{"id":2886,"date":"2019-07-13T03:08:36","date_gmt":"2019-07-13T01:08:36","guid":{"rendered":"http:\/\/www.murielgrossmann.com\/?page_id=2886"},"modified":"2019-07-13T03:15:36","modified_gmt":"2019-07-13T01:15:36","slug":"concert-review-from-vijazz-festival-by-marti-farre","status":"publish","type":"page","link":"https:\/\/murielgrossmann.com\/?page_id=2886","title":{"rendered":"Concert Review from Vijazz Festival, by Mart\u00ed&nbsp;Farr\u00e9"},"content":{"rendered":"<p><span style=\"color: #008000;\"><a style=\"color: #008000;\" href=\"https:\/\/www.nuvol.com\/critica\/diversitat-i-espiritualitat-al-vijazz-2019\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-family: calibri;\"><span style=\"font-size: 12pt;\"><span style=\"color: #339966;\">Ori\u00adgi\u00adnal artic\u00adle in <span class=\"caps\">NUVOL<\/span>.<span class=\"caps\">COM<\/span><\/span><\/span><\/span><\/a><\/span><\/p>\n<p><span style=\"color: #339966;\"><strong><span style=\"font-size: 18pt; font-family: calibri;\"><span class=\"caps\">ARCHIE<\/span> <span class=\"caps\">SHEPP<\/span> \u2013 the remor\u00adse\u00adl\u00adess artist<\/span><br>\n<\/strong><span style=\"font-family: calibri; font-size: 12pt;\"><strong>By Mar\u00adt\u00ed Farr\u00e9,Vilafranca,&nbsp;10.07.2019<\/strong><\/span><\/span><\/p>\n<p><span style=\"font-family: calibri; color: #339966;\"><span style=\"font-size: 12pt;\">In spi\u00adte of being a cele\u00adbra\u00adti\u00adon with just a few per\u00adfor\u00adman\u00adces, a fact that, accor\u00adding to how, increa\u00adses its enchant\u00adment, this year\u2019s the Sab\u00ada\u00addell bank Fes\u00adti\u00adval Vijazz Pene\u00add\u00e8s offe\u00adred one of the most eclec\u00adtic pos\u00adters in its histo\u00adry. From the jazz song of<\/span> <strong>Made\u00adlai\u00adne Pey\u00adroux<\/strong>, who left the impres\u00adsi\u00adon of the Pla\u00adza de Jau\u00adme I being small, the pro\u00adpo\u00adsal swit\u00adched to Latin \u2011and fla\u00admen\u00adco \u2014 airs from the group led by <strong>Arturo O\u2019Fa\u00adrill and Anto\u00adnio Liz\u00ada\u00adna<\/strong>, and to the pia\u00adno trio of the Jamai\u00adcan <strong>Mon\u00adty Alex\u00adan\u00adder<\/strong>, the <strong>Elia Bas\u00adti\u00adda<\/strong>\u2019sma\u00adnou\u00adche jazz or the soul of the <strong>Key Sis\u00adters<\/strong>. But Two of the most out\u00adstan\u00adding per\u00adfor\u00adman\u00adces of Vijazz 2019 were the one of the his\u00adto\u00adri\u00adcal <strong>Archie Shepp<\/strong>and the one of the also horn play\u00ader <strong>Muri\u00adel Gross\u00admann<\/strong>.<\/span><\/p>\n<p><span style=\"color: #339966;\"><a style=\"color: #339966;\" href=\"https:\/\/murielgrossmann.com\/wp-content\/uploads\/Screenshot-2019-07-12-at-01.04.02.png\" rel=\"lightbox[2886]\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2887 size-medium alignnone\" title=\"Archie Shepp \/ Vijazz, foto by Felix Mir\u00f3\" src=\"https:\/\/murielgrossmann.com\/wp-content\/uploads\/Screenshot-2019-07-12-at-01.04.02-300x216.png\" alt width=\"300\" height=\"216\" srcset=\"https:\/\/murielgrossmann.com\/wp-content\/uploads\/Screenshot-2019-07-12-at-01.04.02-300x216.png 300w, https:\/\/murielgrossmann.com\/wp-content\/uploads\/Screenshot-2019-07-12-at-01.04.02-768x553.png 768w, https:\/\/murielgrossmann.com\/wp-content\/uploads\/Screenshot-2019-07-12-at-01.04.02-1024x737.png 1024w, https:\/\/murielgrossmann.com\/wp-content\/uploads\/Screenshot-2019-07-12-at-01.04.02-350x252.png 350w, https:\/\/murielgrossmann.com\/wp-content\/uploads\/Screenshot-2019-07-12-at-01.04.02.png 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\"><\/a><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"font-family: calibri; color: #339966;\"><span style=\"font-size: 14pt;\">From Ibi\u00adza to the <\/span><span style=\"font-size: 14pt;\">Clois\u00adter of Sant Francesc<\/span><\/span><\/strong><\/p>\n<p><span style=\"font-family: calibri; font-size: 12pt; color: #339966;\">If the his\u00adto\u00adric Archie Shepp clo\u00adsed the grid of Vijazz 2019, the Aus\u00adtri\u00adan \u2014 resi\u00addent of Ibi\u00adza \u2014 Muri\u00adel Gross\u00admann, was in char\u00adge of ope\u00adning the event. Despi\u00adte living a stone\u2019s throw away from the main\u00adland, Gross\u00admann had never left the Piti\u00adusas to per\u00adform at any Cata\u00adlan fes\u00adti\u00adval or the rest of the main\u00adland. This is a real anoma\u00adly for an artist who published the first album under her name more than a deca\u00adde ago. The cycle \u201cElles i el jazz\u201d was, then, the first oppor\u00adtu\u00adni\u00adty to lis\u00adten in Cata\u00adlo\u00adnia to a jazz woman who has been tuto\u00adred by Joa\u00adchim K\u00fchn, among others.<\/span><\/p>\n<p><span style=\"font-family: calibri; font-size: 12pt; color: #339966;\">Gross\u00admann, who began her care\u00ader in the field of the free, has been drif\u00adting towards a more rhyth\u00admic pro\u00adpo\u00adsal, lin\u00adked to the con\u00ads\u00adtruc\u00adtion of enve\u00adlo\u00adping cli\u00adma\u00adtes. She has tur\u00adned towards a kind of \u201cwall of sound\u201d almost man\u00adtric. Under a diver\u00adse palet\u00adte of syn\u00adco\u00adpa\u00adted rhyth\u00admic pat\u00adterns, very pro\u00adno\u00adun\u00adced, exe\u00adcu\u00adted with deter\u00admi\u00adna\u00adti\u00adon by drum\u00admer Uros Sta\u00admen\u00adko\u00advic, grew a volu\u00admi\u00adnous music, tin\u00adged by the spi\u00adrit of the work of the horn play\u00aders to whom she dedi\u00adca\u00adtes her last album, Gol\u00adden Rule: from John Col\u00adtra\u00adne to Sun Ra, going through Albert Ayler, Yusef Lateef and, abo\u00adve all, Pha\u00adro\u00adah San\u00adders. Also, accor\u00addin\u00adgly, we could add Gary&nbsp;Bartz.<\/span><\/p>\n<p><span style=\"color: #339966;\"><a style=\"color: #339966;\" href=\"https:\/\/murielgrossmann.com\/wp-content\/uploads\/Joan-Carles-AbelendaVijazz.jpg\" rel=\"lightbox[2886]\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2888 size-medium alignnone\" title=\"Muriel Grossmann\/ Vijazz, foto by Joan Carles Abelenda\" src=\"https:\/\/murielgrossmann.com\/wp-content\/uploads\/Joan-Carles-AbelendaVijazz-225x300.jpg\" alt width=\"225\" height=\"300\" srcset=\"https:\/\/murielgrossmann.com\/wp-content\/uploads\/Joan-Carles-AbelendaVijazz-225x300.jpg 225w, https:\/\/murielgrossmann.com\/wp-content\/uploads\/Joan-Carles-AbelendaVijazz-350x467.jpg 350w, https:\/\/murielgrossmann.com\/wp-content\/uploads\/Joan-Carles-AbelendaVijazz.jpg 675w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\"><\/a><\/span><\/p>\n<p><span style=\"color: #ffffff;\"><strong><span style=\"font-family: calibri;\"><span style=\"font-size: 8pt;\">Muri\u00adel Gross\u00admann at the Vijazz Fes\u00adti\u00adval @Joan Carles Abel\u00aden\u00adda \/Vijaz<\/span>z<\/span><\/strong><\/span><\/p>\n<p><strong><span style=\"font-family: calibri; font-size: 12pt; color: #339966;\">In the Clois\u00adter of San Fran\u00adcesc she play\u00aded pie\u00adces from Gol\u00adden Rule, such as the one that gives the name to the album, or \u201cTran\u00ade\u00ading In\u201d, \u201cCore\u201d and \u201cLight\u201d, a bal\u00adla\u00addi\u00adstic coun\u00adter\u00adpoint to the runa\u00adway force of the rest of the reper\u00adtoire. She has also advan\u00adced some songs from her next album, this pro\u00adli\u00adfic crea\u00adtor: 8 <span class=\"caps\">CD<\/span> in 11 years, not to men\u00adti\u00adon some sin\u00adgles she has also released.<\/span><\/strong><\/p>\n<p><strong><span style=\"font-family: calibri; font-size: 12pt; color: #339966;\">Cast to the sopra\u00adno sax or to the tenor, Gross\u00admann stood out for the soli\u00addi\u00adty of her speech, seduc\u00adti\u00adve and bril\u00adli\u00adant at the same time, plas\u00adte\u00adred with the sono\u00adrous mortar that for\u00admed the basis of most of the com\u00adpo\u00adsi\u00adti\u00adons of her quar\u00adtet. In this sen\u00adse, we must also assess the atmo\u00adsphe\u00adric task of the gui\u00adta\u00adrist Rado\u00admir Milo\u00adj\u00adko\u00advic, fel\u00adlow tra\u00adve\u00adler of the Aus\u00adtri\u00adan sin\u00adce the begin\u00adning, who also excel\u00adled in the role of soloist.<\/span><\/strong><\/p>\n<p><strong><span style=\"font-family: calibri; font-size: 12pt; color: #339966;\">One of the suc\u00adces\u00adses of the evening was the pre\u00adsence \u2014 per\u00adhaps acci\u00adden\u00adtal, given that on the ori\u00adgi\u00adnal recor\u00adding plays the bas\u00adsist Gina Schwarz \u2014 of Ham\u00admond play\u00ader Llo\u00adrens Bar\u00adcel\u00f3. Apart from play\u00ading the role of the bas\u00adsist with mas\u00adtery, Bar\u00adcel\u00f3 con\u00adtri\u00adbu\u00adted to the almost lys\u00ader\u00adgic cha\u00adrac\u00adter of the pro\u00adpo\u00adsal with a series of extra\u00ador\u00addi\u00adna\u00adry solos. The drum\u00admer Sta\u00admen\u00adko\u00advic also had his moment of bril\u00adli\u00adance with a cou\u00adple of improvisations.<\/span><\/strong><\/p>\n<p><strong><span style=\"font-family: calibri; font-size: 12pt; color: #339966;\">Muri\u00adel Gross\u00admann, one of the most uni\u00adque, and at the same time in our coun\u00adtry most unknown crea\u00adtors of our jazz, final\u00adly debut\u00aded at a main\u00adland fes\u00adti\u00adval, within the frame\u00adwork of what was per\u00adhaps the least con\u00adces\u00adsi\u00adve ses\u00adsi\u00adon of &nbsp;the \u201cElles i el&nbsp;jazz\u201d&nbsp;.<\/span><\/strong><\/p>\n<p><a href=\"https:\/\/murielgrossmann.com\/\"><span style=\"color: #33cccc; font-size: 18pt;\"><strong><span style=\"font-family: calibri;\">\u21d0<\/span><\/strong><\/span><\/a><\/p>\n<p><span style=\"font-family: calibri; font-size: 12pt; color: #008000;\">&nbsp;<\/span><\/p>\n<p><span style=\"font-family: calibri; font-size: 12pt; color: #008000;\">&nbsp;<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ori\u00adgi\u00adnal artic\u00adle in <span class=\"caps\">NUVOL<\/span>.<span class=\"caps\">COM<\/span> <span class=\"caps\">ARCHIE<\/span> <span class=\"caps\">SHEPP<\/span> \u2013 the remor\u00adse\u00adl\u00adess artist By Mar\u00adt\u00ed Farr\u00e9,Vilafranca,&nbsp;10.07.2019 In spi\u00adte of being a cele\u00adbra\u00adti\u00adon with just a few per\u00adfor\u00adman\u00adces, a fact that, accor\u00adding to how, increa\u00adses its enchant\u00adment, this year\u2019s the Sab\u00ada\u00addell bank Fes\u00adti\u00adval Vijazz Pene\u00add\u00e8s offe\u00adred one of the most eclec\u00adtic pos\u00adters in its histo\u00adry. From the jazz song \u2026 <a href=\"https:\/\/murielgrossmann.com\/?page_id=2886\" class=\"more-link\"><span class=\"screen-reader-text\">Con\u00adcert Review from Vijazz Fes\u00adti\u00adval, by Mar\u00adt\u00ed&nbsp;Far\u00adr\u00e9<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"class_list":["post-2886","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/2886","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2886"}],"version-history":[{"count":4,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/2886\/revisions"}],"predecessor-version":[{"id":2895,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/2886\/revisions\/2895"}],"wp:attachment":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2886"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}