{"id":4763,"date":"2020-05-08T02:27:22","date_gmt":"2020-05-08T00:27:22","guid":{"rendered":"http:\/\/www.murielgrossmann.com\/?page_id=4763"},"modified":"2021-01-02T06:47:08","modified_gmt":"2021-01-02T05:47:08","slug":"album-reviews-elevation","status":"publish","type":"page","link":"https:\/\/murielgrossmann.com\/?page_id=4763","title":{"rendered":"Album Reviews Elevation"},"content":{"rendered":"

DESCRIPTION<\/span><\/strong><\/span><\/h4>\n
\n

\u201c<\/span>Tim\u00ade\u00adl\u00adess and inno\u00adva\u00adti\u00adve\u2026 a musi\u00adcal geni\u00adus\u201d Mike Gates, UK<\/span> Vibe<\/span><\/p>\n

\u201c<\/span>A lis\u00adtening expe\u00adri\u00adence akin to tran\u00ads\u00adcen\u00addence\u201d Andrew Jones, Down Beat<\/span><\/p>\n

\u201c<\/span>Vibrant, pas\u00adsio\u00adna\u00adte, exhi\u00adla\u00adra\u00adting. A monu\u00adment of spi\u00adri\u00adtu\u00adal jazz\u201d Mark Saraz\u00adzy, Impro Jazz<\/span><\/p>\n

\u201c<\/span>A jour\u00adney that takes off like mis\u00adsile, pas\u00adses through medi\u00adta\u00adti\u00adon, rea\u00adches nir\u00adva\u00adna and ends with thanks\u00adgi\u00adving\u201d Elli\u00adot Simon, NYC<\/span> jazz records<\/span><\/p>\n

\u201c<\/span>Tim\u00ade\u00adl\u00adess\u00adly beau\u00adtiful\u201d Chris\u00adti\u00adan Bak\u00adonyi, Concerto<\/span><\/p>\n

\u201c<\/span>You know you are always going to get qua\u00adli\u00adty on the Jazz\u00adman label and this is yet ano\u00adther bril\u00adli\u00adant exam\u00adp\u00adle!\u201d Ruth Fisher, Jazz FM<\/span><\/span><\/p>\n

Born in Paris, rai\u00adsed in Vien\u00adna, resi\u00addent in Ibi\u00adza, saxo\u00adpho\u00adnist and com\u00adpo\u00adser Muri\u00adel Gross\u00admann embo\u00addies the bor\u00adder\u00adless, pan-con\u00adti\u00adnen\u00adtal ener\u00adgies of con\u00adtem\u00adpo\u00adra\u00adry Euro\u00adpean jazz. Her music emer\u00adges from the lineage of Euro\u00adpean jazz that\u2019s absor\u00adbed the pro\u00adgres\u00adsi\u00adve music of Col\u00adtra\u00adne, Dol\u00adphy and San\u00adders. Today, she cites play\u00aders such as Illi\u00adnois Jac\u00adquet and Les\u00adter Young in the same breath as the mas\u00adters of the avant-gar\u00adde, and her play\u00ading mar\u00adries the direct\u00adness and elo\u00adquence of the older gene\u00adra\u00adti\u00adon with the ques\u00adt\u00ading, spi\u00adri\u00adtua\u00adli\u00adsed play\u00ading epi\u00adto\u00admi\u00adsed by Col\u00adtra\u00adne. The ros\u00adt\u00ader of musi\u00adci\u00adans she has play\u00aded with is long, and includes vete\u00adran Euro\u00adpean avant-gar\u00addists inclu\u00adding Joa\u00adchim and Rolf K\u00fchn, Wolf\u00adgang Rei\u00adsin\u00adger and Tho\u00admas Hei\u00adde\u00adpriem, and she works tire\u00adless\u00adly with con\u00adtem\u00adpo\u00adra\u00adry groups and big bands across the continent.<\/span><\/p>\n

Sin\u00adce her first recor\u00addings in the ear\u00adly 2000s, Gross\u00admann has released a dozen albums as lea\u00adder, fea\u00adturing sounds ran\u00adging from hard-swin\u00adging moder\u00adnist jams to free impro\u00advi\u00adsa\u00adti\u00adon, expan\u00adsi\u00adve spi\u00adri\u00adtu\u00adal work to rhythm-focus\u00adsed Afro\u00adcen\u00adtrism. But at the cent\u00adre of her work is a thread of pure and heart\u00adfelt spi\u00adri\u00adtu\u00adal music in the modal tra\u00addi\u00adti\u00adon defi\u00adned by Col\u00adtra\u00adne and clo\u00adse col\u00adla\u00adbo\u00adra\u00adtors like Pha\u00adro\u00adah San\u00adders and Ali\u00adce Col\u00adtra\u00adne. You can\u2019t play this music suc\u00adcessful\u00adly if you don\u2019t mean it \u2013 like the music of her con\u00adtem\u00adpo\u00adra\u00adry Nat Birch\u00adall, Grossmann\u2019s enga\u00adge\u00adment with the Col\u00adtra\u00adne tra\u00addi\u00adti\u00adon is sin\u00adce\u00adre and deep. Her music reso\u00adna\u00adtes within the tra\u00addi\u00adti\u00adon \u2013 more than just a style, it adds a new chap\u00adter to the sto\u00adry of modal and spi\u00adri\u00adtu\u00adal jazz in Europe.<\/span><\/p>\n

This Jazz\u00adman set draws a sel\u00adec\u00adtion from her 2016 album Natu\u00adral Time (\u2018Your Pace\u2019, \u2018Peace For All\u2019) and from 2017\u2019s Momen\u00adtum (\u2018Ele\u00adva\u00adti\u00adon\u2019, \u2018Chant\u2019 and \u2018Rising\u2019). Fea\u00adturing her regu\u00adlar quar\u00adtet of Rado\u00admir Milo\u00adj\u00adko\u00advic (gui\u00adtar) Uros Sta\u00admen\u00adko\u00advic (drums) and Gina Schwarz (bass), the music on Ele\u00adva\u00adti\u00adon is pure sound, soul and spirit!<\/span><\/p>\n<\/div>\n

ALBUM<\/span> REVIEWS<\/span><\/span><\/h4>\n

REVIEW<\/span> by Mike Gates, <\/em>Uk Vibe, May 2020 visit page here<\/a><\/span>
\n<\/strong>
\nIn some ways, lis\u00adtening to a Muri\u00adel Gross\u00admann album is like step\u00adping back in time. Reflec\u00adtions of Col\u00adtra\u00adne, Dol\u00adphy and San\u00adders catch the light in my mind\u2019s eye, dancing spi\u00adrits infu\u00adsed with the power of dis\u00adco\u00advery and inner heal\u00ading. But it\u2019s so much more than that. Embo\u00addy\u00ading the bor\u00adder\u00adless, fearless, pan-con\u00adti\u00adnen\u00adtal ener\u00adgies of con\u00adtem\u00adpo\u00adra\u00adry modern jazz, Grossmann\u2019s play\u00ading tru\u00adly embo\u00addies the direct\u00adness and elo\u00adquence of the older gene\u00adra\u00adti\u00adon whilst cap\u00adtu\u00adring a new, fresh and inspi\u00adring vir\u00adtuo\u00adsi\u00adty that lea\u00adves me breathl\u00adess with admiration.<\/span><\/span>
\n<\/strong><\/p>\n

Born in Paris, rai\u00adsed in Vien\u00adna, resi\u00addent in Ibi\u00adza, saxo\u00adpho\u00adnist and com\u00adpo\u00adser Muri\u00adel Gross\u00admann has released a dozen albums as lea\u00adder, going back to the ear\u00adly 2000s. Fea\u00adturing sounds ran\u00adging from hard-swin\u00adging moder\u00adnist jams to free impro\u00advi\u00adsa\u00adti\u00adon, expan\u00adsi\u00adve spi\u00adri\u00adtu\u00adal work to rhythm-focus\u00adsed Afro\u00adcen\u00adtrism, the\u00adre has always been a distinc\u00adti\u00adve thread of pure and heart\u00adfelt spi\u00adri\u00adtu\u00adal music at the cent\u00adre of her work. You can\u2019t play this music suc\u00adcessful\u00adly if you don\u2019t mean it \u2013 like the music of her con\u00adtem\u00adpo\u00adra\u00adry Nat Birch\u00adall, Grossmann\u2019s enga\u00adge\u00adment with the Col\u00adtra\u00adne tra\u00addi\u00adti\u00adon is sin\u00adce\u00adre and deep. Her music reso\u00adna\u00adtes within the tra\u00addi\u00adti\u00adon, adding her own inno\u00adva\u00adti\u00adve voice to the sto\u00adry of modal and spi\u00adri\u00adtu\u00adal jazz in Europe.<\/span><\/p>\n

\u201c<\/span>Ele\u00adva\u00adti\u00adon\u201d is a vinyl only release from Jazz\u00adman, and draws on a sel\u00adec\u00adtion from her 2016 CD<\/span> album Natu\u00adral Time (\u2018Your Pace\u2019, \u2018Peace For All\u2019) and from 2017\u2019s CD<\/span> Momen\u00adtum (\u2018Ele\u00adva\u00adti\u00adon\u2019, \u2018Chant\u2019 and \u2018Rising\u2019). I dis\u00adco\u00adver\u00aded Grossman\u2019s music rela\u00adtively recent\u00adly, through her two more recent albums, Rever\u00adence, and Gol\u00adden Rule, both released on the RR<\/span> Gems label. I instant\u00adly fell in love with her sound. Fea\u00adturing her regu\u00adlar quar\u00adtet of Rado\u00admir Milo\u00adj\u00adko\u00advic (gui\u00adtar) Uros Sta\u00admen\u00adko\u00advic (drums) and Gina Schwarz (bass), the music cho\u00adsen for this album has the same feel and vibe to it as her more recent releases, encom\u00adpas\u00adsing all that is bold and beau\u00adtiful about the way she and her band bring tog\u00ade\u00adther a cap\u00adti\u00advat\u00ading sen\u00adse of inti\u00adma\u00adcy, joy and free\u00addom from the glo\u00adrious music they are performing.<\/span><\/p>\n

Side A kicks off with a sen\u00adse of urgen\u00adcy. The retro-feel to Grossmann\u2019s music just adds to the vita\u00adli\u00adty of it all. Crisp, spar\u00adk\u00adling, melo\u00addic inven\u00adti\u00adon mixes seam\u00adless\u00adly with the deep groo\u00adves that arri\u00adve quick\u00adly, stay\u00ading pre\u00adsent for the tune\u2019s dura\u00adti\u00adon, allo\u00adwing for the glo\u00adrious\u00adly spon\u00adta\u00adneous solo\u00ading to drift in and out of the title track. \u2018Rising\u2019 con\u00adti\u00adnues in a simi\u00adlar vein, the quar\u00adtet crea\u00adting a luxu\u00adrious atmo\u00adsphe\u00adre that floats and slow\u00adly spills its gifts of life into the wel\u00adco\u00adming con\u00adscious\u00adness. As with all of the tunes here, the solid link bet\u00adween drums and bass, and sax and gui\u00adtar, lea\u00adves a las\u00adting impres\u00adsi\u00adon, not unli\u00adke a late \u201960s ear\u00adly \u201970s impro\u00advi\u00adsa\u00adtio\u00adnal Jan Garbarek\/Terje Ryp\u00addal Quar\u00adtet. Side B has a slight\u00adly less raw edge to it, with the sub\u00adli\u00adme \u2018Chant\u2019 spea\u00adking volu\u00admes in a subt\u00adle, unhur\u00adried way. Allu\u00adring and tim\u00ade\u00adl\u00adess, \u2018Your Pace\u2019 is soulful and begui\u00adling, it\u2019s medi\u00adta\u00adti\u00adve melo\u00addy enri\u00adched by the undoub\u00adted con\u00adnec\u00adtion this group of musi\u00adci\u00adans share. The clo\u00adsing pie\u00adce \u2018Peace For All\u2019 fea\u00adtures Gross\u00admann at her best, her sax soulful and con\u00adtem\u00adpla\u00adti\u00adve, befo\u00adre rea\u00adching out and soaring like a beau\u00adtiful eagle fly\u00ading over the most incre\u00addi\u00adbly stun\u00adning moun\u00adtain sce\u00adn\u00adery. Emo\u00adti\u00adve and strikin\u00adgly inno\u00adva\u00adti\u00adve, this music is just so inspiring.<\/span>
\nMike Gates<\/span><\/em><\/p>\n

 <\/p>\n

REVIEW<\/span> by Domi\u00adnic Val\u00advo\u00adna, <\/em>Mono\u00adlith Cock\u00adtail<\/span>, May 2020 visit page here<\/span><\/a><\/span><\/strong><\/p>\n

Many jazz gre\u00adats have of cour\u00adse attempt\u00aded it, the \u2018ele\u00adva\u00adti\u00adon\u2019 of not just the form but con\u00adscious\u00adness its\u00adelf. The Egyp\u00adto\u00adlo\u00adgist anoin\u00adted Pha\u00adro\u00adah San\u00adders even named an album after it; an ascen\u00addance at a time when jazz was embra\u00adcing its spi\u00adri\u00adtu\u00adal roots and his\u00adto\u00adri\u00adcal gra\u00advi\u00adtas: a return to the source in Africa.<\/span><\/p>\n

The supre\u00adme\u00adly talen\u00adted saxo\u00adpho\u00adnist band\u00adlea\u00adder Muri\u00adel Gross\u00admann<\/strong>, imbued with that same spi\u00adrit of vague con\u00adscious mys\u00adti\u00adcism and expe\u00adri\u00admen\u00adta\u00adti\u00adon, has now named one of her own impres\u00adsi\u00adve Afro\u00adjazz odys\u00adseys after that totem of an influ\u00aden\u00adti\u00adal album. It won\u2019t come as any sur\u00adpri\u00adse to find that the Pha\u00adraoh just hap\u00adpens to be one of Grossmann\u2019s influen\u00adces, along\u00adside such lumi\u00adna\u00adries as John and Ali\u00adce Col\u00adtra\u00adne, Les\u00adter Young and Eric Dol\u00adphy; all of which per\u00adme\u00ada\u00adte throug\u00adhout this sur\u00advey of the Euro\u00adpean jazz star\u2019s recent(ish) work.<\/span><\/p>\n

A sort of intro\u00adduc\u00adtion for tho\u00adse unfa\u00admi\u00adli\u00adar with an artist who\u2019s spent the last two deca\u00addes on the Euro\u00adpean sce\u00adne, play\u00ading with the likes of Joa\u00adchim and Rolf K\u00fchn, Wolf\u00adgang Rei\u00adsin\u00adges and Tho\u00admas Hei\u00adde\u00adpriem, the impec\u00adca\u00adble Jazz\u00adman label have cho\u00adsen to repre\u00adsent Grossmann\u2019s cata\u00adlo\u00adgue with sui\u00adtes from the 2016 Natu\u00adral Time and 2017 Momen\u00adtum albums; a moie\u00adty almost of com\u00adpli\u00admen\u00adta\u00adry records.<\/span><\/p>\n

In all a quin\u00adtet of con\u00adgruous tra\u00adver\u00adses, from a duo of albums, Grossman\u2019s own Ele\u00adva\u00adti\u00adon seems a ful\u00adly rea\u00adli\u00adsed, inter\u00adcon\u00adnec\u00adted and flowing oeu\u00advre that could have been recor\u00added all at the same ses\u00adsi\u00adon, only yes\u00adter\u00adday. An adven\u00adture across desert con\u00adtours, on the cara\u00advan trail in search of enligh\u00adten\u00adment and jazz nir\u00adva\u00adna; the impres\u00adsi\u00adve\u00adly invo\u00adca\u00adti\u00adve saxo\u00adpho\u00adnist and her trou\u00adpe of regu\u00adlars turn in a fan\u00adta\u00adsti\u00adcal pan\u00ado\u00adr\u00adamic opus.<\/span><\/p>\n

We start with the lat\u00adter of tho\u00adse albums and a trio of pyra\u00admid back\u00addrop num\u00adbers that pay homage to the Col\u00adtra\u00adnes (espe\u00adci\u00adal\u00adly Ali\u00adce), the Pha\u00adraoh, Archie Shepp and Green\u00adwich-hip era Albert Ayler. That gui\u00adding light title-track is a ten-minu\u00adte plus extra\u00adva\u00adgan\u00adza of splas\u00adhing drums, oozing and swadd\u00adled sax and mini plu\u00adcked out gui\u00adtar solos. It sounds like the group is on an opu\u00adlent trin\u00adket laden bar\u00adge. At first lin\u00adge\u00adring, trembling and stir\u00adring in mil\u00adder Nile waters, the action hot\u2019s up as the river beco\u00admes more ani\u00adma\u00adted and chop\u00adpy. Gross\u00admann lite\u00adral\u00adly spi\u00adrals towards the stars; gid\u00addi\u00adly blo\u00adwing so fast that her trade\u00admark instru\u00adment turns into a cla\u00adri\u00adnet at one point. Almost easing into the shim\u00adme\u00adry reso\u00adna\u00adting \u2018Rising\u2019, the quar\u00adtet sump\u00adtuous\u00adly treads fur\u00adther along a mys\u00adte\u00adrious pathway. Uros Sta\u00admen\u00adko\u00advic<\/strong> brushes the sand off his fligh\u00adty drum kit, and Rado\u00admir Milo\u00adj\u00adko\u00advic<\/strong> bends and picks out a diz\u00adzy\u00ading frill of notes on gui\u00adtar as Gross\u00admann flit\u00adters and flut\u00adters on ano\u00adther of the\u00adse con\u00adscious trips.<\/span><\/p>\n

Still gli\u00adding or wal\u00adking that same North Afri\u00adcan jazz geo\u00adgra\u00adphy, both \u2018Your Peace\u2019 and \u2018Peace For All\u2019 may very well have fur\u00adnis\u00adhed ano\u00adther album, but embrace and breath the same spi\u00adri\u00adtu\u00adal to expe\u00adri\u00admen\u00adtal jazz air. Shif\u00adting sands move under\u00adfoot on the first of tho\u00adse dus\u00adky shuff\u00adlers, whilst Eas\u00adtern mys\u00adti\u00adcal chi\u00admes and sere\u00adni\u00adty make way for pro\u00adgres\u00adsi\u00adve soulful sax, suc\u00adces\u00adsi\u00adons of deft gui\u00adtar licks and bur\u00adnis\u00adhed drums on the second of tho\u00adse mirages.<\/span><\/p>\n

Hard\u00adly a sla\u00advish attempt at repro\u00addu\u00adcing Grossmann\u2019s inspi\u00adra\u00adti\u00adons, Ele\u00adva\u00adti\u00adon is an impres\u00adsi\u00adve, evo\u00adca\u00adti\u00adve con\u00adti\u00adnua\u00adtion of tho\u00adse for\u00adbea\u00adrers blue\u00adprint. A show\u00adca\u00adse of explo\u00adra\u00adto\u00adry jazz left free to fol\u00adlow tho\u00adse same for\u00adbea\u00adrers by a group of Euro\u00adpean avant-gar\u00addists.<\/span> by <\/span>Domi\u00adnic Valvona<\/span><\/em><\/span><\/p>\n

REVIEW<\/span> by Dus\u00adty Groo\u00adve, Chi\u00adca\u00adgo visit page here<\/span><\/a><\/strong><\/span><\/p>\n

Fan\u00adta\u00adstic work from saxo\u00adpho\u00adnist Muri\u00adel Gross\u00admann \u2013 a play\u00ader who\u2019s tur\u00adning out to be as important to our gene\u00adra\u00adti\u00adon as John Col\u00adtra\u00adne and Pha\u00adro\u00adah San\u00adders were to theirs! Over the cour\u00adse of a handful of albums, most\u00adly issued under the radar, Muri\u00adel has been buil\u00adding up this tre\u00admen\u00addous lega\u00adcy in spi\u00adri\u00adtu\u00adal jazz \u2013 long-spun tunes that fea\u00adture her bur\u00adning work on tenor over some very uni\u00adque rhyth\u00admic con\u00adcep\u00adti\u00adons \u2013 usual\u00adly modal, but deli\u00adver\u00aded in a way that\u2019s very fresh, and which often has gui\u00adtar fil\u00adling a place that\u2019s nor\u00admal\u00adly held by pia\u00adno \u2013 so that Grossman\u2019s horn takes off in this fan\u00adta\u00adstic flur\u00adry of rhythm and color! The folks at Jazz\u00adman Records, strong sup\u00adport\u00ader of spi\u00adri\u00adtu\u00adal jazz in its many forms, have put tog\u00ade\u00adther this set as a gre\u00adat coll\u00adec\u00adtion of some of Miriam\u2019s ear\u00adlier, self-released records \u2013 a gre\u00adat intro\u00adduc\u00adtion, but also an essen\u00adti\u00adal sli\u00adce of her geni\u00adus \u2013 with five long tracks that include \u201cEle\u00adva\u00adti\u00adon\u201d, \u201cRising\u201d, \u201cChant\u201d, \u201cYour Pace\u201d, and \u201cPeace For All\u201d. <\/p>\n

REVIEW<\/span> by <\/span><\/strong>Wind\u00adout<\/span><\/a><\/strong>,<\/em> May 2020<\/span><\/strong><\/p>\n

Vibrant, pas\u00adsio\u00adna\u00adte the music of Muri\u00adel Gross\u00admann (sax) pushes jazz on expe\u00adri\u00admen\u00adtal grounds, a uni\u00adver\u00adse \u201chid\u00adden\u201d within the new jazz. Tim\u00ade\u00adl\u00adess and inno\u00adva\u00adti\u00adve. Her music emer\u00adges from the Davi\u00adsi\u00adan lan\u00adguage and has absor\u00adbed the spi\u00adri\u00adtu\u00adal music of Col\u00adtra\u00adne and Pha\u00adro\u00adah San\u00adders with modern dia\u00adlo\u00adgues and abso\u00adlu\u00adte free\u00addom with ela\u00ads\u00adtic vibes in the style of Ahmad Jamal. . Grossmann\u2019s pro\u00adpo\u00adsal adds a new chap\u00adter in the histo\u00adry of modal jazz in Euro\u00adpe: born in Paris, rai\u00adsed in Vien\u00adna, living in Ibi\u00adza, saxo\u00adpho\u00adnist and com\u00adpo\u00adser Muri\u00adel Gross\u00admann embo\u00addies the bound\u00adless and pan-con\u00adti\u00adnen\u00adtal ener\u00adgies of con\u00adtem\u00adpo\u00adra\u00adry jazz with a ran\u00adge of \u2018black\u2019 sound in a real\u00adly inte\u00adres\u00adt\u00ading way. On this five-track vinyl (and CD<\/span>) she draws a sel\u00adec\u00adtion from her 2016 album \u201cNatu\u00adral Time\u201d (\u2018Your Pace\u2019, \u2018Peace For All\u2019) and from Momen\u00adtum of 2017 (\u2018Ele\u00adva\u00adti\u00adon\u2019, \u2018Chant\u2019 and \u2018Rising\u2019). With her regu\u00adlar quar\u00adtet with Rado\u00admir Milo\u00adj\u00adko\u00advic (gui\u00adtar), Uros Sta\u00admen\u00adko\u00advic (drums) and Gina Schwarz (bass), Elevation\u2019s music is pure sound, soul, and psy\u00adche\u00adde\u00adlic funk of the best tradition.<\/span><\/span><\/p>\n

\u21d0<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

DESCRIPTION<\/span> \u201cTim\u00ade\u00adl\u00adess and inno\u00adva\u00adti\u00adve\u2026 a musi\u00adcal geni\u00adus\u201d Mike Gates, UK<\/span> Vibe \u201cA lis\u00adtening expe\u00adri\u00adence akin to tran\u00ads\u00adcen\u00addence\u201d Andrew Jones, Down Beat \u201cVibrant, pas\u00adsio\u00adna\u00adte, exhi\u00adla\u00adra\u00adting. A monu\u00adment of spi\u00adri\u00adtu\u00adal jazz\u201d Mark Saraz\u00adzy, Impro Jazz \u201cA jour\u00adney that takes off like mis\u00adsile, pas\u00adses through medi\u00adta\u00adti\u00adon, rea\u00adches nir\u00adva\u00adna and ends with thanks\u00adgi\u00adving\u201d Elli\u00adot Simon, NYC<\/span> jazz records \u201cTim\u00ade\u00adl\u00adess\u00adly beau\u00adtiful\u201d Chris\u00adti\u00adan Bak\u00adonyi, \u2026 Album Reviews Ele\u00adva\u00adti\u00adon<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"class_list":["post-4763","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/4763","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4763"}],"version-history":[{"count":9,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/4763\/revisions"}],"predecessor-version":[{"id":4992,"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=\/wp\/v2\/pages\/4763\/revisions\/4992"}],"wp:attachment":[{"href":"https:\/\/murielgrossmann.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4763"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}