{"id":2552,"date":"2018-12-21T17:51:24","date_gmt":"2018-12-21T16:51:24","guid":{"rendered":"http:\/\/www.murielgrossmann.com\/?page_id=2552"},"modified":"2018-12-21T17:55:00","modified_gmt":"2018-12-21T16:55:00","slug":"review-of-golden-rule-in-jazzquad-belarus-by-leonid-auskern","status":"publish","type":"page","link":"https:\/\/murielgrossmann.com\/?page_id=2552","title":{"rendered":"REVIEW<\/span> of \u2018Golden Rule\u2019 in Jazzquad, Belarus by Leonid Auskern"},"content":{"rendered":"

JAZZQUAD<\/span>, Bela\u00adrus
\n<\/strong><\/span>Sep\/2018 by Leo\u00adnid Auskern<\/span>
\n<\/strong>visit the page here<\/a><\/strong><\/p>\n

\n

<\/a>                        Muri\u00adel Gross\u00admann \u2014 GOLDEN<\/span> RULE<\/span><\/strong> The fourth acquain\u00adtance with the music of Aus\u00adtri\u00adan saxo\u00adpho\u00adnist and com\u00adpo\u00adser Muri\u00adel Gross\u00admann, who is living in Spain. Wit\u00adhout detrac\u00adting from the merits of Muriel\u2019s works that I heard and wro\u00adte about ear\u00adlier (EARTH<\/span> TONES<\/span><\/strong> (2015), NATURAL<\/span> TIME<\/span><\/strong> (2016), MOMENTUM<\/span><\/strong> (2017), I con\u00adsider her new pro\u00adject Gol\u00adden Rule to be the crea\u00adti\u00adve pin\u00adna\u00adcle of this talen\u00adted jazz lady and her stron\u00adgest work up to this date.<\/span><\/p>\n

                  Also Gol\u00adden Rule was recor\u00added like the last three albums by Muriel\u2019s Aus\u00adtro-Ser\u00adbi\u00adan quar\u00adtet with gui\u00adta\u00adrist Rado\u00admir Milo\u00adj\u00adko\u00advic<\/strong>, bas\u00adsist Gina Schwarz<\/strong> and drum\u00admer Uros Sta\u00admen\u00adko\u00advic<\/strong>. The album is published in two ver\u00adsi\u00adons \u2013 2x12\u2019 LP<\/span> and CD<\/span>, which is due to appear by the end of the year with a slight\u00adly redu\u00adced com\u00adpo\u00adsi\u00adti\u00adon Tran\u00ade\u00ading In<\/em><\/strong> (wit\u00adhout a four-minu\u00adte intro). The Cd dif\u00adfers also in the design of the cover. In our review, the cover of the vinyl album is repro\u00addu\u00adced. The album is very solid in terms of dura\u00adti\u00adon: more than eigh\u00adty minu\u00adtes of sound, only seven tracks all tog\u00ade\u00adther. The lon\u00adgest, Tran\u00ade\u00ading In<\/em><\/strong> (almost nine\u00adteen minu\u00adtes of sound), took the who\u00adle side of one of the vinyl records. But the point, of cour\u00adse, is not the length, but the qua\u00adli\u00adty of the music.<\/span><\/p>\n

                     I have never heard Muri\u00adel Gross\u00admann have so much expres\u00adsi\u00adon and inspi\u00adra\u00adti\u00adon in her play\u00ading on both her instru\u00adments, on the sopra\u00adno saxo\u00adpho\u00adne (as in the start\u00ading pie\u00adce of Gol\u00adden Rule<\/em><\/strong>), and on the tenor saxo\u00adpho\u00adne (as in the next Core<\/em><\/strong>). Muriel\u2019s long, unu\u00adsual\u00adly emo\u00adtio\u00adnal impro\u00advi\u00adsa\u00adti\u00adons are fol\u00adlo\u00adwed by Milo\u00adj\u00adko\u00advic<\/em>\u2019s ans\u00adwe\u00adring and ela\u00adbo\u00adra\u00adting gui\u00adtar solo, then to give way to a new, equal\u00adly expres\u00adsi\u00adve and tech\u00adni\u00adcal\u00adly diver\u00adse saxo\u00adpho\u00adne solo. Muri\u00adel plays in this album as if it is the last time in her life! All this action takes place against the back\u00adground of fle\u00adxi\u00adble poly\u00adrhyth\u00admic con\u00ads\u00adtruc\u00adtions crea\u00adted by the rhythm group (in my opi\u00adni\u00adon, this album beca\u00adme the most striking per\u00adfor\u00admance for Sta\u00admen\u00adko\u00advic<\/em>). When in the pie\u00adce Pro\u00admi\u00adse<\/em><\/strong> or in the final, medi\u00adta\u00adti\u00adve com\u00adpo\u00adsi\u00adti\u00adon Light<\/em><\/strong>, the tem\u00adpo beco\u00admes some\u00adwhat more mode\u00adra\u00adte, this does not affect the qua\u00adli\u00adty of the per\u00adfor\u00admance. In Direc\u00adtion<\/em><\/strong>, Grossmann\u2019s saxo\u00adpho\u00adne impro\u00advi\u00adsa\u00adti\u00adons are well recei\u00adved in an excel\u00adlent dou\u00adble bass solo by Gina Schwarz<\/em>. And from the point of view of gui\u00adtar work, the top of Milo\u00adj\u00adko\u00advic<\/em>, for my tas\u00adte, is in the com\u00adpo\u00adsi\u00adti\u00adon Tra\u00adne<\/em><\/strong>.<\/span><\/p>\n

                          It is worth remem\u00adbe\u00adring, that Muri\u00adel con\u00adsiders as one of her main tea\u00adchers, the famous Ger\u00adman free jazz pia\u00adnist Joa\u00adchim K\u00fchn. Per\u00adhaps the extra\u00ador\u00addi\u00adna\u00adry free\u00addom of expres\u00adsi\u00adon reig\u00adning in GOLDEN<\/span> RULE<\/span><\/strong> is, to a cer\u00adtain ext\u00adent, due to its influence. Well, and, final\u00adly, the main source of inspi\u00adra\u00adti\u00adon, the eter\u00adnal light of many Jazz gene\u00adra\u00adti\u00adons alre\u00ada\u00addy \u2014 John Col\u00adtra\u00adne. It is not by chan\u00adce that one of the pie\u00adces of Gross\u00admann in this album is named after him, and the name of the other is the neo\u00adlo\u00adgism of Tran\u00ade\u00ading In (lite\u00adral\u00adly: \u201cInha\u00adling\u201d). Tra\u00adne, espe\u00adci\u00adal\u00adly the late Tra\u00adne, regard\u00aded music as a kind of sacred, spi\u00adri\u00adtu\u00adal act. Fol\u00adlo\u00adwing him, Muri\u00adel Gross\u00adman aspi\u00adres to the same spi\u00adri\u00adtua\u00adli\u00adty in her music, and \u2014 damn it! \u2014 She\u2019s gre\u00adat at it!<\/span><\/p>\n

                                 The liner notes aut\u00adhor Micha\u00adel Jack\u00adlin explains the title of the \u201cGol\u00adden Rule\u201d album by the famous bibli\u00adcal (and world\u00adly) maxim: \u201cTre\u00adat others as you would like them to tre\u00adat you\u201d. It\u2019s hard to argue with that. But with refe\u00adrence to the work of Muri\u00adel Gross\u00admann, a dif\u00adfe\u00adrent inter\u00adpre\u00adta\u00adti\u00adon can be made here: \u201cGo your own way. per\u00adfect yours\u00adelf, set yours\u00adelf more and more hig\u00adher tasks.\u201d The new album of Gross\u00admann, in my opi\u00adni\u00adon, is a mas\u00adter\u00adpie\u00adce reflec\u00adting exact\u00adly such an approach. Leo\u00adnid Auskern<\/em><\/span><\/p>\n

\u21d0<\/span><\/strong><\/a><\/span><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

JAZZQUAD<\/span>, Bela\u00adrus Sep\/2018 by Leo\u00adnid Aus\u00adkern visit the page here                         Muri\u00adel Gross\u00admann \u2014 GOLDEN<\/span> RULE<\/span> The fourth acquain\u00adtance with the music of Aus\u00adtri\u00adan saxo\u00adpho\u00adnist and com\u00adpo\u00adser Muri\u00adel Gross\u00admann, who is living in Spain. Wit\u00adhout detrac\u00adting from the merits of Muriel\u2019s works that I heard and \u2026 REVIEW<\/span> of \u2018Gol\u00adden Rule\u2019 in Jazz\u00adquad, Bela\u00adrus by Leo\u00adnid Aus\u00adkern<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"class_list":["post-2552","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/2552","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2552"}],"version-history":[{"count":4,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/2552\/revisions"}],"predecessor-version":[{"id":2556,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/2552\/revisions\/2556"}],"wp:attachment":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2552"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}