{"id":1780,"date":"2017-10-04T23:48:42","date_gmt":"2017-10-04T21:48:42","guid":{"rendered":"http:\/\/www.murielgrossmann.com\/?page_id=1780"},"modified":"2018-06-28T04:29:15","modified_gmt":"2018-06-28T02:29:15","slug":"about-this-album-momentum","status":"publish","type":"page","link":"https:\/\/murielgrossmann.com\/?page_id=1780","title":{"rendered":"Album Notes \u2014 Momentum"},"content":{"rendered":"

ALBUM<\/span> NOTES<\/span><\/span><\/strong><\/p>\n

                  Aus\u00adtri\u00adan alto, sopra\u00adno, tenor saxo\u00adpho\u00adnist and com\u00adpo\u00adser Muri\u00adel Gross\u00admann was born in Paris. She grew up in Vien\u00adna whe\u00adre she stu\u00addi\u00aded the flu\u00adte and later swit\u00adched to the saxo\u00adpho\u00adne (alto and sopra\u00adno) to fur\u00adther her stu\u00addies in music. Gross\u00admann play\u00aded and tou\u00adred with various Rhythm &<\/span> Blues, World Music and Jazz groups. In 2002 she moved to Bar\u00adce\u00adlo\u00adna whe\u00adre she star\u00adted to lead her own bands for recor\u00addings and con\u00adcerts. She play\u00aded and recor\u00added with many well-respec\u00adted musi\u00adci\u00adans inclu\u00adding Chris\u00adti\u00adan Lil\u00adlin\u00adger, Robert Land\u00adfer\u00admann, Johan\u00adnes Fink, Wolf\u00adgang Rei\u00adsin\u00adger, Joa\u00adchim K\u00fchn, and Chris\u00adtoph Kurz\u00admann. Muri\u00adel Gross\u00admann was able to trans\u00adla\u00adte the influence of John Col\u00adtra\u00adne and Ornet\u00adte Cole\u00adman into her own expe\u00adri\u00adence, crea\u00adting a high\u00adly per\u00adso\u00adnal lan\u00adguage. Bes\u00adi\u00addes the pur\u00adsu\u00adit of her own music, Muri\u00adel Gross\u00admann can also be heard play\u00ading Jazz and Rhythm and Blues with small and lar\u00adge orchestras, up to 200 con\u00adcerts throug\u00adhout the year.<\/span><\/p>\n

                  Gui\u00adta\u00adrist Rado\u00admir Milo\u00adj\u00adko\u00advic met Muri\u00adel in 2002 whilst play\u00ading on and off in dif\u00adfe\u00adrent ensem\u00adbles. It was not until 2006 that they joi\u00adn\u00aded forces to record an exten\u00adsi\u00adve body of work cul\u00admi\u00adna\u00adting with the records AWAKENING<\/span> (Dream\u00adland\u00adre\u00adcords, 2013) and EARTH<\/span> TONES<\/span> (Dream\u00adland\u00adre\u00adcords, 2015). Working with Gross\u00admann, Rado\u00admir Milo\u00adj\u00adko\u00advic recor\u00added fine rhythm and solo gui\u00adtar work, roo\u00adted in the style of Blues and Jazz, pro\u00advi\u00adding a mode\u00adra\u00adte, effec\u00adti\u00adve and direct way of playing.<\/span><\/p>\n

                  Drum\u00admer Uros Sta\u00admen\u00adko\u00advic joi\u00adn\u00aded Muri\u00adel Gross\u00admann and Rado\u00admir Milo\u00adj\u00adko\u00advic in 2014. Uros and Rado\u00admir were child\u00adhood fri\u00adends. Rado\u00admir recom\u00admen\u00added Uros becau\u00adse he knew that he would com\u00adple\u00adment the group with his more \u201cswin\u00adging\u201d type of jazz drum\u00adming and groo\u00adve ori\u00aden\u00adted type of playing.<\/span><\/p>\n

                  Gina Schwarz, the con\u00adtra\u00adbas\u00adsist, a long time fri\u00adend and col\u00adle\u00adague of Muri\u00adel from their Vien\u00adna days, joi\u00adn\u00aded the group in 2015 for the work on NATURAL<\/span> TIME<\/span> record (Dream\u00adland\u00adre\u00adcords 2016) and the tour that fol\u00adlo\u00adwed. Gina is a high\u00adly respec\u00adted musi\u00adci\u00adan who pro\u00advi\u00addes an extra\u00ador\u00addi\u00adna\u00adry groo\u00adve and com\u00adple\u00adtes the quartet.<\/span><\/p>\n

                  The album NATURAL<\/span> TIME<\/span> mark\u00aded the begin\u00adning of the new quar\u00adtet, which has gone on to beco\u00adme a working group, play\u00ading tours and con\u00adcerts. The pre\u00adsent record, MOMENTUM<\/span>, seems like a logi\u00adcal step for\u00adward for the\u00adse four immense\u00adly talen\u00adted musicians.<\/span><\/p>\n

                  Momentum\u2019s ope\u00adning com\u00adpo\u00adsi\u00adti\u00adon, Ele\u00adva\u00adti\u00adon<\/strong>, reve\u00adals a high-ener\u00adgy approach to music. It is an inspi\u00adred per\u00adfor\u00admance, packed with exci\u00adting rhyth\u00adms and epic hymn-like melo\u00addies. Both Gross\u00admann and Milo\u00adj\u00adko\u00advic are very much kind\u00adred high-inten\u00adsi\u00adty play\u00aders, who have a deep and sti\u00admu\u00adla\u00adting rap\u00adport, which has been honed over many years.<\/span><\/p>\n

                  The title com\u00adpo\u00adsi\u00adti\u00adon, Momen\u00adtum<\/strong>, is an ecsta\u00adtic pie\u00adce of music. It inspi\u00adres a strong fee\u00adling of posi\u00adti\u00advi\u00adty and is powerful\u00adly exe\u00adcu\u00adted by the quartet.<\/span><\/p>\n

                  After an explo\u00adsi\u00adve ope\u00adning, Gross\u00admann brings us to the medi\u00adta\u00adti\u00adve sta\u00adte of mind whe\u00adre the leader\u2019s tenor saxo\u00adpho\u00adne voice is up-clo\u00adse and warm, see\u00adking emo\u00adtio\u00adnal com\u00admu\u00adni\u00adca\u00adti\u00adon and giving space to the lyri\u00adcal ide\u00adas. Chant<\/strong> pres\u00adents its\u00adelf as a per\u00adfect vehic\u00adle for Gina Schwarz to take a long and explo\u00adra\u00adto\u00adry piz\u00adzi\u00adca\u00adto solo.<\/span><\/p>\n

                  With the com\u00adpo\u00adsi\u00adti\u00adon Sacred<\/strong>, Gross\u00admann deli\u00advers an uplif\u00adting and mes\u00adme\u00adri\u00adsing solo fun\u00adnel\u00adled with melo\u00addic motifs. Gross\u00admann has an abili\u00adty to com\u00adpo\u00adse tran\u00ads\u00adcen\u00addent music. Using the saxo\u00adpho\u00adne as her expres\u00adsi\u00adve voice she explo\u00adres the depths and ran\u00adges of the instru\u00adment. Espe\u00adci\u00adal\u00adly in this pie\u00adce Gina Schwarz excels in groo\u00adve and flow of ide\u00adas con\u00adfir\u00adming why she is the rhythm woman of choice for many musicians.<\/span><\/p>\n

                  The com\u00adpo\u00adsi\u00adti\u00adon Hori\u00adzon<\/strong> puts on dis\u00adplay Muri\u00adel Grossmann\u2019s work as a com\u00adpo\u00adser, deepe\u00adning the con\u00adcepts star\u00adted on the Earth Tones record. In this par\u00adti\u00adcu\u00adlar tune, orches\u00adtral lay\u00aders \u2014 or as the com\u00adpo\u00adser calls them \u2018dro\u00adnes\u2019 \u2014 are coming for\u00adward like over\u00adto\u00adne sculp\u00adtures crea\u00adting polychord\u00adal struc\u00adtures. \u201cThe dro\u00adnes are play\u00aded\u201d as Muri\u00adel Gross\u00admann puts it: \u201din a har\u00admo\u00adnic struc\u00adtu\u00adre to give more dimen\u00adsi\u00adons to the music\u201d.<\/span><\/p>\n

                  Through the com\u00adpo\u00adsi\u00adti\u00adon Rising<\/strong>, Gross\u00admann savours space and nuan\u00adce, making music of the hig\u00adhest order. Rising ser\u00adves also as a natu\u00adral vehic\u00adle for Uros Sta\u00admen\u00adko\u00advic, a straight\u00adfor\u00adward play\u00ader, who pro\u00advi\u00addes solid groo\u00adve and embel\u00adlish\u00adments, the\u00adr\u00ade\u00adfo\u00adre kee\u00adping the cha\u00adrac\u00adter of the com\u00adpo\u00adsi\u00adti\u00adon intact. <\/span><\/p>\n

                   Gra\u00adti\u00adtu\u00adde<\/strong> is like an orches\u00adtral work whe\u00adre instru\u00adments intert\u00adwi\u00adne in a powerful way, pro\u00addu\u00adcing ste\u00adalt\u00adhy and mys\u00adte\u00adrious music, slow\u00adly reve\u00adal\u00ading itself.<\/span><\/p>\n

                    With this record, the Muri\u00adel Gross\u00admann Quar\u00adtet deli\u00advers a flu\u00adid and power packed opus, which fea\u00adtures the lea\u00adders tor\u00adrid saxo\u00adpho\u00adne solo\u00ading. As Muri\u00adel hers\u00adelf says \u201cMusic should ele\u00adva\u00adte peo\u00adp\u00adle and bring lis\u00adten\u00aders into an uplifted sta\u00adte of mind. Momen\u00adtum is a call to take up your talent and give it forth for huma\u00adni\u00adty, fight\u00ading for our values, pre\u00adser\u00adva\u00adti\u00adon of natu\u00adre and col\u00adla\u00adbo\u00adra\u00adting all now for our future gene\u00adra\u00adti\u00adon.\u201d This record has ple\u00adnty of \u201cear can\u00addy\u201d for dedi\u00adca\u00adted lis\u00adten\u00aders to enjoy.<\/span>
\n \u2014 Bert Jannick<\/span><\/em><\/p>\n

 <\/p>\n

REVIEWS<\/span>
\n<\/strong><\/span><\/p>\n

IMPROJAZZ<\/span>, France Jun\/2018 by Marc SARRAZY<\/span><\/strong>
\n<\/span>Like a handful of cher\u00adries dancing at the end of the branch, prey to the wind, a few notes of bea\u00added, sus\u00adpen\u00added gui\u00adtar that rock and rise. Who is cal\u00adling a rhythm like others would per\u00adform a rain dance? Thus, in a few seconds, a real musi\u00adcal incan\u00adta\u00adti\u00adon takes shape that sud\u00adden\u00adly takes fle\u00adsh by the thun\u00adde\u00adrous arri\u00adval of the tenor saxo\u00adpho\u00adne. We have all seen, one win\u00adter day clo\u00adser to the hearth, a bunch of fla\u00admes instant\u00adly born from a car\u00adpet of glo\u00adwing embers, take shape and begin to swell, spin\u00adning in a cra\u00adzy dance, gro\u00adwing, inex\u00adorab\u00adly amoun\u00adting. This pic\u00adtu\u00adre, this sto\u00adry, is the one told by the album Momen\u00adtum and this, from the very first mea\u00adsu\u00adres of the inau\u00adgu\u00adral pie\u00adce, the aptly named \u201cEle\u00adva\u00adti\u00adon\u201d. The music, initi\u00adal\u00adly eva\u00adne\u00ads\u00adcent, embarks on a per\u00adpe\u00adtu\u00adal, almost spi\u00adri\u00adtu\u00adal quest, which ine\u00advi\u00adta\u00adb\u00adly rises to the sound of a pri\u00admor\u00addi\u00adal groo\u00adve, sup\u00adport\u00aded by the stur\u00addy sway\u00ading of the dou\u00adble bass play and by the odd struc\u00adtures attrac\u00adted by the rhyth\u00admic exci\u00adte\u00adment of the drummer.<\/span><\/p>\n

The pie\u00adces of the disc often come clo\u00adse to the ten minu\u00adtes; it is the ide\u00adal time for the musi\u00adcal work to pre\u00adsent its\u00adelf bloo\u00adming in the remi\u00adnis\u00adcen\u00adces. The ide\u00adal time for light saxo\u00adpho\u00adni\u00adstic fevers spin\u00adning in its own drun\u00adken\u00adness, becau\u00adse the impro\u00advi\u00adsa\u00adti\u00adons unfold free\u00adly, insi\u00adde the rhyth\u00admic waves and the effer\u00adve\u00ads\u00adcence sound. The pie\u00adces fol\u00adlow each other, the har\u00admo\u00adnies come into reso\u00adnan\u00adce and rever\u00adbe\u00adra\u00adte, \u201cMomen\u00adtum\u201d, as an evi\u00addence, \u201cChant\u201d, natu\u00adral and uni\u00adver\u00adsal, \u201cSacred\u201d, a true hymn tur\u00adned to the pas\u00adsi\u00adon for free\u00addom, the incan\u00adde\u00ads\u00adcent \u201cHori\u00adzon\u201d, the powerful \u201cRising\u201d that responds as an echo to \u201cEle\u00adva\u00adti\u00adon\u201d, final\u00adly \u201cGra\u00adti\u00adtu\u00adde\u201d, as a thank you to the mas\u00adter, lucid and ser\u00ade\u00adne. By its struc\u00adtu\u00adre inde\u00aded, its flam\u00adboy\u00adant path, its moving chants and the solar flights of the saxo\u00adpho\u00adne, Momen\u00adtum can be read as a poignant homage to A Love Supreme.<\/span><\/p>\n

Muri\u00adel Gross\u00admann, who had embark\u00aded on a rough free jazz in the late 2000s, crossing the roads of Joa\u00adchim K\u00fchn and Wolf\u00adgang Rei\u00adsin\u00adger, began to refo\u00adcus on her quar\u00adtet trai\u00adning with gui\u00adta\u00adrist Rado\u00admir Milo\u00adj\u00adko\u00advic, faithful accom\u00adpli\u00adce of the saxo\u00adpho\u00adnist: he deve\u00adlo\u00adps a poin\u00adtil\u00adlist game ador\u00adned with spar\u00adk\u00adling trills, who also stub\u00adborn\u00adly works the reso\u00adnan\u00adce of a sin\u00adgle note in the man\u00adner of \u2026 David Gilmour. With the team of Gina Schwarz and Uros Sta\u00admen\u00adko\u00advic the group has found its ground and the Col\u00adtra\u00adne aes\u00adthe\u00adtics, initia\u00adted sin\u00adce the excel\u00adlent Earth Tones (2015), was con\u00adfirm\u00aded with Natu\u00adral Time (2016), a record just as deep, and today with Momen\u00adtum, the tri\u00adlo\u00adgy has found its culmination.<\/span><\/p>\n

Vibrant, pas\u00adsio\u00adna\u00adte, exhi\u00adla\u00adra\u00adting, the music of Muri\u00adel Gross\u00admann cap\u00adti\u00adva\u00adtes maje\u00ads\u00adti\u00adcal\u00adly. And Momen\u00adtum: a monu\u00adment of what is cal\u00adled spi\u00adri\u00adtu\u00adal jazz. <\/span>Marc SARRAZY<\/span>, Impro\u00adJazz, June 2018<\/span><\/em><\/span><\/p>\n


\nCONCERTO<\/span> Dec\/2017 by Chris\u00adti\u00adan Bakonyi<\/strong>
\nAfter albums \u201eAwa\u00adke\u00adning\u201c, \u201eEarth Tones\u201c and \u201eNatu\u00adral Time\u201c Muri\u00adel Gross\u00admann fasci\u00adna\u00adtes once again with \u201eMomen\u00adtum\u201c, with her high\u00adly spi\u00adri\u00adtu\u00adal, exci\u00adting, cap\u00adti\u00advat\u00ading way of play\u00ading the saxo\u00adpho\u00adne. Gross\u00admann has recor\u00added \u201eMomen\u00adtum\u201c tog\u00ade\u00adther with the gui\u00adta\u00adrist Rado\u00admir Milo\u00adj\u00adko\u00advic, the bas\u00adsist Gina Schwarz and the drum\u00admer Uros Sta\u00admen\u00adko\u00advic. It offers a won\u00adderful jour\u00adney into the jazz, that was once play\u00aded by John Coltrane.<\/span><\/p>\n

Alre\u00ada\u00addy the music of the ope\u00adner com\u00adpo\u00adsi\u00adti\u00adon \u201eEle\u00adva\u00adti\u00adon\u201c rea\u00adches out, it does not pull or tear, but invi\u00adtes with sen\u00adsi\u00adti\u00advi\u00adty, to the diver\u00adse sounds, which will yet come. Muri\u00adel Gross\u00admann and her quar\u00adtet crea\u00adte a sound space that enve\u00adlo\u00adps one like a warm\u00ading coat in the cold win\u00adter, while one is rela\u00adxing wat\u00adching the fli\u00adcke\u00adring, natu\u00adral light off the fire\u00adplace, which dips the room in ever new colors with fri\u00adend\u00adly dancing shadows. The almost 67 minu\u00adtes felt like 20, so exci\u00adting are the seven pie\u00adces that you can start right away again from the begin\u00adning, becau\u00adse you will dis\u00adco\u00adver new things, find new sounds in this won\u00adderful water\u00adco\u00adlor of sounds. (Bak) Chris\u00adti\u00adan Bak\u00adonyi,<\/em> Con\u00adcer\u00adto, Aug\/Sept 2017<\/em><\/a><\/span><\/p>\n

NEW<\/span> YORK<\/span> CITY<\/span> JAZZ<\/span> RECORDS<\/span> Mar\/2018  by Elliott Simon<\/strong>
\nThe spi\u00adri\u00adtu\u00adal con\u00adnec\u00adtion on Momen\u00adtum is imme\u00addia\u00adte\u00adly obvious. Saxo\u00adpho\u00adnist Muri\u00adel Gross\u00admann has long his\u00adto\u00adries with gui\u00adta\u00adrist Rado\u00admir Milo\u00adj\u00adko\u00advic, bas\u00adsist Gina Schwarz and drum\u00admer Uros Sta\u00admen\u00adko\u00advic, deve\u00adlo\u00adped through many per\u00adfor\u00adman\u00adces and recor\u00addings. Gross\u00admann is cle\u00adar\u00adly in con\u00adtrol as she uses tenor, alto and sopra\u00adno to lead band and lis\u00adte\u00adner on a jour\u00adney that takes off like a mis\u00adsile, pas\u00adses through medi\u00adta\u00adti\u00adon, rea\u00adches nir\u00adva\u00adna and ends with thanksgiving.
\n<\/span>
\n<\/span>Grossmann\u2019s inten\u00adse solo sup\u00adpli\u00adca\u00adti\u00adon and powerful jous\u00adting with Milo\u00adj\u00adko\u00advic beg\u00adins the ses\u00adsi\u00adon as \u201cele\u00adva\u00adti\u00adon\u201d rises into a sanc\u00adti\u00adfied set\u00adting. The com\u00adpa\u00adri\u00adson to Col\u00adtra\u00adne is clear but the quar\u00adtet finds its own supre\u00adme space through the title track\u2019s initi\u00adal intro\u00ads\u00adpec\u00adtion, gor\u00adge\u00adous tenor phra\u00adsing and pene\u00adt\u00adra\u00adting gui\u00adtar solo\u00ading. Schwarz and Sta\u00admen\u00adko\u00advic but\u00adtress the melo\u00addies with unce\u00ada\u00adsing rhythm and shif\u00adting aug\u00admen\u00adta\u00adti\u00adon. The lat\u00adter is a beau\u00adtiful\u00adly emo\u00adti\u00adve play\u00ader and ensu\u00adres that the excur\u00adsi\u00adon remains smooth and on cour\u00adse. \u201cChant\u201d cle\u00adver\u00adly gives her space, allo\u00adwing a piz\u00adzi\u00adca\u00adto solo to defi\u00adne a man\u00adtra ans\u00adwe\u00adred by the melis\u00adma\u00adtic saxophone\/guitar pai\u00adring on \u201cSacred\u201d.<\/span><\/p>\n

\u201c<\/span>Hori\u00adzon\u201d is a glim\u00adpse of enligh\u00adten\u00adment, sopra\u00adno pain\u00adting a free land\u00adscape befo\u00adre \u201cRising\u201d snak\u00adechar\u00admes its way to a penul\u00adti\u00adma\u00adte peaceful Groo\u00adve dri\u00adven by per\u00adcus\u00adsive deco\u00adra\u00adti\u00adon. \u201cGra\u00adti\u00adtu\u00adde\u201d appro\u00adpria\u00adte\u00adly clo\u00adses the ses\u00adsi\u00adon with a gra\u00adteful bene\u00addic\u00adtion, high\u00adlight\u00ading Grossmann\u2019s impro\u00advi\u00adsa\u00adtio\u00adnal skills. Known pri\u00adma\u00adri\u00adly for her excep\u00adtio\u00adnal work on alto and sopra\u00adno, Gross\u00admann unco\u00advers new spi\u00adri\u00adtu\u00adal spaces on Momen\u00adtum by skillful\u00adly incor\u00adpo\u00adra\u00adting the expan\u00added tonal and tex\u00adtu\u00adral palet\u00adte of her tenor in the con\u00adtext of a com\u00adpa\u00adti\u00adble quar\u00adtet. Elliott Simon, March 2018, NYC<\/span> Jazz Record<\/a><\/em><\/span><\/p>\n

THE<\/span> WALKER<\/span>\u2018S, Japan 2017 Vol. 51 by Masayu\u00adki Koito
\n<\/span><\/strong>In the latest work of Muri\u00adel Gross\u00admann \u2013 Momen\u00adtum, you can feel the power of the Aus\u00adtri\u00adan-born saxo\u00adpho\u00adnist, who releases albums at the pace of one year in the past few years. Each work focu\u00adses on a cover design full of art sen\u00adse, but this new work also shi\u00adnes with a blue-tone design. The same mem\u00adbers as in her pre\u00advious work par\u00adti\u00adci\u00adpa\u00adted, and Muri\u00adel this time playes tenor, alto and sopra\u00adno saxo\u00adpho\u00adne. The album was recor\u00added on Ibi\u00adza an island in the wes\u00adtern Medi\u00adter\u00adra\u00adne\u00adan. \u201eEle\u00adva\u00adti\u00adon\u201c the ope\u00adning pie\u00adce is play\u00aded with high ener\u00adgy aproach. \u201eMomen\u00adtum\u201c the title pie\u00adce expres\u00adses an ecsta\u00adtic part of music. The fema\u00adle upright bass play\u00ader Gina Schwarz playes a gre\u00adat solo on \u201eChant\u201c. Muriel\u2019s tone on sopra\u00adno saxo\u00adpho\u00adne is impres\u00adsi\u00adve on \u201eHori\u00adzon\u201c. The last tune \u201eGra\u00adti\u00adtu\u00adde\u201c feels magni\u00adfi\u00adcent like an orches\u00adtra. The seven songs stand out for the talent for com\u00adpo\u00adsing of Muri\u00adel Gross\u00admann.<\/span> Masayu\u00adki Koi\u00adto, The Walker\u2018s, Japan 2017 Vol. 51<\/span><\/em><\/a><\/p>\n

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\u21d0<\/a><\/span><\/span><\/strong>
\n<\/span><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

ALBUM<\/span> NOTES<\/span>                   Aus\u00adtri\u00adan alto, sopra\u00adno, tenor saxo\u00adpho\u00adnist and com\u00adpo\u00adser Muri\u00adel Gross\u00admann was born in Paris. She grew up in Vien\u00adna whe\u00adre she stu\u00addi\u00aded the flu\u00adte and later swit\u00adched to the saxo\u00adpho\u00adne (alto and sopra\u00adno) to fur\u00adther her stu\u00addies in music. Gross\u00admann play\u00aded and tou\u00adred with various \u2026 Album Notes \u2014 Momen\u00adtum<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":223,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"class_list":["post-1780","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/1780","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1780"}],"version-history":[{"count":19,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/1780\/revisions"}],"predecessor-version":[{"id":2359,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/1780\/revisions\/2359"}],"up":[{"embeddable":true,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/223"}],"wp:attachment":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1780"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}