{"id":2905,"date":"2019-09-15T20:07:53","date_gmt":"2019-09-15T18:07:53","guid":{"rendered":"http:\/\/www.murielgrossmann.com\/?page_id=2905"},"modified":"2019-11-06T19:12:16","modified_gmt":"2019-11-06T18:12:16","slug":"review-of-golden-rule-vinyl-marc-sarrazy-improjazz-12-2019","status":"publish","type":"page","link":"https:\/\/murielgrossmann.com\/?page_id=2905","title":{"rendered":"Review of Golden Rule Vinyl \u2014 Marc Sarrazy Improjazz, Nr.259, 9\/2019"},"content":{"rendered":"

\"Improjazz<\/a><\/span><\/strong><\/span>Review by Marc SARRAZY<\/span> \u2014 IMPROJAZZ<\/span> # 259<\/span><\/strong><\/p>\n

Muri\u00adel GROSSMANN<\/span><\/span><\/strong><\/span>  \u2014 <\/span><\/strong>GOLDEN<\/span> RULE<\/span>
\n<\/span><\/strong>RR<\/span> Gems RRGEMS05<\/span> (Dou\u00adble LP<\/span>)
\n<\/span><\/strong>Muri\u00adel Gross\u00admann (ss, ts), Rado\u00admir Milo\u00adj\u00adko\u00advic (elg), Gina Schwarz (b), Uros Sta\u00admen\u00adko\u00advic (dm)<\/span><\/p>\n


\nAus\u00adtri\u00adan saxo\u00adpho\u00adnist Muri\u00adel Gross\u00admann, based in Ibi\u00adza, signs her tenth album here, but the first in vinyl. This is a dou\u00adble-album with a sump\u00adtuous cover, which pres\u00adents the saxo\u00adpho\u00adnist in clo\u00adse-up, pre\u00adsen\u00adted with his sopra\u00adno. By the ang\u00adle of view of this pho\u00adto of Sascha Osa\u00adka, by the posi\u00adti\u00adon of the sopra\u00adno and the pos\u00adtu\u00adre of Muri\u00adel Gross\u00admann emer\u00adging from a dar\u00adker back\u00adground to go towards the light, by the let\u00adte\u00adring posi\u00adtio\u00adned at the top left from the com\u00adpo\u00adsi\u00adti\u00adon, to final\u00adly the effect of dupli\u00adca\u00adti\u00adon of the image which crea\u00adtes a fee\u00adling of move\u00adment, the cover imme\u00addia\u00adte\u00adly evo\u00adkes that of John Coltrane\u2019s Live at Bird\u00adland. The shades of the pho\u00adto, on the other hand, dif\u00adfer radi\u00adcal\u00adly from that of Col\u00adtra\u00adne: the image of this Gol\u00adden Rule bathes maje\u00ads\u00adti\u00adcal\u00adly in the brown, the yel\u00adlow brown, the sepia, the ocher, the gold. Superb. (We will also find the\u00adse colors in titles like \u201cGol\u00adden Rule\u201d and \u201cLight\u201d). The tex\u00adtu\u00adre of the car\u00adton of this ope\u00adning pouch, hea\u00advy and thick, in turn reminds the clas\u00adsy appearance of the mythic pro\u00adduc\u00adtions Impul\u00adse!<\/em><\/span><\/strong><\/span><\/p>\n

          The\u00adse evo\u00adca\u00adti\u00adons obvious\u00adly have not\u00adhing tri\u00advi\u00adal coin\u00adci\u00addence sin\u00adce Muri\u00adel Gross\u00admann, who has sta\u00adbi\u00adli\u00adzed around his Aus\u00adtro-Ser\u00adbi\u00adan quar\u00adtet sin\u00adce 2014 (two Aus\u00adtri\u00adan musi\u00adci\u00adans, two Ser\u00adbi\u00adan musi\u00adci\u00adans), digs the envy the fur\u00adrow of spi\u00adri\u00adtu\u00adal jazz which cha\u00adrac\u00adte\u00adri\u00adzes the quar\u00adtet of John Col\u00adtra\u00adne bet\u00adween 1963 and 1965. The tri\u00adbu\u00adte is not dis\u00adgu\u00adi\u00adsed but well assu\u00admed, ham\u00adme\u00adred, with the com\u00adpo\u00adsi\u00adti\u00adons entit\u00adled \u201cTra\u00adne\u201d and \u201cTran\u00ade\u00ading in\u201d (the lat\u00adter also takes some gim\u00admicks of \u201cIndia And \u201cA Love Supre\u00adme\u201d). It must be said that Muri\u00adel Gross\u00admann has left the alto saxo\u00adpho\u00adne to con\u00adcen\u00adtra\u00adte on the tenor and the sopra\u00adno, the\u00adre is no coin\u00adci\u00addence, and that the sound that she pro\u00addu\u00adces, espe\u00adci\u00adal\u00adly with the sopra\u00adno, con\u00adce\u00adals the same incan\u00adde\u00ads\u00adcent fever than that from Col\u00adtra\u00adne! This sound mimi\u00adcry is some\u00adti\u00admes unsett\u00adling, the emo\u00adtio\u00adnal inten\u00adsi\u00adty is even increased tenfold.<\/span><\/strong><\/p>\n

          Howe\u00adver, the\u00adre is no pia\u00adnist here, it is the poin\u00adtil\u00adlist and vibra\u00adti\u00adle game of the elec\u00adtric gui\u00adta\u00adrist who fills the sound holes like a spider\u2019s web. The rhyth\u00admic, the old, is not afraid to deve\u00adlop a wal\u00adking bass that pul\u00adses and balan\u00adces a quar\u00adter of an hour wit\u00adhout derai\u00adling, pro\u00adpel\u00adled by the tire\u00adless poly\u00adrhythm drum\u00admer. In the\u00adse hym\u00adnic musi\u00adcal con\u00adtexts, whe\u00adre time and space seem to stretch, whe\u00adre the blood cir\u00adcu\u00adla\u00adtes with each beat, the saxo\u00adpho\u00adne has only to release its ver\u00adve and spin, airy and bur\u00adning, spin end\u00adless\u00adly .. until this \u201cLight\u201d that clo\u00adses the disc, light that enve\u00adlo\u00adps the music of the quar\u00adtet from the first to the ulti\u00adma\u00adte second. Spi\u00adri\u00adtu\u00adal Jazz. Pri\u00admal music, which rea\u00adches the body in the deepest, which numbs the soul of into\u00adxi\u00adca\u00adting flow, living music, which nou\u00adris\u00adhes us.<\/span><\/strong><\/p>\n

           Lis\u00adtening to the latest records by Muri\u00adel Gross\u00admann, until the publi\u00adca\u00adti\u00adon of this indis\u00adpu\u00adta\u00adble mas\u00adter\u00adpie\u00adce, it is not an exag\u00adge\u00adra\u00adti\u00adon to say that the saxo\u00adpho\u00adnist is a direct heir to the JC<\/span> mas\u00adter, cer\u00adtain\u00adly the most sin\u00adce\u00adre and the most sen\u00adsi\u00adti\u00adve of this young cen\u00adtu\u00adry. We are loo\u00adking for\u00adward to the next album! In the mean\u00adti\u00adme, rush on this one, only shot 400 copies (if you miss it, you can always con\u00adso\u00adle yours\u00adelf with the cd edi\u00adti\u00adon, wai\u00adting for a reis\u00adsue to come in 2020, watch it well!).
\n<\/span><\/strong>The offi\u00adci\u00adal web\u00adsite of Muri\u00adel Gross\u00admann: <\/span>https:\/\/murielgrossmann.com\/<\/span><\/a><\/span><\/strong><\/p>\n

Marc SARRAZY<\/span><\/span><\/strong><\/p>\n

French:
\n<\/span><\/span><\/strong><\/span>              La saxo\u00adpho\u00adnis\u00adte autri\u00adchi\u00aden\u00adne Muri\u00adel Gross\u00admann, bas\u00e9e \u00e0 Ibi\u00adza, signe ici son dixi\u00e8\u00adme album, mais le pre\u00admier en vinyl. Il s\u2019a\u00adgit d\u2019un dou\u00adble-album \u00e0 la pochet\u00adte somp\u00adtueu\u00adse, qui pr\u00e9\u00adsen\u00adte la saxo\u00adpho\u00adnis\u00adte en plan rappro\u00adch\u00e9, aux pri\u00adses avec son sopra\u00adno. Par l\u2019ang\u00adle de pri\u00adse de vue de cet\u00adte pho\u00adto de Sascha Osa\u00adka, par la posi\u00adti\u00adon m\u00eame du sopra\u00adno et la pos\u00adtu\u00adre de Muri\u00adel Gross\u00admann \u00e9mer\u00adgeant d\u2019un arri\u00e8\u00adre-plan plus sombre pour aller vers la lumi\u00e8\u00adre, par le lett\u00adra\u00adge posi\u00adti\u00adonn\u00e9 en haut \u00e0 gau\u00adche de la com\u00adpo\u00adsi\u00adti\u00adon, par enfin l\u2019ef\u00adfet de dupli\u00adca\u00adti\u00adon de l\u2019i\u00admage qui cr\u00e9e une sen\u00adsa\u00adti\u00adon de mou\u00adve\u00adment, la cou\u00adver\u00adtu\u00adre \u00e9vo\u00adque imm\u00e9\u00addia\u00adte\u00adment cel\u00adle du Live at Bird\u00adland <\/i>de John Col\u00adtra\u00adne. Les tein\u00adtes de la pho\u00adto, par cont\u00adre, dif\u00adf\u00e8\u00adrent radi\u00adcal\u00ade\u00adment de cel\u00adle de Col\u00adtra\u00adne : l\u2019i\u00admage de ce Gol\u00adden Rule<\/i>bai\u00adgne maje\u00adstueu\u00adse\u00adment dans le bist\u00adre, le bist\u00adre jau\u00adne, le s\u00e9pia, l\u2019o\u00adcre, l\u2019or. Super\u00adbe. (Nous retrou\u00adve\u00adrons aus\u00adsi ces cou\u00adleurs dans des tit\u00adres com\u00adme \u00ab Gol\u00adden Rule \u00bb <\/i>et \u00ab Light \u00bb<\/i>). La tex\u00adtu\u00adre du car\u00adton\u00adna\u00adge de cet\u00adte pochet\u00adte ouvran\u00adte, lour\u00adde et \u00e9paisse, rap\u00adpel\u00adle \u00e0 son tour l\u2019as\u00adpect clas\u00adsieux des mythi\u00adques pro\u00adduc\u00adtions Impul\u00adse!<\/i>.<\/span><\/strong><\/p>\n

             Ces \u00e9vo\u00adca\u00adti\u00adons n\u2019ont \u00e9vi\u00addem\u00adment rien d\u2019u\u00adne bana\u00adle coin\u00adci\u00addence puis\u00adque Muri\u00adel Gross\u00admann, qui s\u2019est sta\u00adbi\u00adli\u00ads\u00e9e autour de son quar\u00adtet aus\u00adtro-ser\u00adbe depuis 2014 (deux musi\u00adci\u00aden\u00adnes autri\u00adchi\u00aden\u00adnes, deux musi\u00adci\u00adens ser\u00adbes), creu\u00adse \u00e0 l\u2019en\u00advi le sil\u00adlon du jazz spi\u00adri\u00adtuel qui carac\u00adt\u00e9\u00adri\u00adse le quar\u00adtet de John Col\u00adtra\u00adne ent\u00adre 1963 et 1965. L\u2019hom\u00admage n\u2019est pas d\u00e9gu\u00adi\u00ads\u00e9 mais bien assu\u00adm\u00e9, mar\u00adtel\u00e9, avec les com\u00adpo\u00adsi\u00adti\u00adons inti\u00adtul\u00e9es \u00ab Tra\u00adne \u00bb<\/i>et \u00ab Tran\u00ade\u00ading in \u00bb <\/i>(cet\u00adte der\u00adni\u00e8\u00adre reprend d\u2019ail\u00adleurs cer\u00adta\u00adins gim\u00admicks de \u00ab India <\/i>\u00bb et de \u00ab A Love Supre\u00adme <\/i>\u00bb). Il faut dire que Muri\u00adel Gross\u00admann a d\u00e9lais\u00ads\u00e9 l\u2019al\u00adto pour se con\u00adcen\u00adtrer sur le t\u00e9nor et le sopra\u00adno, il n\u2019y a pas de hasard, et que le son qu\u2019el\u00adle pro\u00adduit, notam\u00adment au sopra\u00adno, rec\u00e8\u00adle la m\u00eame fi\u00e8\u00adv\u00adre incan\u00adde\u00adscan\u00adte que cel\u00adle de Col\u00adtra\u00adne ! Ce mim\u00e9\u00adtis\u00adme sono\u00adre s\u2019a\u00adv\u00e8\u00adre par\u00adfois trou\u00adblant, l\u2019in\u00adten\u00adsi\u00adt\u00e9 \u00e9mo\u00adti\u00adon\u00adnel\u00adle en est m\u00eame d\u00e9cupl\u00e9e.<\/span><\/strong><\/span><\/p>\n

              Pour\u00adtant, il n\u2019y a pas de pia\u00adnis\u00adte ici, c\u2019est le jeu poin\u00adtil\u00adlis\u00adte et vibra\u00adti\u00adle du gui\u00adta\u00adris\u00adte \u00e9lec\u00adtri\u00adque qui emplit les fail\u00adles sono\u00adres com\u00adme une toi\u00adle d\u2019a\u00adrai\u00adgn\u00e9e. La ryth\u00admi\u00adque, \u00e0 l\u2019an\u00adci\u00aden\u00adne, n\u2019a pas peur de d\u00e9ve\u00adlo\u00adp\u00adper une wal\u00adking-bass qui pul\u00adse et balan\u00adce un quart d\u2019heu\u00adre durant sans d\u00e9railler, pro\u00adpul\u00ads\u00e9e par l\u2019in\u00adfa\u00adtigab\u00adle poly\u00adryth\u00admie du bat\u00adteur. Dans ces con\u00adtex\u00adtes musi\u00adcaux hym\u00adni\u00adques, o\u00f9 le temps et l\u2019e\u00adspace sem\u00adblent s\u2019\u00e9\u00adti\u00adrer, o\u00f9 le sang cir\u00adcu\u00adle \u00e0 chaque bat\u00adte\u00adment, le saxo\u00adpho\u00adne n\u2019a plus qu\u2019\u00e0 lib\u00e9\u00adrer sa ver\u00adve et tour\u00adnoy\u00ader, a\u00e9ri\u00aden et br\u00fblant, tour\u00adnoy\u00ader sans fin\u2026 jus\u00adqu\u2019\u00e0 cet\u00adte \u00ab Light \u00bb<\/i>qui cl\u00f4t le dis\u00adque, lumi\u00e8\u00adre <\/i>qui enve\u00adlo\u00adp\u00adpe la musi\u00adque du quar\u00adtet de la pre\u00admi\u00e8\u00adre \u00e0 l\u2019ul\u00adti\u00adme secon\u00adde. Jazz spi\u00adri\u00adtuel. Musi\u00adque pri\u00adma\u00adle, qui att\u00adeint le corps au plus pro\u00adfond, qui engour\u00addit l\u2019\u00e2\u00adme de flux eni\u00adv\u00adrants, musi\u00adque vivan\u00adte, qui nous nourrit.<\/span><\/strong><\/span><\/p>\n

            A l\u2019\u00e9cou\u00adte des der\u00adniers dis\u00adques de Muri\u00adel Gross\u00admann, jus\u00adqu\u2019\u00e0 la paru\u00adti\u00adon de cet incon\u00adtest\u00ada\u00adble chef-d\u2019\u0153u\u00advre, il n\u2019est pas exa\u00adg\u00e9\u00adr\u00e9 d\u2019af\u00adfirm\u00ader que la saxo\u00adpho\u00adnis\u00adte est une h\u00e9ri\u00adti\u00e8\u00adre direc\u00adte du ma\u00eet\u00adre JC<\/span>, assu\u00adr\u00e9\u00adment la plus sin\u00adc\u00e8\u00adre et la plus sen\u00adsi\u00adble de ce jeu\u00adne si\u00e8\u00adcle. Vive\u00adment le pro\u00adchain album ! En atten\u00addant, pr\u00e9\u00adci\u00adpi\u00adtez-vous sur celui-ci, seu\u00adle\u00adment tir\u00e9 \u00e0 400 exem\u00adplai\u00adres (si vous le ratez, vous pour\u00adrez tou\u00adjours vous con\u00adso\u00adler avec l\u2019\u00e9\u00addi\u00adti\u00adon cd, en atten\u00addant une r\u00e9\u00e9\u00addi\u00adti\u00adon \u00e0 venir en 2020, guet\u00adtez-l\u00e0 bien !).<\/span><\/strong><\/span><\/p>\n

Marc SARRAZY<\/span><\/span><\/strong><\/span><\/p>\n

\u21d0<\/span><\/span><\/a>
\n<\/span><\/p>\n

 <\/span><\/strong><\/span><\/p>\n

 <\/span><\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Review by Marc SARRAZY<\/span> \u2014 IMPROJAZZ<\/span> # 259 Muri\u00adel GROSSMANN<\/span>  \u2014 GOLDEN<\/span> RULE<\/span> RR<\/span> Gems RRGEMS05<\/span> (Dou\u00adble LP<\/span>) Muri\u00adel Gross\u00admann (ss, ts), Rado\u00admir Milo\u00adj\u00adko\u00advic (elg), Gina Schwarz (b), Uros Sta\u00admen\u00adko\u00advic (dm) Aus\u00adtri\u00adan saxo\u00adpho\u00adnist Muri\u00adel Gross\u00admann, based in Ibi\u00adza, signs her tenth album here, but the first in vinyl. This is a dou\u00ad\u00adb\u00adle-album with a sump\u00adtuous cover, which pres\u00adents \u2026 Review of Gol\u00adden Rule Vinyl \u2014 Marc Sar\u00adra\u00adzy Impro\u00adjazz, Nr.259, 9\/2019<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"class_list":["post-2905","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/2905","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2905"}],"version-history":[{"count":7,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/2905\/revisions"}],"predecessor-version":[{"id":3469,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/2905\/revisions\/3469"}],"wp:attachment":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}