leo\u00adnid Aus\u00adkern in Jazz\u00adQuad, Bela\u00adrus, 2019<\/a>
\n<\/span><\/span>\u201d \u2026 Her play\u00ading is still unu\u00adsual\u00adly emo\u00adtio\u00adnal and impec\u00adca\u00adble in tech\u00adni\u00adque. \u2026 In a word, Rever\u00adence marks a defi\u00adni\u00adte turn in the search for this very talen\u00adted per\u00adfor\u00admer and com\u00adpo\u00adser. \u2026 <\/span> I think the album will bring a lot of plea\u00adsu\u00adre to its listeners.\u201d<\/span><\/span><\/strong><\/p>\n

\u2013>  New release   12\u201c<\/span><\/strong>Vinyl x 2LP<\/span>   <\/b><\/span>REVERENCE<\/span><\/span> <\/span><\/span>  by  <\/span>RR<\/span> GEMS<\/span> Records<\/a><\/span>
\nwith<\/span> Rado\u00admir Milo\u00adj\u00adko\u00advic on gui\u00adtar, <\/span>Gina Schwarz<\/a> on bass,<\/span> Uros Sta\u00admen\u00adko\u00advic on drums and Llo\u00adren\u00e7 Bar\u00adcel\u00f3<\/span> on organ<\/span><\/span>
\nORDER<\/span>  HERE<\/span><\/a><\/span>
\nALBUM<\/span> RELEASE<\/span> DATE<\/span> 5th of Dec 2019, ALBUM<\/span> PRESENTATION<\/span> in HELSINKI<\/span> and TALLIN<\/span><\/span>
\n\"REVERENCE,<\/a>
\n<\/span>
\n\u2013>  Video of WATER<\/span> BOWL<\/span> from RR<\/span> GERMS<\/span> Records OUT<\/span> NOW<\/span> ! WATCH<\/span> HERE<\/span><\/span><\/a>
\n<\/span>
\n\u2013>  <\/span>fotos of Fran\u00adcis\u00adco Miro Moll from SALA<\/span> ALBERT<\/span> CAMUS<\/span>, St. Lou\u00adis<\/span> Menor\u00adca 27th of Sep\u00adtiembre 2019<\/span><\/a>
\n<\/strong><\/p>\n

\u2013> Con\u00adcert review from Con\u00adcert a We Jazz 2019 in G Live Lab, Hel\u00adsin\u00adki 2020 in PIKES<\/span> by Ant\u00ado\u00adny Shaw, All About Jazz<\/a>
\n<\/span><\/span>
\n\u2013>  Muri\u00adel Gross\u00admann Quin\u00adtet plays WE<\/span> JAZZ<\/span> FESTIVAL<\/span> 2019, 5\/12\/19, 20 hrs in G Livel<\/span><\/span><\/span><\/span><\/span><\/span><\/strong>ab,Helsinki and 6\/12\/19, 21 hrs in Sve\u00adta Baar, Tallinn
\n(with the kind sup\u00adport of Aus\u00adtri\u00adan Embas\u00adsy Hel\u00adsin\u00adki, Tallinn)<\/span><\/span><\/span><\/span><\/span>
\n<\/span><\/span><\/span><\/span><\/strong>with Rado\u00admir Milo\u00adj\u00adko\u00advic on gui\u00adtar, Llo\u00adrens Bar\u00adce\u00adlo<\/span> on ham\u00admond, Gina Schwarz on bass and Uros Sta\u00admen\u00adko\u00advic on drums<\/span><\/span><\/span><\/span><\/strong><\/p>\n

<\/a> <\/a> <\/a><\/p>\n

\u2013><\/span>  Review of Muri\u00adel Gross\u00admann GOLDEN<\/span> RULE<\/span> Vinyl in french Impro\u00adjazz by Marc Sar\u00adra\u00adzy, Nr. 259<\/span><\/strong><\/span>\/2019<\/a>
\n<\/span><\/strong>\u201c\u2026 Pri\u00admal music, which rea\u00adches the body in the deepest, which numbs the soul of into\u00adxi\u00adca\u00adting flow, living music, which nou\u00adris\u00adhes us. \u2026 <\/strong><\/span>Lis\u00adtening to the latest records by Muri\u00adel Gross\u00admann, until the publi\u00adca\u00adti\u00adon of this indis\u00adpu\u00adta\u00adble mas\u00adter\u00adpie\u00adce, it is not an exag\u00adge\u00adra\u00adti\u00adon to say that the saxo\u00adpho\u00adnist is a direct heir to the JC<\/span> mas\u00adter, cer\u00adtain\u00adly the most sin\u00adce\u00adre and the most sen\u00adsi\u00adti\u00adve of this young century \u2026\u201d<\/strong><\/span><\/p>\n

\u2013> <\/span><\/strong><\/span> Muri\u00adel Gross\u00admann Quin\u00adtet plays INCA<\/span> FESTIVAL<\/span> 2019,<\/span><\/strong>
\n21st of July, 21 hrs<\/span><\/strong>
\nwith Rado\u00admir Milo\u00adj\u00adko\u00advic on gui\u00adtar, Llo\u00adrens Bar\u00adce\u00adlo<\/span> on ham\u00admond, Gina Schwarz on bass and Uros Sta\u00admen\u00adko\u00advic on drums<\/span><\/span><\/span><\/span><\/strong><\/p>\n

<\/a>
\n<\/span>\u2013>  Con\u00adcert review of Muri\u00adel Gross\u00admann Quar\u00adtet on Vijazz Festival<\/span><\/a>
\n     by Mar\u00adt\u00ed Far\u00adr\u00e9, July 2019<\/span><\/span><\/span><\/span><\/span><\/span><\/strong><\/p>\n

\u2013><\/span>  \u201cThe fema\u00adle spi\u00adrit of Jazz\u201d by Enri\u00adque Fare\u00adlo, Jun 2019<\/span><\/a><\/span><\/span><\/strong><\/p>\n

\u2013><\/span><\/strong>  Muri\u00adel Gross\u00admann Quar\u00adtet plays VIJAZZ<\/span> FESTIVAL<\/span> Pene\u00addes 2019,<\/strong>
\nCic\u00adle Elles i el Jazz, 5th of July, 21 hrs<\/strong>
\nwith Rado\u00admir Milo\u00adj\u00adko\u00advic on gui\u00adtar, Llo\u00adrens Bar\u00adce\u00adloon ham\u00admond and Uros Sta\u00admen\u00adko\u00advic on drums<\/span><\/strong>
\n<\/a><\/span><\/span><\/span><\/span><\/span><\/p>\n

\u2013>  New release   7\u201cVinyl   <\/span>GOLDEN<\/span> RULE<\/span> \/ OKAN<\/span> TI<\/span> AYE<\/span> (Radio Edits)<\/span>   by  JAZZ45<\/span>, JAZZMAN<\/span> RECORDS<\/span><\/a> ,<\/span> 5th of May 2019<\/span><\/span>
\nORDER<\/span>  HERE<\/span><\/span><\/a>
\n<\/span><\/span>with Rado\u00admir Milo\u00adj\u00adko\u00advic on gui\u00adtar, Gina Schwarz<\/a> on bass and Uros Sta\u00admen\u00adko\u00advic on drums<\/span><\/span><\/strong><\/p>\n

<\/a><\/p>\n


\n\u2013>  <\/span><\/span>Die \u00d61<\/span> Jazz\u00adnacht \u2026 Guest in the stu\u00addio of Radio \u00d61<\/span>, Vienna<\/span><\/a><\/span><\/strong><\/p>\n

\u2013>  Por\u00adtrait: Muri\u00adel Gross\u00admann, Gol\u00adden Rule Jazz espi\u00adri\u00adtu\u00adal de lo mas actu\u00adal, 22th of April 2019<\/span><\/span><\/a>
\n<\/span>
\n\u2013><\/span>  fotos  and review of Peter Pur\u00adger from STOCKWERK<\/span> GRAZ<\/span>, 27th of March 2019<\/span><\/a><\/span><\/strong><\/p>\n

\u2013>  <\/span>favo\u00adri\u00adte record album cover fea\u00adture<\/a> in Joe Maita\u2019s <\/span>Jer\u00adry Jazz Musi\u00adci\u00adan <\/a><\/span>, March 2019<\/span><\/span><\/strong><\/p>\n

\u2013>  Por\u00adtrait in Jazz\u00adpo\u00addi\u00adum by Thors\u00adten Mey\u00ader, Feb 2019<\/span><\/span><\/a><\/span><\/span><\/span><\/span><\/span><\/span><\/strong><\/p>\n

 <\/p>\n\n\n\n
<\/a><\/td>\n<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u2013><\/span> <\/strong> Review of GOLDEN<\/span> RULE<\/span> in THE<\/span> VINY<\/span> PRESS<\/span> by Bill Hart<\/a>
\n<\/span><\/strong><\/span>\u201c\u2026 you get the sen\u00adse that this Medi\u00adter\u00adra\u00adne\u00adan island off the coast of Spain, with its sun splas\u00adhed vis\u00adtas of oce\u00adan and moun\u00adta\u00adins, its\u00adelf play\u00aded a role in influen\u00adcing the sound and shape of Muri\u00adel Grossman\u2019s work: the\u00adre is gre\u00adat beau\u00adty here, and a mix of cul\u00adtu\u00adral influen\u00adces that, like the island, lend a uni\u00adque feel to the proceedings \u2026\u201d<\/span><\/strong><\/p>\n

\u2013><\/span>  Review of GOLDEN<\/span> RULE<\/span> in All\u00adMu\u00adsic gui\u00adde by Thom Jurek<\/a><\/span><\/strong>
\n\u201c\u2026 Gol\u00adden Rule is Grossmann\u2019s tenth album and it\u2019s deep. This is the third date with her cur\u00adrent quar\u00adtet, \u2026 The com\u00admu\u00adni\u00adca\u00adti\u00adve intui\u00adti\u00adon of this group is not only empa\u00adthic, it seems tele\u00adki\u00adne\u00adtic in its anti\u00adci\u00adpa\u00adti\u00adon, colo\u00adra\u00adti\u00adon, and arti\u00adcu\u00adla\u00adti\u00adon of Grossmann\u2019s inspi\u00adred com\u00adpo\u00adsi\u00adti\u00adons infor\u00admed direct\u00adly by medi\u00adta\u00adti\u00adon. \u2026  Gol\u00adden Rule is an 87-minu\u00adte jour\u00adney; it soot\u00adhes, pro\u00advo\u00adkes, exhorts, cajo\u00adles, and beck\u00adons the lis\u00adte\u00adner ever deeper into its inner arti\u00adcu\u00adla\u00adti\u00adons of peace and tur\u00adbu\u00adlence in Grossmann\u2019s always affir\u00adma\u00adti\u00adve lan\u00adguage that is as pregnant with spi\u00adri\u00adtu\u00adal mea\u00adning as it is breath\u00adta\u00adking sophisti\u00adca\u00adti\u00adon.\u201d<\/span> <\/span>and<\/span> <\/span>Bio\u00adgra\u00adphy in All\u00adMu\u00adsic gui\u00adde by Thom Jurek<\/span><\/a><\/span><\/strong><\/p>\n

\u2013><\/span>  <\/span>Inter\u00adview with Mar\u00adco Tor\u00adres Wal\u00adker from Dia\u00adrio de Ibi\u00adza, Jan 2019<\/span><\/span><\/a><\/span><\/strong><\/p>\n

<\/a><\/p>\n

\u2013> <\/span><\/strong> UK<\/span> Vibe hono\u00adrable men\u00adti\u00adon of GOLDEN<\/span> RULE<\/span>: Nr.1 JAZZ<\/span> ALBUM<\/span> OF<\/span> THE<\/span> YEAR<\/span> 2018<\/span><\/a>
\n\u201d \u2026 Having now lis\u00adten\u00aded to all 10 albums, we can but feel a sen\u00adse of reli\u00adef in the bril\u00adli\u00adance unco\u00adver\u00aded. A name we are going to keep a very clo\u00adse eye on in 2019 \u2026\u201d<\/span>
\n<\/span><\/strong><\/span><\/p>\n

\u2013>  15\/12\/2018  new album  GOLDEN <\/span><\/span><\/a>RULE<\/span><\/span><\/a>  on CD out !!
\n<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong>with<\/span> Rado\u00admir Milo\u00adj\u00adko\u00advic <\/strong>on gui\u00adtar, <\/span>Gina Schwarz<\/strong> on bass<\/span> and<\/span> Uros Sta\u00admen\u00adko\u00advic<\/strong> on drums<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

<\/a><\/p>\n

\u2013><\/span>  19\/12\/2018<\/span> Inter\u00adview with Muri\u00adel Gross\u00admann: \u201cThe mind is not\u00adhing but a gre\u00adat tool to bring our true essence forth\u201d<\/span> by jazz cri\u00adtic: Simon Sarg\u00ads\u00adyan<\/span> in JazzBluesNews.Space<\/span><\/a>
\n
\n\u2013>  28\/11\/2018<\/span> Neon Jazz Inter\u00adview with Muri\u00adel Grossmann<\/a><\/span><\/span><\/span><\/span><\/span><\/span><\/span>
\n<\/span><\/span><\/strong><\/p>\n

\u2013>  <\/span>Review in Chi\u00adca\u00adgo-based Dus\u00adty Groo\u00adve record store<\/a><\/strong>
\n\u201cSea\u00adring work from saxo\u00adpho\u00adnist Muri\u00adel Gross\u00admann \u2013 a play\u00ader who cle\u00adar\u00adly draws a lot of inspi\u00adra\u00adti\u00adon from late 60s John Col\u00adtra\u00adne \u2013 but who also turns out a record here that\u2019s com\u00adple\u00adte\u00adly her own! \u2026 \u2013 This is deep stuff \u2013 not an easy nod to the spi\u00adri\u00adtu\u00adal sce\u00adne, but a much richer record \u2013 extre\u00adme\u00adly well-con\u00adcei\u00adved and exe\u00adcu\u00adted.\u201d Dus\u00adty Groove<\/span><\/strong><\/span><\/p>\n

\u2013>  <\/span>Hono\u00adura\u00adble men\u00adti\u00adon en UK<\/span> VIBE<\/span> ! \u2018 GOLDEN<\/span> RULE<\/span> \u2014 ALBUM<\/span> OF<\/span> THE<\/span> MONTH<\/span> DEC<\/span> 2018\u2019<\/a><\/span><\/strong>
\n<\/a>\u201d Muri\u00adel Grossmann\u2019s Quar\u00adtet evo\u00adke the true beau\u00adty, sin\u00adce\u00adri\u00adty and joy of Col\u00adtra\u00adne, whilst suc\u00adcessful\u00adly musi\u00adcal\u00adly sin\u00adging out in their own voice, crea\u00adting new ide\u00adas with a refres\u00adhing ver\u00adve and skill. \u201cGol\u00adden Rule\u201d is quite sim\u00adply an incre\u00addi\u00adble album, inven\u00adti\u00adve, full of cha\u00adrac\u00adter, and to my ears, a musi\u00adcal joy to behold.\u201d  Mike Gates<\/a>, review<\/a><\/span> for UK<\/span> Vibe<\/span><\/a><\/span><\/strong><\/p>\n


\n\u2013>  \u2018Gol\u00adden Rule\u2019 review by Andrew Jones<\/span> in Down\u00adbeat, USA<\/span>  Dec 2018, p 64<\/span><\/a>
\n<\/span><\/span><\/span><\/span><\/span><\/span>\u201cGol\u00adden Rule con\u00adveys medi\u00adta\u00adti\u00adve tran\u00adqui\u00adli\u00adty and ecsta\u00adtic joy  \u2026  Gross\u00admann show\u00adca\u00adses her abili\u00adty to get the best of a tune melo\u00addi\u00adcal\u00adly. She plays a solo so lyri\u00adcal every bar feels like a dis\u00adcrete com\u00adpo\u00adsi\u00adti\u00adon \u2026 The dyna\u00admism of its soloists and the quartet\u2019s tele\u00adki\u00adne\u00adtic per\u00adfor\u00admance deli\u00advers the album\u2019s aim: pro\u00advi\u00adding a lis\u00adtening expe\u00adri\u00adence akin to tran\u00ads\u00adcen\u00addence.\u201d<\/span> <\/span><\/span><\/strong><\/span>Andrew Jones<\/strong><\/span><\/p>\n

\u2013>  \u2018Gol\u00adden Rule\u2019 review by Leo\u00adnid Aus\u00adkern<\/span> in Jazz\u00adQuad, Bela\u00adrus, 2018<\/span><\/a>
\n\u201cTra\u00adne, espe\u00adci\u00adal\u00adly the late Tra\u00adne, regard\u00aded music as a kind of sacred, spi\u00adri\u00adtu\u00adal act. Fol\u00adlo\u00adwing him, Muri\u00adel Gross\u00adman aspi\u00adres to the same spi\u00adri\u00adtua\u00adli\u00adty in her music, and \u2014 damn it! \u2014 she\u2019s gre\u00adat at it! \u2026 I con\u00adsider her new pro\u00adject GOLDEN<\/span> RULE<\/span> to be the crea\u00adti\u00adve pin\u00adna\u00adcle of this talen\u00adted jazz lady and her stron\u00adgest work up to this date.\u201d Leo\u00adnid Auskern<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong><\/p>\n

\u2013>  New release   12\u201c<\/span><\/strong>Vinyl x 2LP<\/span>   <\/b><\/span>GOLDEN<\/span> RULE<\/span><\/span>   by  RR<\/span> GEMS<\/span> Records<\/a><\/span>
\nORDER<\/span>  HERE<\/span><\/a><\/span>
\nmeet the label: Inter\u00adview<\/a><\/span>
\n<\/span><\/span><\/span><\/span><\/span><\/span><\/strong>with<\/span> Rado\u00admir Milo\u00adj\u00adko\u00advic on gui\u00adtar, <\/span>Gina Schwarz<\/a><\/span> on bass<\/span> and<\/span> Uros Sta\u00admen\u00adko\u00advic on drums<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/strong><\/p>\n

\"Muriel<\/a><\/span><\/span><\/span><\/span><\/span><\/span><\/strong><\/p>\n

\u2013><\/span>  <\/span><\/strong>Con\u00adcert: Muri\u00adel Gross\u00admann Quar\u00adtet plays \u2026  opens Eivis\u00adsa Jazz 2018, 30 years<\/span> anni\u00adver\u00adsa\u00adry<\/span> <\/strong><\/span>Fri\u00adday<\/strong> 31st of August, 2018  21h Paseo Vara de Rey , Ibi\u00adza, Illes Balears
\n<\/span><\/strong>with Gina Schwarz<\/a> on con\u00adtra\u00adbass &<\/span> Uros Sta\u00admen\u00adko\u00advic on drums
\nCon\u00adcert review by <\/span>Juan Anto\u00adnio Ser\u00adra\u00adno Cer\u00advan\u00adtes<\/span> in <\/span><\/strong><\/a><\/span><\/strong>Toma\u00adjazz<\/strong><\/span><\/a><\/strong><\/span><\/p>\n

\u2013><\/span>  \u201aMomen\u00adtum\u2018 review by Marc Sar\u00adra\u00adzy<\/span><\/a> in Impro\u00adjazz, July 2018<\/span><\/span><\/strong>
\n\u201c\u2026 by its struc\u00adtu\u00adre inde\u00aded, its flam\u00adboy\u00adant path, its moving chants and the solar flights of the saxo\u00adpho\u00adne, Momen\u00adtum can be read as a poignant homage to A Love Supre\u00adme \u2026 And Momen\u00adtum: a monu\u00adment of what is cal\u00adled spi\u00adri\u00adtu\u00adal jazz. \u201d Marc Sarrazy<\/span><\/strong><\/p>\n

\u2013><\/strong><\/span>  15\/12\/2017 Inter\u00adview with Muri\u00adel Gross\u00admann: \u201cI have the fee\u00adling the music comes through us not from us\u201d<\/span> by jazz cri\u00adtic: Simon Sarg\u00ads\u00adyan<\/span> in JazzBluesNews.Space<\/span><\/strong><\/a> <\/span><\/strong><\/span><\/span><\/span><\/span><\/span><\/p>\n

\u2013> <\/strong><\/span> \u201aMomen\u00adtum\u2018 review by Elliott Simon in New York City Jazz Records, March 2018<\/span><\/span><\/a>
\n<\/span><\/strong>\u201d \u2026 Gross\u00admann is cle\u00adar\u00adly in con\u00adtrol as she uses tenor, alto and sopra\u00adno to lead band and lis\u00adte\u00adner on a jour\u00adney that takes off like a mis\u00adsile, pas\u00adses through medi\u00adta\u00adti\u00adon, rea\u00adches nir\u00adva\u00adna and ends with thanks\u00adgi\u00adving \u2026 \u201d Elli\u00adot Simon<\/span><\/strong><\/span><\/p>\n

\u2013><\/span> <\/span> \u201aMomen\u00adtum\u2018 review by Masayu\u00adki Koi\u00adto<\/span> in Jazz Maga\u00adzi\u00adne The Walker\u2019s 2017 Vol. 51, Japan<\/span><\/a><\/span><\/span><\/span><\/span><\/span><\/strong><\/p>\n

\u2013><\/span>   Hono\u00adrable Men\u00adti\u00adon of \u2018Momen\u00adtum\u2019 in New York City Jazz Record Maga\u00adzi\u00adne Dec\/2018<\/span><\/a><\/span><\/span><\/strong>
\n<\/span><\/a><\/p>\n

\u2013><\/strong> <\/span> \u201aMomen\u00adtum\u2018 review by Chris\u00adti\u00adan Bak\u00adonyi in Con\u00adcer\u00adto Dec\/2017<\/span><\/span><\/a>,  Aus\u00adtria<\/a>
\n\u201d \u2026 it offers a won\u00adderful jour\u00adney into the jazz, that was once play\u00aded by John Col\u00adtra\u00adne \u2026\u201d Chris\u00adti\u00adan Bakonyi<\/span><\/strong>
\n<\/span><\/span><\/span>
\n\u2013><\/strong>  15\/10\/2017 <\/strong><\/span>  new album   Momen\u00adtum<\/a><\/span><\/span> <\/span><\/strong><\/span> out !<\/span><\/span>
\n<\/span><\/span><\/strong>with<\/span> Rado\u00admir Milo\u00adj\u00adko\u00advic <\/strong>on gui\u00adtar, <\/span>Gina Schwarz<\/strong> on bass<\/span> and<\/span> Uros Sta\u00admen\u00adko\u00advic<\/strong> on drums
\n
\n<\/a><\/a>
\n<\/span><\/span><\/span>
\n\u2013>  Pho\u00adtos:<\/span> <\/span><\/a><\/span>Muri\u00adel Gross\u00admann Quar\u00adtet plays \u2026 in Vienna<\/a><\/span><\/span><\/span>
\nSun\u00adday 15th of Octo\u00adber, 2017  20h CAFE<\/span>7<\/span>STERN<\/span><\/span><\/a>, Vien\u00adna
\n<\/span><\/strong><\/span>with Rado\u00admir Milo\u00adj\u00adko\u00advic<\/strong><\/span> guit,  Gina Schwarz<\/a><\/strong> <\/span> b &<\/span> Uros Sta\u00admen\u00adko\u00advic<\/strong> <\/span> dr \u2014  sp. guest Andre\u00adas Plank<\/strong><\/a><\/span> on piano<\/span><\/p>\n

\u2013> <\/span><\/span> Pho\u00adto expo\u00adsi\u00adti\u00adon of Jos\u00e9 Luis Luna<\/span> in the Eivis\u00adsa Townhall<\/span>
\n<\/a>w<\/span>ith fotos of  \u2018Eivis\u00adsa Jazz 2013\u20132016\u2032 <\/span><\/span><\/span><\/strong><\/p>\n

\u2013>  Con\u00adcert: Muri\u00adel Gross\u00admann Quar\u00adtet plays \u2026 in Formentera<\/span>
\nThurs\u00adday 6th of July, 2017  20.30h CASA<\/span> <\/span>DEL<\/span> POBLE<\/span> , For\u00adm\u00aden\u00adte\u00adra, Illes Balears<\/span>
\n<\/strong>with Gina Schwarz<\/a> <\/strong>on con\u00adtra\u00adbass &<\/span> Uros Sta\u00admen\u00adko\u00advic<\/strong> on drums<\/span><\/p>\n

\u2013>  Pho\u00adtos:<\/span> <\/span><\/span><\/a><\/span>Muri\u00adel Gross\u00admann Quar\u00adtet plays \u2026 in Pal\u00adma de Mallorca:<\/a><\/span><\/strong>
\n Tues\u00adday 20th of June, 2017  20.30h CASTILLO<\/span> SON<\/span> VIDA<\/span>, Mal\u00adlor\u00adca, Illes Balears<\/span><\/strong>
\nwith Gina Schwarz<\/a> <\/strong>on con\u00adtra\u00adbass &<\/span> Uros Sta\u00admen\u00adko\u00advic<\/strong> on drums<\/span><\/p>\n

\u2013>  Jazz &<\/span> Music Maga\u00adzi\u00adne  \u201cThe Walker\u2019s\u201d  new issue \u201c2017 Vol.49\u201d
\nMasayu\u00adki Koi\u00adto<\/a> <\/span> invi\u00adted me to be part of the \u201c3 wis\u00adhes of Jazz Musi\u00adci\u00adans\u201d<\/a>, thank you !<\/span><\/span><\/span><\/strong><\/span><\/p>\n

\u2013><\/span>  New Vide\u00ados<\/span><\/span><\/span><\/a><\/strong> from con\u00adcert on PLAZA<\/span> MAYOR<\/span>, Pal\u00adma de Mal\u00adlor\u00adca, 30\/04\/17<\/strong>
\n<\/span><\/span>with Gina Schwarz<\/a> on con\u00adtra\u00adbass &<\/span> Uros Sta\u00admen\u00adko\u00advic on drums<\/span><\/span><\/span>
\n<\/span>
\n<\/span><\/a>\u2013>   <\/span>Ibi\u00adza Spring Tour - Muri\u00adel Gross\u00admann Quar\u00adtet 23 \u2014 25\/03\/17<\/span><\/a><\/span><\/strong>
\nwith Gina Schwarz<\/a> on con\u00adtra\u00adbass &<\/span> Uros Sta\u00admen\u00adko\u00advic on drums<\/span><\/p>\n

\u2013><\/strong>   Hono\u00adrable Men\u00adti\u00adon of \u2018Natu\u00adral Time<\/strong><\/span><\/a><\/span>\u2019 in New York City Jazz Record Maga\u00adzi\u00adne Dec\/2017<\/span><\/span><\/strong><\/span><\/a><\/p>\n

\u2013><\/span><\/span> <\/span><\/span> <\/strong><\/span>\u201aNatu\u00adral Time\u2018 review by Chris\u00adti\u00adan Bak\u00adonyi<\/strong> <\/span>in Con\u00adcer\u00adto April\/2016, Austria<\/span><\/strong><\/span><\/a><\/span>
\n\u201d \u2026 has again brought out with \u201cNatu\u00adral Time\u201d, as well as with the albums befo\u00adre a tim\u00ade\u00adl\u00adess\u00adly beau\u00adtiful, inten\u00adse Album, inspi\u00adred by Coltrane\u2019s Sound. \u2026 Albums with this cer\u00adtain jazz spi\u00adri\u00adtua\u00adli\u00adty have beco\u00adme rare, the more important that with the saxo\u00adpho\u00adnist Muri\u00adel Gross\u00admann someone is the\u00adre, to not let us for\u00adget this spi\u00adri\u00adtua\u00adli\u00adty. \u2026\u201d Chris\u00adti\u00adan Bakonyi<\/span><\/strong><\/span><\/p>\n

\u2013><\/span>  Con\u00adcert:<\/span> <\/span>Muri\u00adel Gross\u00admann Quar\u00adtet play<\/span>s<\/span>\u2026 in Formentera:<\/span><\/strong><\/span>
\n Wed\u00adnes\u00adday 27th of July, 2016<\/span><\/strong> CASA<\/span> DEL<\/span> POBLE<\/span> in Formentera<\/span><\/span><\/span><\/strong><\/p>\n

\u2013>  <\/span>Con\u00adcert:<\/span><\/a><\/strong> <\/span><\/span>Muri\u00adel Gross\u00admann Quar\u00adtet plays\u2026 at Inge\u00adnio Jazz &<\/span> Wine Festival:<\/strong><\/span>
\n Thurs\u00adday 6th of July, 2016 TERRAZA<\/span> TEATRO<\/span> GALILEO<\/span> in Madrid.<\/strong>
\n<\/span>
\n<\/span><\/span>\u2013><\/span>  \u2018Natu\u00adral Time\u2019 review<\/a> by Leo\u00adnid Aus\u00adkern <\/span>in Jazz\u00adQuad, Bela\u00adrus, 2016<\/span><\/a>
\n\u201c\u2026 and for all this pro\u00adfound\u00adnes, this music is sur\u00adpri\u00adsin\u00adgly easy to lis\u00adten \u2026\u201d Leo\u00adnid Auskern<\/span><\/span><\/span><\/strong>
\n<\/span><\/strong><\/span><\/span><\/p>\n

\u2013>   <\/span><\/span><\/strong><\/span>Video from \u2018Natu\u00adral Time\u2019 Pre\u00adsen\u00adta\u00adti\u00adon Tour, 2016<\/span><\/span><\/strong><\/span>
\n<\/a>
\n\u2013>   <\/span>Artic\u00adle of Mih\u00e1\u00adly Cz\u00e9\u00adkus <\/span>in Hang\u00adz\u00e1s\u00adVil\u00e1g Maga\u00adzin Hun\u00adga\u00adry, Feb\/2016<\/span><\/a><\/strong>
\n<\/span><\/span>
\n<\/a><\/span>\u2013>   <\/span><\/span>Pho\u00adtos<\/span> of  <\/span><\/a>\u2018<\/span><\/a><\/span><\/strong>Natu\u00adral Time\u2019 Pre\u00adsen\u00adta\u00adti\u00adon Tour<\/a><\/span> Jan\/2016<\/span><\/a><\/span><\/strong><\/span><\/span><\/p>\n

\u2013>   1\/1\/2016 <\/strong><\/span>  out now!   <\/span>Natu\u00adral Time<\/a>  <\/span><\/strong><\/span>on Cd<\/strong>
\n<\/span><\/span>with<\/span> Rado\u00admir Milo\u00adj\u00adko\u00advic <\/strong>on gui\u00adtar, <\/span>Gina Schwarz <\/strong>on bass<\/span> and<\/span> Uros Sta\u00admen\u00adko\u00advic<\/strong> on drums
\n<\/span><\/span><\/span>
\n<\/a><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

\u2013>  5\/3\/2026  PRE-RELEASE<\/span>  of 12\u201c Vinyl  QUARTET<\/span> (2008) New\u00adley remi\u00adxed &<\/span> remas\u00adte\u00adred. by  Moder\u00adnis\u00adtas Records ORDER<\/span> HERE<\/span> with Rado\u00admir Milo\u00adj\u00adko\u00advic on gui\u00adtar, David Mar\u00adro\u00adquin on bass, Mar\u00adko Jela\u00adca on drums \u2013>\u201aPlays the Music of McCoy Tyner and Gra\u00adteful Dead\u2018 review in Aqua\u00adri\u00adum Drun\u00adkard, US<\/span> Feb 2026  READ<\/span> FULL<\/span> WRITE-UP<\/span> \u201c\u2026 In all the\u00adse tracks, Gross\u00admann seems \u2026 News<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"class_list":["post-1134","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/1134","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1134"}],"version-history":[{"count":687,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/1134\/revisions"}],"predecessor-version":[{"id":6005,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/1134\/revisions\/6005"}],"wp:attachment":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}