{"id":376,"date":"2015-04-09T10:33:31","date_gmt":"2015-04-09T08:33:31","guid":{"rendered":"http:\/\/www.murielgrossmann.eu\/?page_id=376"},"modified":"2016-12-15T13:07:07","modified_gmt":"2016-12-15T12:07:07","slug":"about-this-album-sudden-impact","status":"publish","type":"page","link":"https:\/\/murielgrossmann.com\/?page_id=376","title":{"rendered":"About this Album \u2014 Sudden Impact"},"content":{"rendered":"

ALBUM<\/span> NOTES<\/span><\/span><\/strong><\/span><\/p>\n

                 Muri\u00adel Grossmann\u2019s thoughts on natu\u00adre and mea\u00adning of exis\u00adtence through music invol\u00adve uncom\u00admon inten\u00adsi\u00adty of expres\u00adsi\u00adon. While Gross\u00admann does dig deep\u00adly into hers\u00adelf in the\u00adse explo\u00adra\u00adti\u00adons, her corol\u00adla\u00adry con\u00adcern is then to com\u00admu\u00adni\u00adca\u00adte as ful\u00adly as she can, what she is in pro\u00adcess of dis\u00adco\u00adve\u00adring. It is as if she, Milo\u00adj\u00adko\u00advic and Pel\u00adli\u00adco were spea\u00adking, as if their insights were of such a com\u00adpel\u00adling force that they have to tran\u00ads\u00adcend ordi\u00adna\u00adry ways of musi\u00adcal speech and tex\u00adtures to be able to con\u00advey chal\u00adlen\u00adging self- dis\u00adco\u00advery. As the instru\u00adments reach into them\u00adsel\u00adves and across to each other, they embrace the who\u00adle in one sen\u00adse. Much like waves brea\u00adking on top of the sea, con\u00adstant\u00adly in moti\u00adon, con\u00adstant\u00adly in chan\u00adge, effec\u00adting and being effec\u00adted by all of its\u2019 parts.<\/span><\/p>\n

                 Jazz is a coll\u00adec\u00adti\u00adve art \u2014 a music of inter\u00adac\u00adtion, inter\u00adplay, give &<\/span> take, lear\u00adning to jump off the cliff, to dive, shar\u00adpens the refle\u00adxes, opens the ears, kno\u00adwing its\u2019 coll\u00adec\u00adti\u00adve spi\u00adrit makes you land on your feet. From the ori\u00adgi\u00adnal liner notes of Eli Spellman<\/em><\/span><\/p>\n

REVIEWS<\/span><\/strong> <\/span><\/p>\n

                 Saxo\u00adpho\u00adnist of Aus\u00adtri\u00adan ori\u00adgin, Muri\u00adel Gross\u00admann, is cer\u00adtain\u00adly a rising star of Euro\u00adpean free jazz. She offers us today a trio with gui\u00adta\u00adrist Rado\u00admir Milo\u00adj\u00adko\u00advic and bas\u00adsist Che\u00adma Pel\u00adli\u00adco. Free jazz, of cour\u00adse, but tur\u00adned away from ener\u00adgy brea\u00adking into intro\u00ads\u00adpec\u00adti\u00adve chants, taking shape with the will of free time. Lis\u00adtening, in fact, remains the uni\u00adfy\u00ading ele\u00adment of music: each of them take time to lend an ear to play with each other: Lis\u00adtening and reve\u00adrie. The impro\u00advi\u00adsa\u00adti\u00adons are emer\u00adging in hus\u00adhed envi\u00adron\u00adment fel\u00adted like a pic\u00adtu\u00adre of art, the fuz\u00adzy com\u00adpe\u00adte with the sharp\u00adness. The sound of alto saxo\u00adpho\u00adne Muri\u00adel Gross\u00admann is both full and incisi\u00adve and ten\u00adder, like the play of the gui\u00adta\u00adrist, who distills his notes by clus\u00adters, with a pre\u00addil\u00adec\u00adtion for piz\u00adzi\u00adca\u00adto that he beads like a neck\u00adlace of pearls. Curious\u00adly, and against the tide may\u00adbe, if this free jazz is a free music through its vital essence \u2013 by its spon\u00adta\u00adneous form and abs\u00adtrac\u00adtion of har\u00admo\u00adnies \u2014 it is not by the over\u00adall sound of the trio: each musi\u00adci\u00adan con\u00adscious\u00adly avo\u00adids the cli\u00adch\u00e9s spe\u00adci\u00adfic to their instru\u00adment through the histo\u00adry of New Thing: no hoar\u00adse cry on saxo\u00adpho\u00adne, no para\u00adsi\u00adte sound on the bass (strings, just the strings), no noi\u00adsy expe\u00adri\u00admen\u00adtal elec\u00adtric gui\u00adtar. A sort of free jazz\u2026of velvet.
\nMarc Sar\u00adra\u00adzy, Impro Jazz Maga\u00adzi\u00adne, France, 2010<\/em><\/strong><\/span><\/p>\n

               The saxo\u00adpho\u00adnist of Aus\u00adtri\u00adan ori\u00adgin living in Ibi\u00adza, Muri\u00adel Gross\u00admann shares an expe\u00adri\u00admen\u00adtal ses\u00adsi\u00adon with the bal\u00adka\u00adnic gui\u00adta\u00adrist Rado\u00admir Milo\u00adj\u00adko\u00advic and the legen\u00adda\u00adry bas\u00adsist Che\u00adma Pel\u00adli\u00adco \u2014 instal\u00adled on the island with the hip\u00adpie atmo\u00adsphe\u00adre \u2011an exer\u00adcise in abun\u00addant com\u00admu\u00adni\u00adca\u00adti\u00adon, Caving jazz with glo\u00adrious moments. Impro\u00advi\u00adsed music, rather than instanta\u00adneous, in which dif\u00adfe\u00adrent voices fly\u00ading in par\u00adal\u00adlel, are built with exqui\u00adsi\u00adte poe\u00adtic ten\u00adsi\u00adon. It is a shame that out\u00adside the islands of Pitiue\u00adses so litt\u00adle know the duc\u00adti\u00adli\u00adty of the inte\u00adgra\u00adted blower Grossmann.
\nMar\u00adti Far\u00adr\u00e9, Jazz Maga\u00adzi\u00adne Jac, Bar\u00adce\u00adlo\u00adna, (nr. 35, Dec 2010\/Jan 2011)<\/em><\/strong><\/span><\/p>\n

\u21d0<\/a><\/strong><\/span>
\n<\/em><\/p>\n

 <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

ALBUM<\/span> NOTES<\/span>                  Muri\u00adel Grossmann\u2019s thoughts on natu\u00adre and mea\u00adning of exis\u00adtence through music invol\u00adve uncom\u00admon inten\u00adsi\u00adty of expres\u00adsi\u00adon. While Gross\u00admann does dig deep\u00adly into hers\u00adelf in the\u00adse explo\u00adra\u00adti\u00adons, her corol\u00adla\u00adry con\u00adcern is then to com\u00admu\u00adni\u00adca\u00adte as ful\u00adly as she can, what she is in pro\u00adcess of dis\u00adco\u00adve\u00adring. It is as if she, Milo\u00adj\u00adko\u00advic and \u2026 About this Album \u2014 Sud\u00adden Impact<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":223,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"class_list":["post-376","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/376","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=376"}],"version-history":[{"count":1,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/376\/revisions"}],"predecessor-version":[{"id":1549,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/376\/revisions\/1549"}],"up":[{"embeddable":true,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/223"}],"wp:attachment":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=376"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}