{"id":2470,"date":"2018-11-10T15:53:03","date_gmt":"2018-11-10T14:53:03","guid":{"rendered":"http:\/\/www.murielgrossmann.com\/?page_id=2470"},"modified":"2018-11-10T17:33:39","modified_gmt":"2018-11-10T16:33:39","slug":"golden-rule-review-by-leonid-auskern-jazzquad-belarus","status":"publish","type":"page","link":"https:\/\/murielgrossmann.com\/?page_id=2470","title":{"rendered":"\u201a<\/span>Golden Rule\u2019 review in Downbeat Dec 2018 by Andrew Jones"},"content":{"rendered":"
REVIEW<\/span> in Down\u00adbeat Dec 2018, p 64<\/span>
\n<\/span><\/header>\n
\n

Muri\u00adel Grossmann
\n<\/span>Gol\u00adden Rule
\n<\/span>RRGEMS05<\/span><\/span><\/p>\n

****<\/span><\/span><\/p>\n

<\/a><\/strong>                  The phra\u00adse \u201cspi\u00adri\u00adtu\u00adal jazz\u201d packs a pro\u00admi\u00adse and a thre\u00adat. It plays into a mytho\u00adlo\u00adgy about the exis\u00adtence of a jazz that total\u00adly tran\u00ads\u00adcends com\u00admer\u00adcial and mate\u00adri\u00adal con\u00adcerns. It also threa\u00adtens the prepon\u00adderance of someone explai\u00adning how they\u2019re spi\u00adri\u00adtu\u00adal, but not reli\u00adgious. On her new album, saxo\u00adpho\u00adnist Muri\u00adel Gross\u00admann avo\u00adids both the\u00adse traps. Gol\u00adden Rule con\u00adveys medi\u00adta\u00adti\u00adve tran\u00adqui\u00adli\u00adty and ecsta\u00adtic joy wit\u00adhout ever sound\u00ading over\u00adly pious. Most of the time, it\u2019s also a lot of fun.<\/span><\/p>\n

                  A cho\u00adrus of instru\u00adments dro\u00adne behind a num\u00adber of tracks on GOLDEN<\/span> RULE<\/span><\/strong>, but Grossmann\u2019s per\u00adfor\u00admance real\u00adly is what makes it excep\u00adtio\u00adnal. Crisp drum and bass lines start off the stel\u00adlar \u201cDirec\u00adtion<\/em><\/strong>\u201d as a gui\u00adtar comps hyp\u00adno\u00adti\u00adcal\u00adly and Gross\u00admann show\u00adca\u00adses her abili\u00adty to get the best of a tune melo\u00addi\u00adcal\u00adly. She plays a solo so lyri\u00adcal every bar feels like a dis\u00adcrete com\u00adpo\u00adsi\u00adti\u00adon. Bas\u00adsist Gina Schwarz<\/strong> fol\u00adlows with simi\u00adlar\u00adly inven\u00adti\u00adve solo, the swir\u00adling dro\u00adne below len\u00adding depth and color.<\/span><\/p>\n

               Gol\u00adden Rule proud\u00adly wears John Coltrane\u2019s influence, and \u201cTran\u00ade\u00ading In\u201d <\/em><\/strong>demons\u00adtra\u00adtes Grossmann\u2019s pro\u00adwess on the sopra\u00adno saxo\u00adpho\u00adne. Schwarz under\u00adpins the song with the spellb\u00adin\u00adding bass line that chan\u00adges its pat\u00adtern to gre\u00adat effect when gui\u00adta\u00adrist Rado\u00admir Milo\u00adj\u00adko\u00advic<\/strong> takes a knot\u00adty, soulful solo. The tight\u00adness this group has built in its four years of play\u00ading shar\u00adpens its brisk take on the composition.<\/span><\/p>\n

                      The prac\u00adti\u00adce of medi\u00adta\u00adti\u00adon deep\u00adly shar\u00adpens Gol\u00adden Rule. The dro\u00adnes under\u00adly\u00ading its tracks heigh\u00adten the ten\u00adsi\u00adon on cer\u00adtain offe\u00adrings, but feel mono\u00adto\u00adno\u00adus after a while. For\u00adt\u00adu\u00adna\u00adte\u00adly, the dyna\u00admism of its soloists and the quartet\u2019s tele\u00adki\u00adne\u00adtic per\u00adfor\u00admance deli\u00advers the album\u2019s aim: pro\u00advi\u00adding a lis\u00adtening expe\u00adri\u00adence akin to tran\u00ads\u00adcen\u00addence. <\/span>Andrew Jones<\/em><\/span><\/p>\n

\u21d0<\/a><\/strong><\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

REVIEW<\/span> in Down\u00adbeat Dec 2018, p 64 Muri\u00adel Gross\u00admann Gol\u00adden Rule RRGEMS05<\/span> ****                   The phra\u00adse \u201cspi\u00adri\u00adtu\u00adal jazz\u201d packs a pro\u00admi\u00adse and a thre\u00adat. It plays into a mytho\u00adlo\u00adgy about the exis\u00adtence of a jazz that total\u00adly tran\u00ads\u00adcends com\u00admer\u00adcial and mate\u00adri\u00adal con\u00adcerns. It also threa\u00adtens the prepon\u00adderance of someone \u2026 \u201a<\/span>Gol\u00adden Rule\u2019 review in Down\u00adbeat Dec 2018 by Andrew Jones<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":1134,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"class_list":["post-2470","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/2470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2470"}],"version-history":[{"count":11,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/2470\/revisions"}],"predecessor-version":[{"id":2487,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/2470\/revisions\/2487"}],"up":[{"embeddable":true,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/1134"}],"wp:attachment":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}