{"id":1856,"date":"2018-03-26T13:50:50","date_gmt":"2018-03-26T11:50:50","guid":{"rendered":"http:\/\/www.murielgrossmann.com\/?page_id=1856"},"modified":"2018-03-26T13:58:22","modified_gmt":"2018-03-26T11:58:22","slug":"1856-2","status":"publish","type":"page","link":"https:\/\/murielgrossmann.com\/?page_id=1856","title":{"rendered":"<span class=\"quo\">\u2018<\/span>Momentum\u2019 review by Masayuki Koito in japanese Jazz <span class=\"amp\">&amp;<\/span> Music Magazine <span class=\"caps\">THE<\/span> <span class=\"caps\">WALKER<\/span>\u2018S"},"content":{"rendered":"<p><span style=\"font-family: calibri; font-size: 12pt; color: #99ccff;\">Review of <span class=\"caps\">MOMENTUM<\/span> \u2014 Muri\u00adel Gross\u00admann in japa\u00adne\u00adse Jazz <span class=\"amp\">&amp;<\/span> Music Maga\u00adzi\u00adne <span class=\"caps\">THE<\/span> <span class=\"caps\">WALKER<\/span>\u2018S 2017 Vol. 51, by Masayu\u00adki&nbsp;Koito<\/span><\/p>\n<p><a href=\"https:\/\/murielgrossmann.com\/wp-content\/uploads\/THe-Walkers-2018.jpg\" rel=\"lightbox[1856]\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1859 alignnone\" src=\"https:\/\/murielgrossmann.com\/wp-content\/uploads\/THe-Walkers-2018-300x217.jpg\" alt=\"THe Walkers 2018\" width=\"300\" height=\"217\" srcset=\"https:\/\/murielgrossmann.com\/wp-content\/uploads\/THe-Walkers-2018-300x217.jpg 300w, https:\/\/murielgrossmann.com\/wp-content\/uploads\/THe-Walkers-2018-350x253.jpg 350w, https:\/\/murielgrossmann.com\/wp-content\/uploads\/THe-Walkers-2018-768x555.jpg 768w, https:\/\/murielgrossmann.com\/wp-content\/uploads\/THe-Walkers-2018.jpg 793w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\"><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: calibri; font-size: 12pt; color: #99ccff;\">In the latest work of Muri\u00adel Gross\u00admann \u2014 Momen\u00adtum, you can feel the power of the Aus\u00adtri\u00adan-born saxo\u00adpho\u00adnist, who releases albums at the pace of one year in the past few years. Each work focu\u00adses on a cover design full of art sen\u00adse, but this new work also shi\u00adnes with a blue-tone design. The same mem\u00adbers as in her pre\u00advious work par\u00adti\u00adci\u00adpa\u00adted, and Muri\u00adel this time playes tenor, alto and sopra\u00adno saxo\u00adpho\u00adne. The album was recor\u00added on Ibi\u00adza an island in the wes\u00adtern Medi\u00adter\u00adra\u00adne\u00adan. \u201cEle\u00adva\u00adti\u00adon\u201d the ope\u00adning pie\u00adce is play\u00aded with high ener\u00adgy aproach. \u201cMomen\u00adtum\u201d the title pie\u00adce expres\u00adses an ecsta\u00adtic part of music. The fema\u00adle upright bass play\u00ader Gina Schwarz playes a gre\u00adat solo on \u201cChant\u201d. Muriel\u2019s tone on sopra\u00adno saxo\u00adpho\u00adne is impres\u00adsi\u00adve on \u201cHori\u00adzon\u201d. The last tune \u201cGra\u00adti\u00adtu\u00adde\u201d feels magni\u00adfi\u00adcent like an orches\u00adtra. The seven songs stand out for the talent for com\u00adpo\u00adsing of Muri\u00adel Grossmann.<\/span><\/p>\n<p><span style=\"font-family: calibri; font-size: 14pt;\"><strong><span style=\"color: #33cccc;\"><a style=\"color: #33cccc;\" href=\"https:\/\/murielgrossmann.com\/\">\u21d0<\/a><\/span><\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Review of <span class=\"caps\">MOMENTUM<\/span> \u2014 Muri\u00adel Gross\u00admann in japa\u00adne\u00adse Jazz <span class=\"amp\">&amp;<\/span> Music Maga\u00adzi\u00adne <span class=\"caps\">THE<\/span> <span class=\"caps\">WALKER<\/span>\u2018S 2017 Vol. 51, by Masayu\u00adki&nbsp;Koi\u00adto In the latest work of Muri\u00adel Gross\u00admann \u2014 Momen\u00adtum, you can feel the power of the Aus\u00ad\u00ad\u00adtri\u00adan-born saxo\u00adpho\u00adnist, who releases albums at the pace of one year in the past few years. Each work focu\u00adses on \u2026 <a href=\"https:\/\/murielgrossmann.com\/?page_id=1856\" class=\"more-link\"><span class=\"screen-reader-text\"><span class=\"quo\">\u2018<\/span>Momen\u00adtum\u2019 review by Masayu\u00adki Koi\u00adto in japa\u00adne\u00adse Jazz <span class=\"amp\">&amp;<\/span> Music Maga\u00adzi\u00adne <span class=\"caps\">THE<\/span> <span class=\"caps\">WALKER<\/span>\u2018S<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":1134,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"class_list":["post-1856","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/1856","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1856"}],"version-history":[{"count":6,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/1856\/revisions"}],"predecessor-version":[{"id":1864,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/1856\/revisions\/1864"}],"up":[{"embeddable":true,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/1134"}],"wp:attachment":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1856"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}